Fra Angelico To Leonardo
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Author | : Hugo Chapman |
Publisher | : |
Total Pages | : 348 |
Release | : 2010 |
Genre | : Art |
ISBN | : |
This sumptuously illustrated catalogue charts the history of drawing in Italy from 1400, just prior to the emergence in Florence of the classically inspired naturalism of the Renaissance style, to around 1510 when Michelangelo, Raphael and Titian were on the verge of taking the innovations of earlier masters, such as Leonardo and Pollaiuolo, in a new direction. The book highlights the key role played by drawing in artistic teaching and in how artists studied the human body and the natural world. Aspects of regional difference, the development of new drawing techniques and classes of graphic work, such as finished presentation pieces to impress patrons, are also explored. An extended introduction focusing on how and why artists made drawings, with a special emphasis on the pivotal role of Leonardo, is richly illustrated with examples from the two collections that elucidate the technique and function of the works. This is followed by catalogue entries for just over 100 drawings where discussion of their function and significance is supported by comparative illustrations of related works, such as paintings.
Author | : Wenda Brewster O'Reilly |
Publisher | : Birdcage Press |
Total Pages | : 0 |
Release | : 2000 |
Genre | : Art, Italian |
ISBN | : 9781889613031 |
Art history need not be dry or dull, as O'Reilly's book shows. Featuring 90 full-color photos of many of the masterpieces of the movement, the book delves into the work of such masters as Leonardo da Vinci, Michelangelo, Raphael, Botticelli, and Fra Angelico. Full-color photos and illustrations.
Author | : J. Ambers |
Publisher | : |
Total Pages | : 186 |
Release | : 2010 |
Genre | : Art |
ISBN | : |
Providing technical studies of 47 Italian Renaissance drawings, this text covers topics such as methology, drawings in the Renaissance workshop and dry drawing media.
Author | : Carl Brandon Strehlke |
Publisher | : National Geographic Books |
Total Pages | : 0 |
Release | : 2020-01-28 |
Genre | : Art |
ISBN | : 0500970998 |
With illustrations that demonstrate the rich colors and intense light that imbue Fra Angelico’s work, this book takes a deeper look at one of the master painters of the Florentine Renaissance. One of the great fifteenth-century masters, Fra Angelico was one of several painters who shaped the beginnings of the Florentine Renaissance. Although, because of his occupation as a friar, he is sometimes considered separately from his contemporaries, including Masaccio, Masolino, Paolo Uccello, Filippo Lippi, Lorenzo Ghiberti, Donatello, Nanni di Banco, and Filippo Brunelleschi, Fra Angelico and the Rise of the Florentine Renaissance examines his early works and shows that not only was he a participant in the artistic culture of the time, but also a key innovator. Angelico’s breakthrough work from the mid-1420s, the Prado’s great Annunciation altarpiece, is regarded as the first Renaissance-style altarpiece in Florence. Published to accompany the exhibition “Fra Angelico and the Rise of the Florentine Renaissance” at the Museo Nacional del Prado, Madrid, this book reveals the results of the Prado’s extensive conservation and technological research efforts on The Annunciation, as well as two other recently acquired Angelico paintings: the Alba Madonna and the Funeral of Saint Anthony Abbot. Vividly illustrated and deeply illuminating, this book investigates the origins of the Florentine Renaissance and positions Angelico at the heart of the story.
Author | : Maurice W. Brockwell |
Publisher | : Good Press |
Total Pages | : 52 |
Release | : 2019-11-21 |
Genre | : Fiction |
ISBN | : |
Leonardo Da Vinci is a biography by Maurice W. Brockwell. Da Vinci was an Italian polymath of the High Renaissance who was active as a painter, architect, engineer, scientist, theoretician, sculptor, and inventor. Excerpt: "Practically nothing is known about Leonardo's boyhood, but Vasari informs us that Ser Piero, impressed with the remarkable character of his son's genius, took some of his drawings to Andrea del Verrocchio, an intimate friend, and begged him earnestly to express an opinion on them. Verrocchio was so astonished at the power they revealed that he advised Ser Piero to send Leonardo to study under him. Leonardo thus entered the studio of Andrea del Verrocchio about 1469-1470. In the workshop of that great Florentine sculptor, goldsmith, and artist he met other craftsmen, metal workers, and youthful painters, among whom was Botticelli, at that moment of his development a jovial _habitué_ of the Poetical Supper Club, who had not yet given any premonitions of becoming the poet, mystic, and visionary of later times. There also Leonardo came into contact with that unoriginal painter Lorenzo di Credi, his junior by seven years. He also, no doubt, met Perugino, whom Michelangelo called "that blockhead in art." The genius and versatility of the Vincian painter was, however, in no way dulled by intercourse with lesser artists than himself; on the contrary he vied with each in turn, and readily outstripped his fellow pupils. In 1472, at the age of twenty, he was admitted into the Guild of Florentine Painters."
Author | : Evelyn S. Welch |
Publisher | : Oxford University Press, USA |
Total Pages | : 356 |
Release | : 2000 |
Genre | : Art |
ISBN | : 9780192842794 |
"Focuses primarliy on the social and historical context in which art was made and used"--Bibliographic essay (p. 326).
Author | : Simonetta Nava |
Publisher | : Rizzoli International Publications |
Total Pages | : 320 |
Release | : 1999 |
Genre | : Art |
ISBN | : |
Beginning with Florence in the first half of the fifteenth century, Painting in Renaissance Italy travels through the regions of Italy and the different periods of the Renaissance, explaining the different physical and intellectual milieus in which the artists worked. By placing the artists and their work in context, this volume offers a more complete understanding and appreciation of the paintings of the Renaissance."--BOOK JACKET.
Author | : Dr Charles H Carman |
Publisher | : Ashgate Publishing, Ltd. |
Total Pages | : 258 |
Release | : 2012-10-01 |
Genre | : Art |
ISBN | : 1409486516 |
How are processes of vision, perception, and sensation conceived in the Renaissance? How are those conceptions made manifest in the arts? The essays in this volume address these and similar questions to establish important theoretical and philosophical bases for artistic production in the Renaissance and beyond. The essays also attend to the views of historically significant writers from the ancient classical period to the eighteenth century, including Plato, Aristotle, Plotinus, St Augustine, Ibn Sina (Avicenna), Ibn al-Haytham (Alhazen), Ibn Sahl, Marsilio Ficino, Nicholas of Cusa, Leon Battista Alberti, Gian Paolo Lomazzo, Gregorio Comanini, John Davies, Rene Descartes, Samuel van Hoogstraten, and George Berkeley. Contributors carefully scrutinize and illustrate the effect of changing and evolving ideas of intellectual and physical vision on artistic practice in Florence, Rome, Venice, England, Austria, and the Netherlands. The artists whose work and practices are discussed include Fra Angelico, Donatello, Leonardo da Vinci, Filippino Lippi, Giovanni Bellini, Raphael, Parmigianino, Titian, Bronzino, Johannes Gumpp and Rembrandt van Rijn. Taken together, the essays provide the reader with a fresh perspective on the intellectual confluence between art, science, philosophy, and literature across Renaissance Europe.
Author | : Evelyn S. Welch |
Publisher | : Oxford University Press, USA |
Total Pages | : 356 |
Release | : 1997 |
Genre | : Art |
ISBN | : |
Between the 'Black Death' in the mid-fourteenth century and the French invasions at the end of the fifteenth, artists such as Masaccio, Donatello, Fra Angelico, and Leonardo, working in the kingdoms, princedoms, and republics of the Italian peninsula, created some of the most influential andexciting works in a variety of artistic fields. Yet the traditional story of the Renaissance has been dramatically revised in the light of new scholarship, and new issues have greatly enriched our understanding of the period. Emphasis has been placed on recreating the experience of contemporary Italians - the patrons who commissioned the works,the members of the public who viewed them, and the artists who produced them. In this book Evelyn Welch presents a fresh picture of the Italian Renaissance. Giving equal weight to the Italian regions outside Florence, she discusses a wide range of works, from paintings to coins, and from sculptures to tapestries, examines the issues of materials, workshop practises, andartist-patron relationships, and explores the ways in which visual imagery related to contemporary sexual, social and political behaviour.
Author | : Richard Stemp |
Publisher | : Sterling Publishing Company, Inc. |
Total Pages | : 276 |
Release | : 2006 |
Genre | : Art |
ISBN | : 9781844833221 |
Magnificently illustrated throughout, and with a six-color gold-foil cover, this remarkable book provides an all-encompassing survey of the literature, painting, sculpture, architecture, and decorative arts of the Renaissance.