Franz Grillparzer's Portraiture of Men
Author | : Frederic Edward Coenen |
Publisher | : |
Total Pages | : 156 |
Release | : 1951 |
Genre | : Germanic languages |
ISBN | : |
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Author | : Frederic Edward Coenen |
Publisher | : |
Total Pages | : 156 |
Release | : 1951 |
Genre | : Germanic languages |
ISBN | : |
Author | : Ian Frank Roe |
Publisher | : Camden House |
Total Pages | : 206 |
Release | : 1995 |
Genre | : Drama |
ISBN | : 9781571130082 |
In this first comprehensive survey of criticism on Grillparzer, Dr. Roe highlights the main areas of critical debate and provides a chronological account of the major trends and developments: through periods of misunderstanding and neglect or of political appropriation in the cause of Nazism or Austrian nationalism, and through recent decades dominated by various schools of thought, whether sociological or psychoanalytical. The book will be of interest to scholars and students of Austrian and European literature, Austrian culture, and literary theory and criticism.
Author | : Kathryn Puffett |
Publisher | : Hollitzer Wissenschaftsverlag |
Total Pages | : 533 |
Release | : 2020-02-28 |
Genre | : Music |
ISBN | : 3990127772 |
This book examines the relationship of three very different men who are usually seen as the most important composers of the so-called Second Viennese School – Arnold Schönberg, Alban Berg and Anton Webern – in the years 1906 to 1921 through a close reading of their correspondence with each other. To date only one of these correspondences, that of Schönberg and Berg, has been published, so the other two sets of letters are not yet widely known. The largely differing personalities of these three men come out clearly in their letters to each other: Schönberg, the master who demands a great many things from his two pupils (long after they have ceased to be that); Berg, from whom he demands the most; and Webern, his most pious devotee. The book covers the period linking the first correspondence between master and pupils in 1906 and the dissolution of the Verein für musikalische Privataufführungen in 1921, the period when these men were most closely bound together.
Author | : Lorenz Mikoletzky |
Publisher | : |
Total Pages | : 74 |
Release | : 1990 |
Genre | : Authors, Austrian |
ISBN | : |
Author | : Donald F. Nelson |
Publisher | : |
Total Pages | : 184 |
Release | : 1971 |
Genre | : Germanic languages |
ISBN | : |
Author | : Garth Hallett |
Publisher | : Cornell University Press |
Total Pages | : 816 |
Release | : 2019-06-30 |
Genre | : Philosophy |
ISBN | : 1501743406 |
"One of the most impressive pieces of scholarship I have ever encountered."-W. E. Kennick, Amherst College There is nothing in the literature on the Philosophical Investigations comparable to this learned and exhaustive commentary. Offering both information and interpretation, it is a remarkable book that fills a recognized need for a close study of one of the world's major works of philosophy. After a general introduction, Father Hallett divides the text of the Investigations into forty-one units, and then provides an introduction to each section, along with detailed comments on individual paragraphs, statements, and expressions. His use of paragraph numbers in the general introduction and in the sectional introductions permits ready reference downward, for detailed development or illustration of a general observation, or upward, from a particular passage to its wider context. To clarify the philosophical point of Wittgenstein's remarks, Father Hallett makes frequent references to other parts of the Investigations; to Wittgenstein's other writings, both published and unpublished; and to the works which Wittgenstein knew and often had in mind, such as those of Frege, Russell, Moore, James, Augustine, Plato, Schlick, and Kohler. Father Hallett also cites and quotes secondary sources, and he includes an appendix relating Wittgenstein to more than 150 authors, particularly those of his own generation or earlier whom he read, or knew personally, and who are mentioned in this commentary. Written in straightforward and lucid prose, this outstanding book reveals continuities in Wittgenstein's thought over long periods of time. It is an indispensable guide for those preparing courses on the Investigations and a useful tool for students taking those courses.
Author | : |
Publisher | : |
Total Pages | : 998 |
Release | : 1910 |
Genre | : Encyclopedias and dictionaries |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 1002 |
Release | : 1910 |
Genre | : Encyclopedias and dictionaries |
ISBN | : |
"The last great work of the age of reason, the final instance when all human knowledge could be presented with a single point of view ... Unabashed optimism, and unabashed racism, pervades many entries in the 11th, and provide its defining characteristics ... Despite its occasional ugliness, the reputation of the 11th persists today because of the staggering depth of knowledge contained with its volumes. It is especially strong in its biographical entries. These delve deeply into the history of men and women prominent in their eras who have since been largely forgotten - except by the historians, scholars"-- The Guardian, https://www.theguardian.com/books/booksblog/2012/apr/10/encyclopedia-britannica-11th-edition.
Author | : |
Publisher | : |
Total Pages | : 1052 |
Release | : 1910 |
Genre | : Encyclopedias and dictionaries |
ISBN | : |
Author | : Julian Horton |
Publisher | : Routledge |
Total Pages | : 517 |
Release | : 2017-07-05 |
Genre | : History |
ISBN | : 1351549979 |
The collection of essays in this volume offer an overview of Schubertian reception, interpretation and analysis. Part I surveys the issue of Schubert‘s alterity concentrating on his history and biography. Following on from the overarching dualities of Schubert explored in the first section, Part II focuses on interpretative strategies and hermeneutic positions. Part III assesses the diversity of theoretical approaches concerning Schubert‘s handling of harmony and tonality whereas the last two parts address the reception of his instrumental music and song. This volume highlights the complexity and diversity of Schubertian scholarship as well as the overarching concerns raised by discrete fields of research in this area.