Who's who in America

Who's who in America
Author: John W. Leonard
Publisher:
Total Pages: 2504
Release: 1928
Genre: United States
ISBN:

Vols. 28-30 accompanied by separately published parts with title: Indices and necrology.

Five and Thirty

Five and Thirty
Author: University of Pennsylvania. Class of 1887
Publisher:
Total Pages: 182
Release: 1922
Genre:
ISBN:

Outlines of the World's History

Outlines of the World's History
Author: William Swinton
Publisher: BoD – Books on Demand
Total Pages: 542
Release: 2023-12-31
Genre: Fiction
ISBN: 3368849336

Reprint of the original, first published in 1874.

Faith in Objects

Faith in Objects
Author: E. Hasinoff
Publisher: Springer
Total Pages: 273
Release: 2011-11-21
Genre: Social Science
ISBN: 0230339727

Hasinoff brings the untold history of the World in Boston of 1911, 'America's First Great Missionary Exposition,' to light, focusing on how the material culture of missions shaped domestic interactions with evangelism, Christianity, and the consumption of ethnological knowledge.

Hamish MacCunn (1868-1916): A Musical Life

Hamish MacCunn (1868-1916): A Musical Life
Author: Jennifer L. Oates
Publisher: Routledge
Total Pages: 287
Release: 2016-04-22
Genre: Music
ISBN: 1317124065

Hamish MacCunn’s career unfolded amidst the restructuring of British musical culture and the rewriting of the Western European political landscape. Having risen to fame in the late 1880s with a string of Scottish works, MacCunn further highlighted his Caledonian background by cultivating a Scottish artistic persona that defined him throughout his life. His attempts to broaden his appeal ultimately failed. This, along with his difficult personality and a series of poor professional choices, led to the slow demise of what began as a promising career. As the first comprehensive study of MacCunn’s life, the book illustrates how social and cultural situations as well as his personal relationships influenced his career. While his fierce loyalty to his friends endeared him to influential people who helped him throughout his career, his refusal of his Royal College of Music degree and his failure to complete early commissions assured him a difficult path. Drawing upon primary resources, Oates traces the development of MacCunn’s music chronologically, juxtaposing his Scottish and more cosmopolitan compositions within a discussion of his life and other professional activities. This picture of MacCunn and his music reveals on the one hand a talented composer who played a role in establishing national identity in British music and, on the other, a man who unwittingly sabotaged his own career.