The Cambridge Introduction to German Poetry

The Cambridge Introduction to German Poetry
Author: Judith Ryan
Publisher: Cambridge University Press
Total Pages: 253
Release: 2012-11
Genre: Literary Criticism
ISBN: 0521867665

Exploring traditional poems alongside new examples, this Introduction conveys the rich rewards that come with reading German poetry.

The German Poets of the First World War

The German Poets of the First World War
Author: Patrick Bridgwater
Publisher: Routledge
Total Pages: 192
Release: 2020-01-31
Genre: Poetry
ISBN: 1000769364

Originally published in 1985, this book provides a full survey of the best and most significant work of German writers to the First World War. Including (in both German and English) the texts of all the main poems discussed, this book contains many not readily available elsewhere. Authors discussed include Trakl, Rile and George as well as less familiar names . The book not only corrects the distorted view of the subject perpetuated by most histories of German literature, but will also help to English First World War poetry into perspective.

Ahead of All Parting

Ahead of All Parting
Author: Rainer Maria Rilke
Publisher: Modern Library
Total Pages: 635
Release: 2015-01-21
Genre: Poetry
ISBN: 0804153574

The reputation of Rainer Maria Rilke has grown steadily since his death in 1926; today he is widely considered to be the greatest poet of the twentieth century. This Modern Library edition presents Stephen Mitchell’s acclaimed translations of Rilke, which have won praise for their re-creation of the poet’s rich formal music and depth of thought. “If Rilke had written in English,” Denis Donoghue wrote in The New York Times Book Review, “he would have written in this English.” Ahead of All Parting is an abundant selection of Rilke’s lifework. It contains representative poems from his early collections The Book of Hours and The Book of Pictures; many selections from the revolutionary New Poems, which drew inspiration from Rodin and Cezanne; the hitherto little-known “Requiem for a Friend”; and a generous selection of the late uncollected poems, which constitute some of his finest work. Included too are passages from Rilke’s influential novel, The Notebooks of Malte Laurids Brigge, and nine of his brilliant uncollected prose pieces. Finally, the book presents the poet’s two greatest masterpieces in their entirety: the Duino Elegies and The Sonnets to Orpheus. “Rilke’s voice, with its extraordinary combination of formality, power, speed and lightness, can be heard in Mr. Mitchell’s versions more clearly than in any others,” said W. S. Merwin. “His work is masterful.”

Twenty-five German Poets

Twenty-five German Poets
Author: Walter Kaufmann
Publisher: W. W. Norton
Total Pages: 682
Release: 1975
Genre: Poetry
ISBN:

When this book was originally published, twenty poets were represented. For this edition, new material has been added, including additional poems by Goethe, Heine, and Nietzsche, as well as five poets not previously included.

German Poetry from 1750 to 1900: Goethe, Holderlin, Nietzsche and Others

German Poetry from 1750 to 1900: Goethe, Holderlin, Nietzsche and Others
Author: Robert Browning
Publisher: Bloomsbury Publishing
Total Pages: 308
Release: 1984-05-01
Genre: Poetry
ISBN: 9780826402837

This anthology of German verse in English translation covers a period that includes perhaps two-thirds of the superlative poets of the German language. Here are 147 poems representing 27 poets from Matthias Claudius to Friedrich Nietzsche. The selection is representative, including both the universally known (Goethe, Schiller, Holderlin) and the less familiar (Brentano, Droste-Hulshoff, Holty, Hebbel, Storm). Among the translations are classics by Coleridge, Longfellow, and the Irish poet James Mangan.

Selected Poems and Fragments

Selected Poems and Fragments
Author: Friedrich Hölderlin
Publisher: Penguin UK
Total Pages: 385
Release: 2007-02-22
Genre: Poetry
ISBN: 0141962186

Friedrich Hölderlin (1770-1843) is now recognized as one of Europe’s supreme poets. He first found his true voice in the epigrams and odes he wrote when transfigured by his love for the wife of a rich banker. He later embarked on an extraordinarily ambitious sequence of hymns exploring cosmology and history, from mythological times to the discovery of America and his own era. The ’Canticles of Night’, by contrast, include enigmatic fragments in an unprecedented style, which anticipates the Symbolists and Surrealists. Together the works collected here show Hölderlin’s use of Classical and Christian imagery and his exploration of cosmology and history in an attempt to find meaning in an uncertain world.

With Or Without

With Or Without
Author: Charlotte Melin
Publisher:
Total Pages: 224
Release: 2013
Genre: Literary Criticism
ISBN: 9780810129351

With or Without explores the role of German women’s poetry in the contemporary literary discourse of the latter half of the twentieth century. Melin highlights the significant role that women played in the shaping of postwar German poetry as a whole and also their deep engagement with the broader issues of modernism, postmodernism, and related discourses about the relationship between individual experience, communal ideals, and interpersonal expression. Melin shows that for German writers poetry became the genre that had the capacity to project subjectivity, voice, and authenticity.

German Romantic Poetry

German Romantic Poetry
Author: Carol Appleby
Publisher:
Total Pages: 184
Release: 2012-01-01
Genre: Literary Criticism
ISBN: 9781861713582

GERMAN ROMANTIC POETRY by Carol Appleby A study of German Romantic poetry, focusing on four of the great poets of the modern era: Johann Wolfgang von Goethe, Friedrich Holderlin, Heinrich Heine and Novalis. The book includes lengthy extracts from the poetry of German Romanticism, with a selection of poems by Goethe, Novalis, Holderlin and Heine at the back. This new edition (the 4th) has been revised. Illustrated. Notes, bibliography. SBN 9781861713584. 184 pages. AUTHOR'S NOTE: This book offers an introduction to four of the great German poets of the Romantic era aimed at first-time readers of poetry, students, but also readers familiar with their work. I have concentrated on the poetry, and have included many quotes. Some of the well-known poems by the writers are featured in the second half of the book. EXTRACT FROM THE FRIEDRICH HOLDERLIN CHAPTER Friedrich Holderlin believed in the notion of the poet as shaman, a vates, a prophet. As he wrote in 'An die Deutschen' ('To the Germans'), 'sweet it is to divine, but an affliction too'. And he believed in his poetic world, as poets have to: 'Holderlin's world was one in which he alone believed', wrote Alessandro Pelegrini. His poetry is marked by a movement towards bliss, the ecstasy of the shaman, which Holderlin does not hide. Rather, he cultivates it scrupulously. His lyrics are pure lyrics, set in the Orphic mode, that way of making poetry that comes from Orpheus, the ancient deity of shamanic poetry. Friedrich Holderlin's poetry, especially his early lyrics, is powerfully shamanic; it is full of shamanic imagery, as is the early poetry of Percy Bysshe Shelley or Francesco Petrarch. In Holderlin's art we find images of light, of bliss, of motion, of revelation, all shamanic/ religious motifs. Heinrich Heine's view of the poet as shaman was more political, aware of the role of the poet in societal revolutions: 'Our age is warmed by the idea of human equality, and the poets, who as high priests do homage to this divine sun, can be certain that thousands kneel down beside them, and that thousands weep and rejoice with them'. "