Gender And The Body In Greek And Roman Sculpture
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| Author | : Rosemary Barrow |
| Publisher | : Cambridge University Press |
| Total Pages | : 245 |
| Release | : 2018-10-11 |
| Genre | : Art |
| ISBN | : 1108583865 |
Gender and the Body in Greek and Roman Sculpture offers incisive analysis of selected works of ancient art through a critical use of cutting-edge theory from gender studies, body studies, art history and other related fields. The book raises important questions about ancient sculpture and the contrasting responses that the individual works can be shown to evoke. Rosemary Barrow gives close attention to both original context and modern experience, while directly addressing the question of continuity in gender and body issues from antiquity to the early modern period through a discussion of the sculpture of Bernini. Accessible and fully illustrated, her book features new translations of ancient sources and a glossary of Greek and Latin terms. It will be an invaluable resource and focus for debate for a wide range of readers interested in ancient art, gender and sexuality in antiquity, and art history and gender and body studies more broadly.
| Author | : Rosemary J. Barrow |
| Publisher | : |
| Total Pages | : 225 |
| Release | : 2018 |
| Genre | : Gender identity in art |
| ISBN | : 9781107612198 |
Gender and the Body in Greek and Roman Sculpture offers incisive analysis of selected works of ancient art through a critical use of cutting-edge theory from gender studies, body studies, art history and other related fields. The book raises important questions about ancient sculpture and the contrasting responses that the individual works can be shown to evoke. Rosemary Barrow gives close attention to both original context and modern experience, while directly addressing the question of continuity in gender and body issues from antiquity to the early modern period through a discussion of the sculpture of Bernini. Accessible and fully illustrated, her book features new translations of ancient sources and a glossary of Greek and Latin terms. It will be an invaluable resource and focus for debate for a wide range of readers interested in ancient art, gender and sexuality in antiquity, and art history and gender and body studies more broadly
| Author | : Glenys Davies |
| Publisher | : |
| Total Pages | : 371 |
| Release | : 2018-05-31 |
| Genre | : Art |
| ISBN | : 0521842735 |
Analysis of the body language of statues of men and women as an indicator of gender relations in Roman society.
| Author | : Rosemary J. Barrow |
| Publisher | : Cambridge University Press |
| Total Pages | : 245 |
| Release | : 2018-10-11 |
| Genre | : Art |
| ISBN | : 1107039541 |
Offers analysis of selected works of ancient art through a critical use of cutting-edge theory from gender studies, body studies, and art history.
| Author | : Mireille M. Lee |
| Publisher | : Cambridge University Press |
| Total Pages | : 383 |
| Release | : 2015-01-12 |
| Genre | : Art |
| ISBN | : 1316194957 |
This is the first general monograph on ancient Greek dress in English to be published in more than a century. By applying modern dress theory to the ancient evidence, this book reconstructs the social meanings attached to the dressed body in ancient Greece. Whereas many scholars have focused on individual aspects of ancient Greek dress, from the perspectives of literary, visual, and archaeological sources, this volume synthesizes the diverse evidence and offers fresh insights into this essential aspect of ancient society. Intended to be accessible to nonspecialists as well as classicists, and students as well as academic professionals, this book will find a wide audience.
| Author | : Jennifer Trimble |
| Publisher | : Cambridge University Press |
| Total Pages | : 499 |
| Release | : 2011-09-15 |
| Genre | : Art |
| ISBN | : 0521825156 |
This book explains why Roman portrait statues, famed for their individuality, repeatedly employed the same body forms.
| Author | : Douglas Cairns |
| Publisher | : Classical Press of Wales |
| Total Pages | : 258 |
| Release | : 2005-12-31 |
| Genre | : History |
| ISBN | : 1910589640 |
A distinguished cast of scholars discusses models of gesture and non-verbal communication as they apply to Greek and Roman culture, literature and art. Topics include dress and costume in the Homeric poems; the importance of looking, eye-contact, and face-to-face orientation in Greek society; the construction of facial expression in Greek and Roman epic; the significance of gesture and body language in the visual meaning of ancient sculpture; the evidence for gesture and performance style in the texts of ancient drama; the erotic significance of feet and footprints; and the role of gesture in Roman law. The volume seeks to apply a sense of history as well as of theory in interpreting non-verbal communication. It looks both at the cross-cultural and at the culturally specific in its treatment of this important but long-neglected aspect of Classical Studies.
| Author | : Michael Squire |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 256 |
| Release | : 2011-03-24 |
| Genre | : Art |
| ISBN | : 0857738569 |
The art of the human body is arguably the most important and wide-ranging legacy bequeathed to us by Classical antiquity. Not only has it directed the course of western image-making, it has shaped our collective cultural imaginary - as ideal, antitype, and point of departure. This book is the first concerted attempt to grapple with that legacy: it explores the complex relationship between Graeco-Roman images of the body and subsequent western engagements with them, from the Byzantine icon to Venice Beach (and back again). Instead of approaching his material chronologically, Michael Squire faces up to its inherent modernity. Writing in a lively and accessible style, and supplementing his text with a rich array of pictures, he shows how Graeco-Roman images inhabit our world as if they were our own. The Art of the Body offers a series of comparative and thematic accounts, demonstrating the range of cultural ideas and anxieties that were explored through the figure of the body both in antiquity and in the various cultural landscapes that came afterwards. If we only strip down our aesthetic investment in the corpus of Graeco-Roman imagery, Squire argues, this material can shed light on both ancient and modern thinking. The result is a stimulating process of mutual illumination - and an exhilarating new approach to Classical art history.
| Author | : Ian Dennis Jenkins |
| Publisher | : Getty Publications |
| Total Pages | : 150 |
| Release | : 2009 |
| Genre | : Figure sculpture |
| ISBN | : 9781606060025 |
More than any other ancient civilization, the Greeks placed the human body at the center of their culture. To them, the sculpted human figure was both an object of sensory delight and an expression of an intelligent mind. In the modern popular imagination, mention of the ancient Greeks is likely to conjure up an image of idealized and naked youth, and it is true that the ideal nude, both male and female, is a striking feature of Greek sculpture. However, in later Greek art, sculptors and their patrons became increasingly interested in human diversity, experimenting with the representation of ethnicity, age, social standing, and character. The marble, bronze, and terra-cotta sculptures presented in this volume--outstanding highlights drawn from over six centuries of artistic production--demonstrate the diversity of Greek figural forms, from the idealized beauty of the Classical era to the individualized portraits of the Hellenistic period. Large, stunning details testify to the artists' skills in portraying cold, hard materials as warm, human flesh.
| Author | : Jessica Hughes |
| Publisher | : Cambridge University Press |
| Total Pages | : 235 |
| Release | : 2017-04-06 |
| Genre | : History |
| ISBN | : 1108146163 |
This book examines a type of object that was widespread and very popular in classical antiquity - votive offerings in the shape of parts of the human body. It collects examples from four principal areas and time periods: Classical Greece, pre-Roman Italy, Roman Gaul and Roman Asia Minor. It uses a compare-and-contrast methodology to highlight differences between these sets of votives, exploring the implications for our understandings of how beliefs about the body changed across classical antiquity. The book also looks at how far these ancient beliefs overlap with, or differ from, modern ideas about the body and its physical and conceptual boundaries. Central themes of the book include illness and healing, bodily fragmentation, human-animal hybridity, transmission and reception of traditions, and the mechanics of personal transformation in religious rituals.
