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| Author | : Andrew Radford |
| Publisher | : Springer |
| Total Pages | : 219 |
| Release | : 2012-06-28 |
| Genre | : Literary Criticism |
| ISBN | : 113703078X |
This volume focuses on the literary connotations of the 'Channel Packet' and sets forth lively dialogues between French and British culture at a key period of artistic innovation and exchange between 'high' and popular art forms.
| Author | : K. Macdonald |
| Publisher | : Springer |
| Total Pages | : 249 |
| Release | : 2015-03-22 |
| Genre | : Literary Criticism |
| ISBN | : 1137486775 |
This book examines the connections evident between the simultaneous emergence of British modernism and middlebrow literary culture from 1880 to the 1930s. The essays illustrate the mutual influences of modernist and middlebrow authors, critics, publishers and magazines.
| Author | : Angela Kershaw |
| Publisher | : Springer |
| Total Pages | : 300 |
| Release | : 2018-07-20 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 3319920871 |
This book examines the role played by the international circulation of literature in constructing cultural memories of the Second World War. War writing has rarely been read from the point of view of translation even though war is by definition a multilingual event, and knowledge of the Second World War and the Holocaust is mediated through translated texts. Here, the author opens up this field of research through analysis of several important works of French war fiction and their English translations. The book examines the wartime publishing structures which facilitated literary exchanges across national borders, the strategies adopted by translators of war fiction, the relationships between translated war fiction and dominant national memories of the war, and questions of multilingualism in war writing. In doing so, it sheds new light on the political and ethical questions that arise when the trauma of war is represented in fiction and through translation. This engaging work will appeal to students and scholars of translation, cultural memory, war fiction and Holocaust writing.
| Author | : Owen Holland |
| Publisher | : Rutgers University Press |
| Total Pages | : 269 |
| Release | : 2022-03-18 |
| Genre | : History |
| ISBN | : 1978821948 |
Between March and May 1871, the Parisian Communards fought for a revolutionary alternative to the status quo grounded in a vision of internationalism, radical democracy and economic justice for the working masses that cut across national borders. The eventual defeat and bloody suppression of the Commune resonated far beyond Paris. In Britain, the Commune provoked widespread and fierce condemnation, while its defenders constituted a small, but vocal, minority. The Commune evoked long-standing fears about the continental ‘spectre’ of revolution, not least because the Communards’ seizure of power represented an embryonic alternative to the bourgeois social order. This book examines how a heterogeneous group of authors in Britain responded to the Commune. In doing so, it provides the first full-length critical study of the reception and representation of the Commune in Britain during the closing decades of the nineteenth century, showing how discussions of the Commune functioned as a screen to project hope and fear, serving as a warning for some and an example to others. Writers considered in the book include John Ruskin, Edward Bulwer-Lytton, Eliza Lynn Linton, Mary Elizabeth Braddon, Anne Thackeray Ritchie, Margaret Oliphant, George Gissing, Henry James, William Morris, Alfred Austin and H.G. Wells. As the book shows, many, but not all, of these writers responded to the Commune with literary strategies that sought to stabilize bourgeois subjectivity in the wake of the traumatic shock of a revolutionary event. The book extends critical understanding of the Commune’s cultural afterlives and explores the relationship between literature and revolution.
| Author | : Rosemary Mitchell |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 290 |
| Release | : 2013-07-26 |
| Genre | : Art |
| ISBN | : 1443850802 |
This collection of essays by French and British humanities scholars explores the complex relationship between the two nations in the long nineteenth century. Both countries contemplated the other with admiration and anxiety, using their best enemy to shape their own national identities. Mutual (In)Comprehensions is unique in the range of its coverage, which includes artistic, literary, economic, educational, social, and historical interpretations, interactions, and appropriations. British railway engineers consider the character of the French railway worker; a French illustrator portrays with disturbing insight the social divisions of Victorian London; British agricultural writers find cause for reflection in the condition of the French peasantry; and an English Anglo-Catholic considers the lessons for her church in the history of post-Reformation French Catholicism. French architects discover something to admire in the British Gothic Revival, while geographical societies on both sides of the Channel exhibit a spirit of international co-operation. Including the work of both established academics and young scholars, the collection demonstrates the significance of Franco-British interactions over the long nineteenth century, and shows that – as ever – British culture can only be fully understood within a Continental framework, and vice versa. This volume will appeal to scholars of Victorian culture, in particular French and British nineteenth-century literature and art, as well as to academics interested in the development of national identities and international cultural relations.
| Author | : Johannes Riquet |
| Publisher | : Routledge |
| Total Pages | : 358 |
| Release | : 2018-06-12 |
| Genre | : Literary Criticism |
| ISBN | : 1351396862 |
This collection of essays offers a series of reflections on the specific literary and cultural forms that can be seen as the product of modernity’s spatial transformations, which have taken on new urgency in today’s world of ever increasing mobility and global networks. The book offers a broad perspective on the narrative and poetic dimensions of the modern discourses and imaginaries that have shaped our current geographical sensibilities. In the early twenty-first century, we are still grappling with the spatial effects of ‘early’ and ‘high’ modern developments, and the contemporary crises revolving around political boundaries and geopolitical orders in many parts of the world have intensified spatial anxieties. They call for a sustained analysis of individual perceptions, cultural constructions and political implications of spatial processes, movements and relations. The contributors of this book focus both on the spatial orders of modernity and on the various dynamic processes that have shaped our engagement with modern space.
| Author | : Birgit Van Puymbroeck |
| Publisher | : Routledge |
| Total Pages | : 183 |
| Release | : 2020-05-13 |
| Genre | : Literary Criticism |
| ISBN | : 1000088375 |
Modernist Literature and European Identity examines how European and non-European authors debated the idea of Europe in the first half of the twentieth century. It shifts the focus from European modernism to modernist Europe, and shows how the notion of Europe was constructed in a variety of modernist texts. Authors such as Ford Madox Ford, T. S. Eliot, Gertrude Stein, Aimé Césaire, and Nancy Cunard each developed their own notion of Europe. They engaged in transnational networks and experimented with new forms of writing, supporting or challenging a European ideal. Building on insights gained from global modernism and network theory, this book suggests that rather than defining Europe through a set of core principles, we may also regard it as an open or weak construct, a crossroads where different authors and views converged and collided.
| Author | : Arthur Symons |
| Publisher | : MHRA |
| Total Pages | : 233 |
| Release | : 2017-04-11 |
| Genre | : Poetry |
| ISBN | : 1781886075 |
Arthur Symons (1865–1945) was a central figure in the decadent phase of English poetry of the 1890s. His early verse, notably in the major collections Silhouettes (1892; revd 1896) and London Nights (1895; revd 1897), created a sophisticated new kind of urban poetry out of the gas-lit world of London theatre and night-life. Under the French influences of Baudelaire and Verlaine, Symons developed a wistful poetic eroticism new to English readers, leading the way to the modernism of T. S. Eliot and others in the next generation. This selection from Symons’s most fertile period as a poet reproduces the fuller revised editions of Silhouettes and London Nights in their entirety, together with related poems from his other early volumes, Days and Nights (1889), Amoris Victima (1897), Images of Good and Evil (1900), and with early poems collected in Knave of Hearts (1913). p.p1 {margin: 3.0px 0.0px 3.0px 0.0px; text-align: justify; font: 14.0px 'Adobe Garamond Pro'} Fully annotated and supplemented by related critical writings by Symons, Walter Pater, and others, this text offers students of late-Victorian literature a rich resource for the understanding of decadence in the London literary scene of the 1890s. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 7.9px Calibri}
| Author | : |
| Publisher | : BRILL |
| Total Pages | : 253 |
| Release | : 2016-08-15 |
| Genre | : Literary Criticism |
| ISBN | : 9004328378 |
The controversial British writer Ford Madox Ford (1873–1939) is increasingly recognized as a major presence in early twentieth-century literature. This series of International Ford Madox Ford Studies was founded to reflect the recent resurgence of interest in him. Each volume is based upon a particular theme, issue, or work; and relates aspects of Ford’s writing, life, and contacts, to broader concerns of his time. Ford is best-known for his fiction, especially The Good Soldier, long considered a modernist masterpiece; and Parade’s End, which Anthony Burgess described as ‘the finest novel about the First World War’, Samuel Hynes has called ‘the greatest war novel ever written by an Englishman’, and which was adapted by Tom Stoppard for the acclaimed 2012 BBC/HBO television series, starring Benedict Cumberbatch and Rebecca Hall. The twelve essays in this volume, Ford Madox Ford’s Cosmopolis, focus directly on the internationalism so important to Ford, and bring out three main ideas. First, his lifelong commitment to an international vision of literature and culture. Second, ‘Cosmopolis’ also refers to Ford’s experiences of the particular cosmopolitan cities he lived in: London, Paris, New York. Third, the idea that his lifelong experience of Paris in particular informed and shaped his writing. Ford’s Cosmopolis is thus not only an ideal city or state open to such cosmopolitan exchange. It is also a mode of writing which invents forms and styles to render the experience of such hybridity, diversity, fluidity, and tolerance. Contributors are: Alexandra Becquet, Helen Chambers, Martina Ciceri, Laurence Davies, Claire Davison, Annalisa Federici, Georges Létissier, Caroline Patey, Andrea Rummel, Max Saunders, Rob Spence, Martin Stannard, George Wickes, Joseph Wiesenfarth.
| Author | : |
| Publisher | : BRILL |
| Total Pages | : 353 |
| Release | : 2024-05-23 |
| Genre | : Social Science |
| ISBN | : 9004694722 |
This essay collection focuses on enclosure, deception and secrecy in three spatial areas – the body, clothing and furniture. It contributes to the study of private life and explores the micro-history of hidden spaces. The contents of pockets may prove a surer index to their owner’s real thoughts than anything they say; a piece of furniture with ingenious mechanisms created to conceal secrets may also reveal someone’s attempts to break in and thus give away as much as it holds. Though the book’s focus is on particular material or imagined objects, taken as a whole it exemplifies a range of interdisciplinary encounters between history, literary criticism, art history, philosophy, psychoanalysis, sociology, criminology, archival studies, museology and curating, and women’s studies.
