Fred Kabotie
Author | : Bill Belknap |
Publisher | : |
Total Pages | : 150 |
Release | : 1977-01-01 |
Genre | : |
ISBN | : 9780897340908 |
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Author | : Bill Belknap |
Publisher | : |
Total Pages | : 150 |
Release | : 1977-01-01 |
Genre | : |
ISBN | : 9780897340908 |
Author | : Fred Kabotie |
Publisher | : Northland Publishing |
Total Pages | : 176 |
Release | : 1977 |
Genre | : Biography & Autobiography |
ISBN | : |
This is a written book of oral histories. While the voices transcribed in this book are those of Arizonans, the stories they have told give a broad picture of the development of the Southwest including the social history and development of a frontier state that is typical of the region.
Author | : Michael Kabotie |
Publisher | : UCLA American Indian Studies Center |
Total Pages | : 70 |
Release | : 1987 |
Genre | : Poetry |
ISBN | : |
Poems dealing with separation, transition, and loss.
Author | : Edward A. Kennard |
Publisher | : Kiva Publishing |
Total Pages | : 52 |
Release | : 2000 |
Genre | : Fiction |
ISBN | : 9781885772190 |
A little field mouse helps his human neighbors, the Mishongnovi, by killing a marauding hawk that is preying on their chickens.
Author | : Margaret Nickelson Wright |
Publisher | : Northland Publishing |
Total Pages | : 142 |
Release | : 1972 |
Genre | : Antiques & Collectibles |
ISBN | : 9780873580977 |
The history and hallmarks of Hopi silversmithing.
Author | : Bill Anthes |
Publisher | : Duke University Press |
Total Pages | : 330 |
Release | : 2006-11-03 |
Genre | : Art |
ISBN | : 9780822338666 |
This lavishly illustrated art history situates the work of pioneering mid-twentieth-century Native American artists within the broader canon of American modernism.
Author | : Patricia Janis Broder |
Publisher | : Dutton Books |
Total Pages | : 344 |
Release | : 1978 |
Genre | : Art |
ISBN | : |
Author | : J. J. Brody |
Publisher | : School for Advanced Research Press |
Total Pages | : 248 |
Release | : 1997 |
Genre | : Art |
ISBN | : |
Brody also explores the role played by the individuals who supported and promoted the Pueblo artists' work, including writers Mary Austin and Alice Corbin Henderson, archaeologist Edgar Lee Hewett, artist and scholar Kenneth M. Chapman, painter John Sloan, and art patrons Mabel Dodge Luhan and Amelia Elizabeth White.
Author | : Dorothy Dunn |
Publisher | : |
Total Pages | : 496 |
Release | : 1968 |
Genre | : Americana |
ISBN | : |
For the Southwestern Indians, painting was a natural part of all the arts and ceremonies through which they expressed their perception of the universe and their sense of identification with nature. It was wholly lacking in individualism, included no portraits, singled out no artists. But the roving life of the Plains Indians produced a more personal art. Their painted hides were records of an individual's exploits intended, not to supplicate or appease unearthly powers, but to gain prestige within the tribe and proclaim invincibility to an enemy. Plains painting served man-to-man relationships, Southwestern painting those of man to nature, man to God. Such characteristics, and the ways they persist in contemporary Indian painting, are documented by the 157 examples Miss Dunn has chosen to illustrate her story. Thirty-three of these pictures, in full color, are here published for the first time.