Garys Poetry
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| Author | : Gary D. Schmidt |
| Publisher | : HarperCollins |
| Total Pages | : 305 |
| Release | : 2010-04-12 |
| Genre | : Young Adult Fiction |
| ISBN | : 0547487738 |
“Henry Smith’s father told him that if you build your house far enough away from Trouble, then Trouble will never find you.” But Trouble comes careening down the road one night in the form of a pickup truck that strikes Henry’s older brother, Franklin. In the truck is Chay Chouan, a young Cambodian from Franklin’s preparatory school, and the accident sparks racial tensions in the school—and in the well-established town where Henry’s family has lived for generations. Caught between anger and grief, Henry sets out to do the only thing he can think of: climb Mt. Katahdin, the highest mountain in Maine, which he and Franklin were going to climb together. Along with Black Dog, whom Henry has rescued from drowning, and a friend, Henry leaves without his parents’ knowledge. The journey, both exhilarating and dangerous, turns into an odyssey of discovery about himself, his older sister, Louisa, his ancestry, and why one can never escape from Trouble.
| Author | : Glyn Maxwell |
| Publisher | : Harvard University Press |
| Total Pages | : 116 |
| Release | : 2016-11-21 |
| Genre | : Literary Criticism |
| ISBN | : 0674265874 |
“This is a book for anyone,” Glyn Maxwell declares of On Poetry. A guide to the writing of poetry and a defense of the art, it will be especially prized by writers and readers who wish to understand why and how poetic technique matters. When Maxwell states, “With rhyme what matters is the distance between rhymes” or “the line-break is punctuation,” he compresses into simple, memorable phrases a great deal of practical wisdom. In seven chapters whose weird, gnomic titles announce the singularity of the book—“White,” “Black,” “Form,” “Pulse,” “Chime,” “Space,” and “Time”—the poet explores his belief that the greatest verse arises from a harmony of mind and body, and that poetic forms originate in human necessities: breath, heartbeat, footstep, posture. “The sound of form in poetry descended from song, molded by breath, is the sound of that creature yearning to leave a mark. The meter says tick-tock. The rhyme says remember. The whiteness says alone,” Maxwell writes. To illustrate his argument, he draws upon personal touchstones such as Emily Dickinson and Robert Frost. An experienced teacher, Maxwell also takes us inside the world of the creative writing class, where we learn from the experiences of four aspiring poets. “You master form you master time,” Maxwell says. In this guide to the most ancient and sublime of the realms of literature, Maxwell shares his mastery with us.
| Author | : Frank Kermode |
| Publisher | : A&C Black |
| Total Pages | : 284 |
| Release | : 2013-05-23 |
| Genre | : Literary Criticism |
| ISBN | : 1448211298 |
Frank Kermode is one of the pre-eminent practitioners of the art of criticism in the English speaking world. It has been his distinction to make a virtue – as all the best critics have done – of the necessarily occasional nature of his profession. That virtue is evident on every page of this collection of essays. In one group of essays he asks the reader to share his pleasure in a number of major writers – Milton, T.S. Eliot, Wallace Stevens. In another, he discusses ideas about problems in biblical criticism and their implications for the study of narrative in particular and the interpretation of secular literary texts in general. In them he gives clear accounts of questions relating to interpretation and the debate about canons. A key essay looks at the career of William Empson, a career lived between literature and criticism, between the pleasure of the text and the delight in conceptual issues which is characteristic of so much of the contemporary taste for theory. It is Empson's career, perhaps, which is the foundation for the polemical prologue to the book, where Kermode challenges those who doubt the possibility (and the necessity) of the cross-over between literature and criticism, and who argue that criticism is mere appreciation, mere connoisseurship, that theory has displaced criticism and has left literature in the dust, that theory is the avant-garde of critical thought. This piece defines the author's position in the debate about literature and value.
| Author | : Robert Darnton |
| Publisher | : Harvard University Press |
| Total Pages | : 233 |
| Release | : 2011-03-15 |
| Genre | : History |
| ISBN | : 0674059271 |
Listen to "An Electronic Cabaret: Paris Street Songs, 1748–50" for songs from Poetry and the PoliceAudio recording copyright © 2010 by the President and Fellows of Harvard College. All rights reserved. In spring 1749, François Bonis, a medical student in Paris, found himself unexpectedly hauled off to the Bastille for distributing an “abominable poem about the king.” So began the Affair of the Fourteen, a police crackdown on ordinary citizens for unauthorized poetry recitals. Why was the official response to these poems so intense? In this captivating book, Robert Darnton follows the poems as they passed through several media: copied on scraps of paper, dictated from one person to another, memorized and declaimed to an audience. But the most effective dispersal occurred through music, when poems were sung to familiar tunes. Lyrics often referred to current events or revealed popular attitudes toward the royal court. The songs provided a running commentary on public affairs, and Darnton brilliantly traces how the lyrics fit into song cycles that carried messages through the streets of Paris during a period of rising discontent. He uncovers a complex communication network, illuminating the way information circulated in a semi-literate society. This lucid and entertaining book reminds us of both the importance of oral exchanges in the history of communication and the power of “viral” networks long before our internet age.
| Author | : Gary Wood |
| Publisher | : Whitaker House |
| Total Pages | : 70 |
| Release | : 2014-07-01 |
| Genre | : Religion |
| ISBN | : 1629112003 |
On December 23, 1966, eighteen-year-old Gary Wood was driving with his younger sister Sue along a dark street in their hometown. They were heading home, singing Christmas songs, when Sue spotted an illegally parked tow truck sticking into their lane of traffic. Her scream pierced the night only a moment before the car crashed headlong into the obstruction. Join Dr. Wood as he recaps his miraculous experience of twenty minutes spent in A Place Called Heaven. Just before he returned to earth, Gary was commissioned by Jesus to make Him real to people, wherever he went. In the time since, he has overcome medical mysteries and the threats of unfriendly bikers, all while thanking God for his inspired life.
| Author | : Michael Nott |
| Publisher | : Farrar, Straus and Giroux |
| Total Pages | : 501 |
| Release | : 2024-06-18 |
| Genre | : Biography & Autobiography |
| ISBN | : 0374721378 |
A no-holds-barred biography of the great poet and sexual rebel, who could “give the dead a voice, make them sing” (Hilton Als, The New Yorker). Thom Gunn was not a confessional poet, and he withheld much, but inseparable from his rigorous, formal poetry was a ravenous, acute experience of life and death. Raised in Kent, England, and educated at Cambridge, Gunn found a home in San Francisco, where he documented the city’s queerness, the hippie mentality (and drug use) of the sixties, and the tragedy and catastrophic impact of the AIDS crisis in the eighties and beyond. As Jeremy Lybarger wrote in The New Republic, the author of Moly and The Man with Night Sweats was “an agile poet who renovated tradition to accommodate the rude litter of modernity.” Thom Gunn: A Cool Queer Life chronicles, for the first time, the largely undocumented life of this revolutionary poet. Michael Nott, a coeditor of The Letters of Thom Gunn, draws on letters, diaries, notebooks, interviews, and Gunn’s poetry to create a portrait as vital as the man himself. Nott writes with insight and intimacy about the great sweep of Gunn’s life: his traditional childhood in England; his mother’s suicide; the mind-opening education he received at Cambridge, reading Shakespeare and John Donne; his decades in San Francisco and with his life partner, Mike Kitay; and his visceral experience of sex, drugs, and loss. Thom Gunn: A Cool Queer Life is a long-awaited, landmark study of one of England and America’s most innovative poets.
| Author | : Helen Vendler |
| Publisher | : Harvard University Press |
| Total Pages | : 155 |
| Release | : 2009-06-30 |
| Genre | : Poetry |
| ISBN | : 0674044622 |
Poetry has often been considered an irrational genre, more expressive than logical, more meditative than given to coherent argument. And yet, in each of the four very different poets she considers here, Helen Vendler reveals a style of thinking in operation; although they may prefer different means, she argues, all poets of any value are thinkers. The four poets taken up in this volume--Alexander Pope, Walt Whitman, Emily Dickinson, and William Butler Yeats--come from three centuries and three nations, and their styles of thinking are characteristically idiosyncratic. Vendler shows us Pope performing as a satiric miniaturizer, remaking in verse the form of the essay, Whitman writing as a poet of repetitive insistence for whom thinking must be followed by rethinking, Dickinson experimenting with plot to characterize life's unfolding, and Yeats thinking in images, using montage in lieu of argument. With customary lucidity and spirit, Vendler traces through these poets' lines to find evidence of thought in lyric, the silent stylistic measures representing changes of mind, the condensed power of poetic thinking. Her work argues against the reduction of poetry to its (frequently well-worn) themes and demonstrates, instead, that there is always in admirable poetry a strenuous process of thinking, evident in an evolving style--however ancient the theme--that is powerful and original.
| Author | : Robert Penn Warren |
| Publisher | : Harvard University Press |
| Total Pages | : 124 |
| Release | : 1975 |
| Genre | : Literary Criticism |
| ISBN | : 9780674196261 |
In these two essays, one of America's most honored writers fastens on the interrelation of American democracy and poetry and the concept of selfhood vital to each. "I really don't want to make a noise like a pundit," Mr. Warren declares, "What I do want to do is to return us--and myself most of all--to a scrutiny of our own experience of our own world." Indeed, Democracy and Poetry offers one of the most pertinent and strongly personal meditations on our condition to have appeared in recent letters. Our native "poetry," that is, literature and art, in general, is a social document, is "diagnostic," and has often been a corrosive criticism of our democracy, Mr. Warren argues. Persuasively, and movingly, he shows that all of "art" and all that goes into the making of democracy require a free and responsible self. Yet the American experience has been one of the decay of the notion of self. Our astounding success jeopardized what we promised to create--the free man. For a century and a half the conception of the self has been dwindling, separating itself from traditional values, moral identity, and a secure relation with community. Lonely heroes in a bankrupt civilization, then protest, despair, aimlessness, and violence, have marked our literature. The anguish of Robert Penn Warren's own poetic vision of art and democracy is soothed only by his belief that poetry--the making of art can nourish and at least do something toward the rescue of democracy; he shows how art can be- come a healer, can be "therapeutic." In the face of disintegrative forces set loose in a business and technetronic society, it is poetry that affirms the notion of the self. It is a model of the organized self, an emblem of the struggle for the achieving self, and of the self in a community. More and more as our modern technetronic society races toward the abolition of the self, and diverges from a culture created to enhance the notion of selfhood, poetry becomes indispensable. Compelling, resonant, memorable, Democracy and Poetry is a major testament not only to the vitality of poetry, but also to a faith in democracy.
| Author | : Gillian White |
| Publisher | : Harvard University Press |
| Total Pages | : 361 |
| Release | : 2014-10-13 |
| Genre | : Literary Criticism |
| ISBN | : 0674734394 |
Gillian White argues that the poetry wars among critics and practitioners are shaped by “lyric shame”—an unspoken but pervasive embarrassment over what poetry is, should be, and fails to be. “Lyric” is less a specific genre than a way to project subjectivity onto poems—an idealized poem that is nowhere and yet everywhere.
| Author | : Gary Kaschak |
| Publisher | : Author House |
| Total Pages | : 512 |
| Release | : 2009-06-12 |
| Genre | : Fiction |
| ISBN | : 146785722X |
In Gary Kaschak's Lifestone, an obscure, "disreputable" cemetery plot proves the key to unlock a mystery rooted in the 19th century- and to right a host of wrongs and injustices suffered by an extraordinary woman whose forgotten, heroic, freedom-seeking journey and labors of faith brought healing and love to countless lives... whose amazing story will reach out from this inspiring novel to touch yours. An unlikely partnership of current day sleuths- elderly journalist-historian Peter McDonnell and two college students: spoiled young publishing scion Torrance Albright III and determined Maura Dean- joins to track legendary Professor Sebastian Norwich's unique assignment back to the U.S. Civil War's end and beyond, in search of a dynamic woman named Hope, through a web of murder, prejudice and deceitful cover-up it will take all their ingenuity, courage, energy and even love to untangle. Kaschak suspensefully cross-cuts this saga between his modern-day, young-old investigators' probings and the epic, 19th- century puzzle and kaleidoscopic cast of characters they're striving to solve and reveal, dominated by Hope, the giant of faith and compassion who even from the grave draws ages, ethnicities and social classes together in an embrace of truth and joy that can know no death.
