Gender Theory And The Canon
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Author | : James A. Winders |
Publisher | : Univ of Wisconsin Press |
Total Pages | : 212 |
Release | : 1991 |
Genre | : Literary Criticism |
ISBN | : 9780299129248 |
Winders picks up the gauntlet thrown down by right-wing educators demanding a return to teaching the Great Works of literature, and shows how recent feminist and deconstructionist critical theories can deal with texts that are fundamentally patriarchal and elitist. He also points out where the new weapons need honing before they can bite into such tough, venerable material. A paper edition (unseen) is reported available for $12.95. Annotation copyrighted by Book News, Inc., Portland, OR
Author | : Marcia J. Citron |
Publisher | : University of Illinois Press |
Total Pages | : 332 |
Release | : 2000 |
Genre | : Music |
ISBN | : 9780252069161 |
A classic in gender studies in music Marcia J. Citron's comprehensive, balanced work lays a broad foundation for the study of women composers and their music. Drawing on a diverse body of feminist and interdisciplinary theory, Citron shows how the western art canon is not intellectually pure but the result of a complex mixture of attitudes, practices, and interests that often go unacknowledged and unchallenged. Winner of the Pauline Alderman Prize from the International Alliance of Women in Music, Gender and the Musical Canon explores important elements of canon formation, such as notions of creativity, professionalism, and reception. Citron surveys the institutions of power, from performing organizations and the academy to critics and the publishing and recording industries, that affect what goes into the canon and what is kept out. She also documents the nurturing role played by women, including mothers, in cultivating female composers. In a new introduction, she assesses the book's reception by composers and critics, especially the reactions to her controversial reading of Cécile Chaminade's sonata for piano. A key volume in establishing how the concepts and assumptions that form the western art music canon affect female composers and their music, Gender and the Musical Canon also reveals how these dynamics underpin many of the major issues that affect musicology as a discipline.
Author | : Alisa Solomon |
Publisher | : Taylor & Francis |
Total Pages | : 232 |
Release | : 1997 |
Genre | : Art |
ISBN | : 9780415157216 |
Solomon examines the relationship between gender and performance in a series of essays which combine the critique of specific live performances with an astute theoretical analysis.
Author | : Griselda Pollock |
Publisher | : Routledge |
Total Pages | : 372 |
Release | : 2013-04-15 |
Genre | : Art |
ISBN | : 1135084475 |
In this major book, Griselda Pollock engages boldly in the culture wars over `what is the canon?` and `what difference can feminism make?` Do we simply reject the all-male line-up and satisfy our need for ideal egos with an all women litany of artistic heroines? Or is the question a chance to resist the phallocentric binary and allow the ambiguities and complexities of desire - subjectivity and sexuality - to shape the readings of art that constantly displace the present gender demarcations?
Author | : Marshall Grossman |
Publisher | : University Press of Kentucky |
Total Pages | : 426 |
Release | : 2021-05-11 |
Genre | : Literary Criticism |
ISBN | : 0813182808 |
Aemilia Lanyer was a Londoner of Jewish-Italian descent and the mistress of Queen Elizabeth's Lord Chamberlain. But in 1611 she did something extraordinary for a middle-class woman of the seventeenth century: she published a volume of original poems. Using standard genres to address distinctly feminine concerns, Lanyer's work is varied, subtle, provocative, and witty. Her religious poem "Salve Deus Rex Judaeorum" repeatedly projects a female subject for a female reader and casts the Passion in terms of gender conflict. Lanyer also carried this concern with gender into the very structure of the poem; whereas a work of praise usually held up the superiority of its patrons, the good women in Lanyer's poem exemplify worth women in general. The essays in this volume establish the facts of Lanyer's life and use her poetry to interrogate that of her male contemporaries, Donne, Jonson, and Shakespeare. Lanyer's work sheds light on views of gender and class identities in early modern society. By using Lanyer to look at the larger issues of women writers working within a patriarchal system, the authors go beyond the explication of Lanyer's writing to address the dynamics of canonization and the construction of literary history.
Author | : Nancy J. Hirschmann |
Publisher | : Princeton University Press |
Total Pages | : 352 |
Release | : 2008 |
Genre | : Philosophy |
ISBN | : 0691129894 |
Examines the gender and class foundations of the modern understanding of freedom.
Author | : Susan Sellers |
Publisher | : |
Total Pages | : 246 |
Release | : 1991 |
Genre | : Social Science |
ISBN | : |
A collection of essays illustrating the current preoccupations and practices of 13 British feminists. Each focusses on a literary text, either presenting a feminist interpretation or explaining the author's feminism. No index. Annotation copyrighted by Book News, Inc., Portland, OR
Author | : Julia M. O'Brien |
Publisher | : |
Total Pages | : 577 |
Release | : 2014 |
Genre | : Reference |
ISBN | : 019983699X |
As the first major encyclopedia of its kind, The Oxford Encyclopedia of the Bible and Gender Studies (OEBGS) is the go-to source for scholars and students undertaking original research in the field. Extending the work of nineteenth and twentieth century feminist scholarship and more recent queer studies, the Encyclopedia seeks to advance the scholarly conversation by systematically exploring the ways in which gender is constructed in the diverse texts, cultures, and readers that constitute "the world of the Bible." With contributions from leading scholars in gender and biblical studies as well as contemporary gender theorists, classicists, archaeologists, and ancient historians, this comprehensive reference work reflects the diverse and interdisciplinary nature of the field and traces both historical and modern conceptions of gender and sexuality in the Bible. The two-volume Encyclopedia contains more than 160 entries ranging in length from 1,000 to 10,000 words. Each entry includes bibliographic references and suggestions for further reading, as well as a topical outline and index to aid in research. The OEBGS builds upon the pioneering work of biblically focused gender theorists to help guide and encourage further gendered discussions of the Bible.
Author | : Patricia Owens |
Publisher | : Cambridge University Press |
Total Pages | : 371 |
Release | : 2021-01-07 |
Genre | : History |
ISBN | : 1108494692 |
The first cross-disciplinary history of women's international thought, analysing leading international thinkers of the twentieth century.
Author | : Sarah Tyson |
Publisher | : Columbia University Press |
Total Pages | : 237 |
Release | : 2018-10-16 |
Genre | : Philosophy |
ISBN | : 0231545258 |
Philosophy has not just excluded women. It has also been shaped by the exclusion of women. As the field grapples with the reality that sexism is a central problem not just for the demographics of the field but also for how philosophy is practiced, many philosophers have begun to rethink the canon. Yet attempts to broaden European and Anglophone philosophy to include more women in the discipline’s history or to acknowledge alternative traditions will not suffice as long as exclusionary norms remain in place. In Where Are the Women?, Sarah Tyson makes a powerful case for how redressing women’s exclusion can make philosophy better. She argues that engagements with historical thinkers typically afforded little authority can transform the field, outlining strategies based on the work of three influential theorists: Genevieve Lloyd, Luce Irigaray, and Michèle Le Doeuff. Following from the possibilities they open up, at once literary, linguistic, psychological, and political, Tyson reclaims two passionate nineteenth-century texts—the Declaration of Sentiments from the 1848 Seneca Falls Convention and Sojourner Truth’s speech at the 1851 Akron, Ohio, Women’s Convention—showing how the demands for equality, rights, and recognition sought in the early women’s movement still pose quandaries for contemporary philosophy, feminism, and politics. Where Are the Women? challenges us to confront the reality that women’s exclusion from philosophy has been an ongoing project and to become more critical both of how we see existing injustices and of how we address them.