Four Plays Three Kings Two Bodies
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Author | : Edna Zwick Boris |
Publisher | : Fairleigh Dickinson Univ Press |
Total Pages | : 274 |
Release | : 1978 |
Genre | : Drama |
ISBN | : 9780838619902 |
Demonstrates that knowledge of constitutional history can add to our understanding of the politics of the English history plays and suggests that the nine historical plays that Shakespeare wrote before Elizabeth's death record a transformation in constitutional organization.
Author | : Ernst H. Kantorowicz |
Publisher | : |
Total Pages | : 568 |
Release | : 1981 |
Genre | : |
ISBN | : |
Author | : Kay Stockholder |
Publisher | : John Wiley & Sons |
Total Pages | : 248 |
Release | : 2018-09-24 |
Genre | : Literary Criticism |
ISBN | : 1119059011 |
Explores the challenges of maintaining bonds, living up to ideals, and fulfilling desire in Shakespeare’s plays In Thinking About Shakespeare, Kay Stockholder reveals the rich inner lives of some of Shakespeare’s most enigmatic characters and the ways in which their emotions and actions shape and are shaped by the social and political world around them. In addressing all genres in the Shakespeare canon, the authors explore the possibility of people being constant to each other in many different kinds of relationships: those of lovers, kings and subjects, friends, and business partners. While some bonds are irrevocably broken, many are reaffirmed. In all cases, the authors offer insight into what drives Shakespeare’s characters to do what they do, what draws them together or pulls them apart, and the extent to which bonds can ever be eternal. Ultimately, the most durable bond may be between the playwright and the audience, whereby the playwright pleases and the audience approves. The book takes an in-depth look at a dozen of The Bard’s best-loved works, including: A Midsummer Night’s Dream; Romeo and Juliet; The Merchant of Venice; Richard II; Henry IV, Part I; Hamlet; Troilus and Cressida; Othello; Macbeth; King Lear; Antony and Cleopatra; and The Tempest. It also provides an epilogue titled: Prospero and Shakespeare. Written in a style accessible for all levels Discusses 12 plays, making it a comprehensive study of Shakespeare’s work Covers every genre of The Bard’s work, giving readers a full sense of Shakespeare’s art/thought over the course of his oeuvre Provides a solid overall sense of each play and the major characters/plot lines in them Providing new and sometimes unconventional and provocative ways to think about characters that have had a long critical heritage, Thinking About Shakespeare is an enlightening read that is perfect for scholars, and ideal for any level of student studying one of history’s greatest storytellers.
Author | : Alice Dailey |
Publisher | : Cornell University Press |
Total Pages | : 172 |
Release | : 2022-06-15 |
Genre | : Literary Criticism |
ISBN | : 1501763660 |
How to Do Things with Dead People studies human contrivances for representing and relating to the dead. Alice Dailey takes as her principal objects of inquiry Shakespeare's English history plays, describing them as reproductive mechanisms by which living replicas of dead historical figures are regenerated in the present and re-killed. Considering the plays in these terms exposes their affinity with a transhistorical array of technologies for producing, reproducing, and interacting with dead things—technologies such as literary doppelgängers, photography, ventriloquist puppetry, X-ray imaging, glitch art, capital punishment machines, and cloning. By situating Shakespeare's historical drama in this intermedial conversation, Dailey challenges conventional assumptions about what constitutes the context of a work of art and contests foundational models of linear temporality that inform long-standing conceptions of historical periodization and teleological order. Working from an eclectic body of theories, pictures, and machines that transcend time and media, Dailey composes a searching exploration of how the living use the dead to think back and look forward, to rule, to love, to wish and create.
Author | : Michael L. Greenwald |
Publisher | : University of Delaware Press |
Total Pages | : 332 |
Release | : 1985 |
Genre | : Biography & Autobiography |
ISBN | : 9780874132649 |
This book traces the evolution of John Barton, one of this century's most important directors, from his days as a Cambridge student and scholar through his career with the prestigious Royal Shakespeare Company. Two lengthy interviews with Barton are included, as well as a number of rare pictures of his Cambridge work and representative pictures from his Royal Shakespeare Company productions.
Author | : William Shakespeare |
Publisher | : Cambridge University Press |
Total Pages | : 273 |
Release | : 2003-04-21 |
Genre | : Drama |
ISBN | : 0521532523 |
This second edition of Hamlet features a new section on recent dramatic and critical interpretations.
Author | : Beatrice Batson |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 220 |
Release | : 2021-02-03 |
Genre | : Literary Criticism |
ISBN | : 1527565475 |
This study focuses on the rich complexity of the term, reconciliation, as depicted by Shakespeare in selected dramas. The study declares the term’s biblical and theological basis and asserts that it is also a prominent word in social and political discourse. Some contributors to this volume connect reconciliation to justification and atonement before God through Christ’s death; others see the interrelations between the state and the religious character of its ruler; others unfold the need for reconciliation between one person and another or one group of persons and another, while other contributors include the thematic narrative significance of the term.
Author | : Tom McAlindon |
Publisher | : Routledge |
Total Pages | : 244 |
Release | : 2017-11-01 |
Genre | : Social Science |
ISBN | : 1351785974 |
This title was first published in 2002: An intensive study of Shakespeare's most ambitious and complex achievement in the historical mode. The book offers an account of the play's critical history from 1700 until the 1980s, deals with the aspects of Tudor history relevant to an understanding, and offers close readings of the text structured around what the author believes to be the play's three dominant concepts: time; truth; and grace. In an attempt to correct what he sees as a certain falsification of critical history, the author aligns his account of the play's reception with one of its major preoccupations - the inescapable and informing presence of the past.
Author | : Andrew B.R. Elliott |
Publisher | : McFarland |
Total Pages | : 286 |
Release | : 2014-01-10 |
Genre | : Performing Arts |
ISBN | : 0786461764 |
Proposing a fresh theoretical approach to the study of cinematic portrayals of the Middle Ages, this book uses both semiotics and historiography to demonstrate how contemporary filmmakers have attempted to recreate the past in a way that, while largely imagined, is also logical, meaningful, and as truthful as possible. Carrying out this critical approach, the author analyzes a wide range of films depicting the Middle Ages, arguing that most of these films either reflect the past through a series of visual signs (a concept he has called "iconic recreation") or by comparing the past to a modern equivalent (called "paradigmatic representation").
Author | : Matthew H Wikander |
Publisher | : University of Iowa Press |
Total Pages | : 265 |
Release | : 2002 |
Genre | : Performing Arts |
ISBN | : 1587294176 |
The idea that actors are hypocrites and fakes and therefore dangerous to society was widespread in the seventeenth and eighteenth centuries. Fangs of Malice examines the equation between the vice of hypocrisy and the craft of acting as it appears in antitheatrical tracts, in popular and high culture, and especially in plays of the period. Rousseau and others argue that actors, expert at seeming other than they are, pose a threat to society; yet dissembling seems also to be an inevitable consequence of human social intercourse. The “antitheatrical prejudice” offers a unique perspective on the high value that modern western culture places on sincerity, on being true to one's own self. Taking a cue from the antitheatrical critics themselves, Matthew Wikander structures his book in acts and scenes, each based on a particular slander against actors. A prologue introduces his main issues. Act One deals with the proposition “They Dress Up”: foppish slavery to fashion, cross-dressing, and dressing as clergy. Act Two treats the proposition “They Lie” by focusing on social dissembling and the phenomenon of the self-deceiving hypocrite and the public, princely hypocrite. Act Three, “They Drink,” examines a wide range of antisocial behavior ascribed to actors, such as drinking, gambling, and whoring. An epilogue ties the ancient ideas of possession and the panic that actors inspire to contemporary anxieties about representation not only in theatre but also in the visual and literary arts. Fangs of Malice will be of great interest to scholars and students of drama as well as to theatre professionals and buffs.