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| Author | : Stephen Gaukroger |
| Publisher | : Cambridge University Press |
| Total Pages | : 270 |
| Release | : 2001-03-19 |
| Genre | : Literary Criticism |
| ISBN | : 9780521805360 |
This book, first published in 2001, provides a truly general account of Francis Bacon as a philosopher.
| Author | : Joseph Agassi |
| Publisher | : Springer Science & Business Media |
| Total Pages | : 327 |
| Release | : 2012-12-14 |
| Genre | : Science |
| ISBN | : 9400753519 |
This book is a study of the scientific revolution as a movement of amateur science. It describes the ideology of the amateur scientific societies as the philosophy of the Enlightenment Movement and their social structure and the way they made modern science such a magnificent institution. It also shows what was missing in the scientific organization of science and why it gave way to professional science in stages. In particular the book studies the contributions of Sir Francis Bacon and of the Hon. Robert Boyle to the rise of modern science. The philosophy of induction is notoriously problematic, yet its great asset is that it expressed the view of the Enlightenment Movement about science. This explains the ambivalence that we still exhibit towards Sir Francis Bacon whose radicalism and vision of pure and applied science still a major aspect of the fabric of society. Finally, the book discusses Boyle’s philosophy, his agreement with and dissent from Bacon and the way he single-handedly trained a crowd of poorly educated English aristocrats and rendered them into an army of able amateur researchers.
| Author | : Dana Jalobeanu |
| Publisher | : Zeta Books |
| Total Pages | : 346 |
| Release | : 2015 |
| Genre | : Art and science |
| ISBN | : 6068266923 |
Francis Bacon introduced his contemporaries to a new way of investigating nature. He called it "natural and experimental history." Despite its rather traditional name, Bacon's natural and experimental history was a new discipline: it comprised new ideas, new practices and new models of collaborative research. This new discipline was, in many ways, a surprisingly successful project. It provided early modern naturalists with tools, methods and models for both investigating nature and writing about their subject. It also offered a set of norms and values for guiding research. And yet, this new discipline was not a science of nature -- it was more like an art. This book aims to trace the emergence, evolution and reception of Francis Bacon's art of experimental natural history.
| Author | : Hugh Marlais Davies |
| Publisher | : Abbeville Publishing Group |
| Total Pages | : 136 |
| Release | : 1995-01-03 |
| Genre | : Art |
| ISBN | : 9781558592452 |
With their searing colors and compelling images, the paintings of Francis Bacon are among the most powerful, and the most poignant, to be made in the twentieth century. During his sixty-odd years as a painter Francis Bacon fearlessly tackled the unruly imagery of life, remaining defiantly committed to giving "this purposeless existence a meaning." His insistence on depicting the mysteries of human experience had been rare in an age dominated by abstraction. Now, with the international resurgence of figurative imagery, the pivotal importance of his work has become more obvious than ever before. The power and magnitude of his life's work are vividly conveyed by this thorough evaluation written by Hugh Davies and Sally Yard. Born in Dublin, as a teenager Bacon moved to London, where he worked as an interior designer and taught himself to paint. Responding to influences as diverse as Michelangelo and the photographer Muybridge, he has created a motion-filled style uniquely his own. Fascinated by the challenge of capturing what he calls "the mysteries of appearance," Bacon confronts us with emotional images that demand an emotional response. About Abbeville's Modern Masters series: With informative, enjoyable texts and over 100 illustrations—approximately 48 in full color—this innovative series offers a fresh look at the most creative and influential artists of the postwar era. The authors are highly respected art historians and critics chosen for their ability to think clearly and write well. Each handsomely designed volume presents a thorough survey of the artists life and work, as well as statements by the artist, an illustrated chapter on technique, a chronology, lists of exhibitions and public collections, an annotated bibliography, and an index. Every art lover, from the casual museum goer to the serious student, teacher, critic, or curator, will be eager to collect these Modern Masters. And with such a low price, they can afford to collect them all.
| Author | : Tom van Malssen |
| Publisher | : SUNY Press |
| Total Pages | : 338 |
| Release | : 2014-11-19 |
| Genre | : Philosophy |
| ISBN | : 1438454171 |
An ambitious and radically original reading of philosopher Francis Bacon. Comprehensive in its ambitions and meticulous in its approach, The Political Philosophy of Francis Bacon is a new and unique interpretation of one of early modernitys more important thinkers. Whereas recent works on Bacon tend to confine themselves either to interpreting his historical context or to considering the founder of Baconianism from the perspective of one work in particular or the history of science in general, Tom van Malssen argues, through detailed and provocative interpretations of a number of Baconian writings, that the unity of Bacons thought can only be revealed if these writings are read in historical and philosophical conjunction as well as on the assumption that they are all somehow part of the whole of Bacons political philosophy. In addition to restoring Bacon to the pantheon of great philosophers, van Malssen demonstrates that a proper understanding of Bacons political philosophy contributes significantly to our understanding of the nature of philanthropic science, the modern project, and ultimately ourselves. This book will become an enduring pillar of our understanding of Bacons philosophy. The scholarship and mastery of the historical sources, both philosophic and Biblical, are brilliant. Jerry Weinberger, author of Science, Faith, and Politics: Francis Bacon and the Utopian Roots of the Modern Age: A Commentary on Bacons Advancement of Learning The scholarship of Bacon in this book is masterful. It should transform and deepen the field, the field being the nature and history of the philosophic life. This is arguably the most thoughtful, penetrating, and ultimately revealing book on Bacon ever written. Svetozar Minkov, author of Francis Bacons Inquiry Touching Human Nature: Virtue, Philosophy, and the Relief of Mans Estate
| Author | : Jerry Weinberger |
| Publisher | : |
| Total Pages | : 350 |
| Release | : 1985 |
| Genre | : Biography & Autobiography |
| ISBN | : |
Jerry Weinberger here seeks to establish Francis Bacon's rightful place among the founders--with Machiavelli and Hobbes--of the modern political tradition, claiming that Bacon's view of the sources of the modern age has great resonance for the problems of our contemporary scientific society.
| Author | : Svetozar Minkov |
| Publisher | : Lexington Books |
| Total Pages | : 164 |
| Release | : 2010-05-10 |
| Genre | : Philosophy |
| ISBN | : 0739144839 |
Francis Bacon's 'Inquiry Touching Human Nature' is an engagement at a fundamental level with the political and philosophic thought of one of the founders of modernity, Francis Bacon. Bacon had a comprehensive vision of the human situation. And because he saw the costs or dangers of modern life as clearly as he predicted its achievements and boons, Bacon is a thinker who addresses directly and deeply our own perplexities.
| Author | : Laurence Lampert |
| Publisher | : Yale University Press |
| Total Pages | : 500 |
| Release | : 1993-01-01 |
| Genre | : Philosophy |
| ISBN | : 9780300065107 |
This major work by Laurence Lampert provides a new interpretation of modern philosophy by developing Nietzsche's view that genuine philosophers set out to determine the direction of culture through their ideas and that they conceal the radical nature of their thought by their esoteric style. From this Nietzschean perspective, Francis Bacon and René Descartes can be considered the founders of modernity. Lampert argues that Bacon's positive claims for science aimed to destroy the dominance of Christianity. Descartes continued Bacon's radical program while providing it with the mathematical physics required for its success. Far from being solely an epistemological and metaphysical thinker, says Lampert, Descartes was a master writer whose comic ridicule helped bring down the Church to which he paid lip service. Both Bacon and Descartes used the Platonic art of dissimulation to achieve their ends by making their revolutionary aims appear compatible with Christianity. Once we recognize Bacon and Descartes as legislators of modern times in a specifically Nietzschean sense, we can also see Nietzsche in a new way--as the first thinker to have understood modern times and transcended it in a postmodern worldview. According to Lampert, Nietzsche provides a new foundation for culture, a joyous science that reveals the grandeur and purposeless play of the cosmic whole and yet avoids enervating despair or destructive, dogmatic belief.
| Author | : Mark Stevens |
| Publisher | : Knopf |
| Total Pages | : 896 |
| Release | : 2021-03-23 |
| Genre | : Biography & Autobiography |
| ISBN | : 052565674X |
THE TIMES ART BOOK OF THE YEAR Named one of The Irish Times' Books of the Year for 2021 A compelling and comprehensive look at the life and art of Francis Bacon, one of the iconic painters of the twentieth century—from the Pulitzer Prize-winning authors of de Kooning: An American Master. This intimate study of the singularly private, darkly funny, eruptive man and his extraordinary art “is bejeweled with sensuous detail … the iconoclastic charm of the artist keeps the pages turning” (The Washington Post). “A definitive life of Francis Bacon ... Stevens and Swan are vivid scene setters ... Francis Bacon does justice to the contradictions of both the man and the art.” —The Boston Globe Francis Bacon created an indelible image of mankind in modern times, and played an outsized role in both twentieth century art and life—from his public emergence with his legendary Triptych 1944 (its images "so unrelievedly awful" that people fled the gallery), to his death in Madrid in 1992. Bacon was a witty free spirit and unabashed homosexual at a time when many others remained closeted, and his exploits were as unforgettable as his images. He moved among the worlds of London's Soho and East End, the literary salons of London and Paris, and the homosexual life of Tangier. Through hundreds of interviews, and extensive new research, the authors probe Bacon's childhood in Ireland (he earned his father's lasting disdain because his asthma prevented him from hunting); his increasingly open homosexuality; his early design career—never before explored in detail; the formation of his vision; his early failure as an artist; his uneasy relationship with American abstract art; and his improbable late emergence onto the international stage as one of the great visionaries of the twentieth century. In all, Francis Bacon: Revelations gives us a more complete and nuanced--and more international--portrait than ever before of this singularly private, darkly funny, eruptive man and his equally eruptive, extraordinary art. Bacon was not just an influential artist, he helped remake the twentieth-century figure.
| Author | : Christopher Bucklow |
| Publisher | : National Geographic Books |
| Total Pages | : 0 |
| Release | : 2020-09-08 |
| Genre | : Art |
| ISBN | : 0500971064 |
The third book in the Francis Bacon Studies series, this volume reveals fundamental insights into the artist’s character and psychology that will change existing perceptions. Very little is known about Francis Bacon’s early career, but this third installment in the Bacon estate’s groundbreaking series provides exciting new insight into and analysis of the elusive artist. Archived material recently added to the Estate of Francis Bacon’s collection—including the diaries of Bacon’s first two patrons and an extensive number of records kept by Bacon’s doctor, Paul Brass—has allowed Francesca Pipe, Sophie Pretorius, and Martin Harrison to delve deeper into the artist’s formative years than ever before and revolutionize existing perceptions of Bacon’s character and psychology. Essays by Sarah Whitfield, Joyce Townsend, and Christopher Bucklow draw on biographical details of the artist’s life and technical analysis of his work. Utilizing this more traditional, art-historical approach, these scholars examine the complex relationships between Bacon and his peers and offer new insights into the artist’s methods and the system of metaphors within his paintings. This fascinating collection of scholarship will interest anyone looking to learn more about Francis Bacon, contemporary art, or the artistic imagination.
