Four Russian Plays
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Author | : Anton Chekhov |
Publisher | : Courier Corporation |
Total Pages | : 306 |
Release | : 2012-04-26 |
Genre | : Drama |
ISBN | : 048615372X |
From the golden age of Russian theater: The Inspector General by Gogol; Chekhov's The Cherry Orchard; Gorky's The Lower Depths; and A Month in the Country by Turgenev.
Author | : Joshua Cooper |
Publisher | : Viking Press |
Total Pages | : 394 |
Release | : 1972-01-01 |
Genre | : Drama |
ISBN | : 9780140442588 |
Author | : |
Publisher | : Penguin Classics |
Total Pages | : 444 |
Release | : 1990 |
Genre | : English drama |
ISBN | : |
A collection of Russian plays which provide a satiric depiction of life in Russia in the 19th century.
Author | : Katerina Clark |
Publisher | : Harvard University Press |
Total Pages | : 432 |
Release | : 2011-11-15 |
Genre | : History |
ISBN | : 0674062892 |
In the early sixteenth century, the monk Filofei proclaimed Moscow the "Third Rome." By the 1930s, intellectuals and artists all over the world thought of Moscow as a mecca of secular enlightenment. In Moscow, the Fourth Rome, Katerina Clark shows how Soviet officials and intellectuals, in seeking to capture the imagination of leftist and anti-fascist intellectuals throughout the world, sought to establish their capital as the cosmopolitan center of a post-Christian confederation and to rebuild it to become a beacon for the rest of the world. Clark provides an interpretative cultural history of the city during the crucial 1930s, the decade of the Great Purge. She draws on the work of intellectuals such as Sergei Eisenstein, Sergei Tretiakov, Mikhail Koltsov, and Ilya Ehrenburg to shed light on the singular Zeitgeist of that most Stalinist of periods. In her account, the decade emerges as an important moment in the prehistory of key concepts in literary and cultural studies today-transnationalism, cosmopolitanism, and world literature. By bringing to light neglected antecedents, she provides a new polemical and political context for understanding canonical works of writers such as Brecht, Benjamin, Lukacs, and Bakhtin. Moscow, the Fourth Rome breaches the intellectual iron curtain that has circumscribed cultural histories of Stalinist Russia, by broadening the framework to include considerable interaction with Western intellectuals and trends. Its integration of the understudied international dimension into the interpretation of Soviet culture remedies misunderstandings of the world-historical significance of Moscow under Stalin.
Author | : George Saunders |
Publisher | : Random House |
Total Pages | : 433 |
Release | : 2021-01-12 |
Genre | : Literary Criticism |
ISBN | : 1984856049 |
NEW YORK TIMES BESTSELLER • From the Booker Prize–winning author of Lincoln in the Bardo and Tenth of December comes a literary master class on what makes great stories work and what they can tell us about ourselves—and our world today. LONGLISTED FOR THE PEN/DIAMONSTEIN-SPIELVOGEL AWARD • ONE OF THE BEST BOOKS OF THE YEAR: The Washington Post, NPR, Time, San Francisco Chronicle, Esquire, Milwaukee Journal Sentinel, Town & Country, The Rumpus, Electric Lit, Thrillist, BookPage • “[A] worship song to writers and readers.”—Oprah Daily For the last twenty years, George Saunders has been teaching a class on the Russian short story to his MFA students at Syracuse University. In A Swim in a Pond in the Rain, he shares a version of that class with us, offering some of what he and his students have discovered together over the years. Paired with iconic short stories by Chekhov, Turgenev, Tolstoy, and Gogol, the seven essays in this book are intended for anyone interested in how fiction works and why it’s more relevant than ever in these turbulent times. In his introduction, Saunders writes, “We’re going to enter seven fastidiously constructed scale models of the world, made for a specific purpose that our time maybe doesn’t fully endorse but that these writers accepted implicitly as the aim of art—namely, to ask the big questions, questions like, How are we supposed to be living down here? What were we put here to accomplish? What should we value? What is truth, anyway, and how might we recognize it?” He approaches the stories technically yet accessibly, and through them explains how narrative functions; why we stay immersed in a story and why we resist it; and the bedrock virtues a writer must foster. The process of writing, Saunders reminds us, is a technical craft, but also a way of training oneself to see the world with new openness and curiosity. A Swim in a Pond in the Rain is a deep exploration not just of how great writing works but of how the mind itself works while reading, and of how the reading and writing of stories make genuine connection possible.
Author | : Jack V. Haney |
Publisher | : Routledge |
Total Pages | : 497 |
Release | : 2019-07-23 |
Genre | : History |
ISBN | : 1317457765 |
These stories of heroism and magic, and of terrifying encounters with Baba Yaga, Zmei the serpent and Koschchei the Immortal, represent at least one example of every wondertale type known in Russia.
Author | : Franklin D. Reeve |
Publisher | : W. W. Norton |
Total Pages | : 494 |
Release | : 1973 |
Genre | : Drama |
ISBN | : |
This collection ranges from humorous social realism to powerful explorations of man's capacity for evil. the anthology offers the reader six important Russian plays of the nineteenth century, in readable modern translations.
Author | : Neil Cornwell |
Publisher | : Taylor & Francis |
Total Pages | : 1020 |
Release | : 1998 |
Genre | : Literary Criticism |
ISBN | : 9781884964107 |
"First Published in 1998, Routledge is an imprint of Taylor & Francis, an informa company."
Author | : Maria Rubins |
Publisher | : UCL Press |
Total Pages | : 278 |
Release | : 2021-03-11 |
Genre | : Literary Criticism |
ISBN | : 1787359417 |
Over the century that has passed since the start of the massive post-revolutionary exodus, Russian literature has thrived in multiple locations around the globe. What happens to cultural vocabularies, politics of identity, literary canon and language when writers transcend the metropolitan and national boundaries and begin to negotiate new experience gained in the process of migration? Redefining Russian Literary Diaspora, 1920-2020 sets a new agenda for the study of Russian diaspora writing, countering its conventional reception as a subsidiary branch of national literature and reorienting the field from an excessive emphasis on the homeland and origins to an analysis of transnational circulations that shape extraterritorial cultural practices. Integrating a variety of conceptual perspectives, ranging from diaspora and postcolonial studies to the theories of translation and self-translation, World Literature and evolutionary literary criticism, the contributors argue for a distinct nature of diasporic literary expression predicated on hybridity, ambivalence and a sense of multiple belonging. As the complementary case studies demonstrate, diaspora narratives consistently recode historical memory, contest the mainstream discourses of Russianness, rewrite received cultural tropes and explore topics that have remained marginal or taboo in the homeland. These diverse discussions are framed by a focused examination of diaspora as a methodological perspective and its relevance for the modern human condition.
Author | : Hannah Moscovitch |
Publisher | : Theatre Communications Group - Playwrights Canada Press |
Total Pages | : 0 |
Release | : 2008 |
Genre | : Drama |
ISBN | : 9780887548093 |
Four plays bringing each character to life in full color, jumping off the page before you.