From Lowbrow To Nobrow
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Author | : Peter Swirski |
Publisher | : McGill-Queen's Press - MQUP |
Total Pages | : 232 |
Release | : 2005-10-24 |
Genre | : Social Science |
ISBN | : 0773573240 |
Swirski begins with a series of groundbreaking questions about the nature of popular fiction, vindicating it as an artform that expresses and reflects the aesthetic and social values of its readers. He follows his insightful introduction to the socio-aesthetics of genre literature with a synthesis of the century long debate on the merits of popular fiction and a study of genre informed by analytic aesthetics and game theory. Swirski then turns to three "nobrow" novels that have been largely ignored by critics. Examining the aesthetics of "artertainment" in Karel Capek's War with the Newts, Raymond Chandler's Playback, and Stanislaw Lem's Chain of Chance, crossover tours de force, From Lowbrow to Nobrow throws new light on the hazards and rewards of nobrow traffic between popular forms and highbrow aesthetics.
Author | : Peter Swirski |
Publisher | : McGill-Queen's Press - MQUP |
Total Pages | : 234 |
Release | : 2005 |
Genre | : Literary Criticism |
ISBN | : 9780773530195 |
'From Lowbrow to Nobrow' vindicates popular fiction as an art form that expresses and reflects the aesthetic and social values of its readers.
Author | : Peter Swirski |
Publisher | : Springer |
Total Pages | : 278 |
Release | : 2017-06-27 |
Genre | : Literary Criticism |
ISBN | : 1349951684 |
This book examines nobrow, a cultural formation that intertwines art and entertainment into an identifiable creative force. In our eclectic and culturally turbocharged world, the binary of highbrow vs. lowbrow is incapable of doing justice to the complexity and artistry of cultural production. Until now, the historical power, aesthetic complexity, and social significance of nobrow “artertainment” have escaped analysis. This book rectifies this oversight. Smart, funny, and iconoclastic, it scrutinizes the many faces of nobrow, throwing surprising light on the hazards and rewards of traffic between high entertainment and genre art.
Author | : Dwight Macdonald |
Publisher | : New York Review of Books |
Total Pages | : 321 |
Release | : 2011-10-11 |
Genre | : Social Science |
ISBN | : 1590174682 |
A New York Review Books Original An uncompromising contrarian, a passionate polemicist, a man of quick wit and wide learning, an anarchist, a pacifist, and a virtuoso of the slashing phrase, Dwight Macdonald was an indefatigable and indomitable critic of America’s susceptibility to well-meaning cultural fakery: all those estimable, eminent, prizewinning works of art that are said to be good and good for you and are not. He dubbed this phenomenon “Midcult” and he attacked it not only on aesthetic but on political grounds. Midcult rendered people complacent and compliant, secure in their common stupidity but neither happy nor free. This new selection of Macdonald’s finest essays, assembled by John Summers, the editor of The Baffler, reintroduces a remarkable American critic and writer. In the era of smart, sexy, and everything indie, Macdonald remains as pertinent and challenging as ever.
Author | : Stanisław Lem |
Publisher | : Northwestern University Press |
Total Pages | : 139 |
Release | : 1997-11-12 |
Genre | : Literary Criticism |
ISBN | : 081011495X |
In The Lem Reader, Peter Swirski has assembled an in-depth and insightful collection of writings by and about, and interviews with, one of the most fascinating writers of the twentieth century.
Author | : Harlan Levey |
Publisher | : Gingko Press Editions |
Total Pages | : 0 |
Release | : 2011 |
Genre | : Art, Modern |
ISBN | : 9781584234579 |
In their second volume, MODART coins a new term, 'Moussism' to describe a post-everything era in the arts. According to the editors, Moussism is a non-traditional community based movement, which is not limited to a period, place or classical notion of aesthetics, discipline, medium, ideology or style. Artists such as David Shrigley, Nomad, Will Barras, Jeroen Jongeleen (Influenza) and East Eric are selected within to illustrate the concept of Moussism for their emphasis on a gestural approach.
Author | : John Seabrook |
Publisher | : Methuen Publishing |
Total Pages | : 220 |
Release | : 2001 |
Genre | : Mass media and culture |
ISBN | : 9780413744807 |
From an incisive and cultural critic comes a fascinating look at the commercialization of taste. Combining social commentary, memoir, and profiles of the potentates and purveyors of pop culture, Seabrook offers an enthralling look at our breakneck society.
Author | : Michael Kammen |
Publisher | : Knopf |
Total Pages | : 300 |
Release | : 2012-10-03 |
Genre | : Social Science |
ISBN | : 0307827712 |
Americans have a long history of public arguments about taste, the uses of leisure, and what is culturally appropriate in a democracy that has a strong work ethic. Michael Kammen surveys these debates as well as our changing taste preferences, especially in the past century, and the shifting perceptions that have accompanied them. Professor Kammen shows how the post-traditional popular culture that flourished after the 1880s became full-blown mass culture after World War II, in an era of unprecedented affluence and travel. He charts the influence of advertising and opinion polling; the development of standardized products, shopping centers, and mass-marketing; the separation of youth and adult culture; the gradual repudiation of the genteel tradition; and the commercialization of organized entertainment. He stresses the significance of television in the shaping of mass culture, and of consumerism in its reconfiguration over the past two decades. Focusing on our own time, Kammen discusses the use of the fluid nature of cultural taste to enlarge audiences and increase revenues, and reveals how the public role of intellectuals and cultural critics has declined as the power of corporate sponsors and promoters has risen. As a result of this diminution of cultural authority, he says, definitive pronouncements have been replaced by divergent points of view, and there is, as well, a tendency to blur fact and fiction, reality and illusion. An important commentary on the often conflicting ways Americans have understood, defined, and talked about their changing culture in the twentieth century.
Author | : Peter Swirski |
Publisher | : McGill-Queen's Press - MQUP |
Total Pages | : 231 |
Release | : 2010 |
Genre | : Literary Criticism |
ISBN | : 0773537651 |
A penetrating look at modern American politics and the partisan culture that feeds off its turmoil.
Author | : Peter Swirski |
Publisher | : McGill-Queen's Press - MQUP |
Total Pages | : 210 |
Release | : 2013-10-01 |
Genre | : Literary Criticism |
ISBN | : 0773589929 |
From Literature to Biterature is based on the premise that in the foreseeable future computers will become capable of creating works of literature. Among hundreds of other questions, it considers: Under which conditions would machines become capable of creative writing? Given that computer evolution will exceed the pace of natural evolution a million-fold, what will such a state of affairs entail in terms of art, culture, social life, and even nonhuman rights? Drawing a map of impending literary, cultural, social, and technological revolutions, Peter Swirski boldly assumes that computers will leap from mere syntax-driven processing to semantically rich understanding. He argues that acknowledging biterature as a species of literature will involve adopting the same range of attitudes to computer authors (computhors) as to human ones and that it will be necessary to approach them as agents with internal states and creative intentions. Ranging from the metafiction of Stanislaw Lem to the "Turing test" (familiar to scientists working in Artificial Intelligence and the philosophers of mind) to the evolutionary trends of culture and machines, Swirski's scenarios lay the groundwork for a new area of study on the cusp of literary futurology, evolutionary cognition, and philosophy of the future.