Foundations of English Opera
Author | : Edward Joseph Dent |
Publisher | : Cambridge : At the University Press |
Total Pages | : 266 |
Release | : 1928 |
Genre | : Opera |
ISBN | : |
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Author | : Edward Joseph Dent |
Publisher | : Cambridge : At the University Press |
Total Pages | : 266 |
Release | : 1928 |
Genre | : Opera |
ISBN | : |
Author | : Denise Gallo |
Publisher | : Routledge |
Total Pages | : 214 |
Release | : 2013-01-11 |
Genre | : Music |
ISBN | : 1136088024 |
Opera: The Basics offers an excellent introduction to four centuries of opera. Its easy to follow sections explore topics including: the origins of opera basic terminology the history of major opera genres including: serious opera, comic opera, semi-serious opera and vernacular opera. With key notes, discography and videography, this is the ideal book for students and interested listeners who want to learn more about this important musical genre.
Author | : Christopher Curtis Mead |
Publisher | : MIT Press (MA) |
Total Pages | : 360 |
Release | : 1991 |
Genre | : Architecture |
ISBN | : |
By making systematic use of the mostly unpublished Opera Archive, Mead fills in the missing links to previous investigations and unlocks the significance of this seminal masterpiece.
Author | : Ruth Bereson |
Publisher | : Routledge |
Total Pages | : 238 |
Release | : 2003-09-02 |
Genre | : Social Science |
ISBN | : 1134469942 |
The Operatic State examines the cultural, financial, and political investments that have gone into the maintenance of opera and opera houses in Europe, the USA and Australia. It analyses opera's nearly immutable form throughout wars, revolutions, and vast social changes throughout the world. Bereson argues that by legitimising the power of the state through universally recognised ceremonial ritual, opera enjoys a privileged status across three continents, often to the detriment of popular and indigenous art forms.
Author | : Guy A. Marco |
Publisher | : Routledge |
Total Pages | : 655 |
Release | : 2002-05-03 |
Genre | : Art |
ISBN | : 113557801X |
Opera is the only guide to the research writings on all aspects of opera. This second edition presents 2,833 titles--over 2,000 more than the first edition--of books, parts of books, articles and dissertations with full bibliographic descriptions and critical annotations. Users will find the core literature on the operas of 320 individual composers and details of operatic life in 43 countries. All relevant works through to November 1999 have been considered, covering more than fifteen years of literature since the first edition was published.
Author | : Martin Adams |
Publisher | : Cambridge University Press |
Total Pages | : 408 |
Release | : 1995-03-09 |
Genre | : Music |
ISBN | : 9780521431590 |
Using a mix of broad stylistic observation and detailed analysis, Adams distinguishes between late-seventeenth-century English style in general and Purcell's style in particular, and chronicles the changes in the composer's approach to the main genres in which he worked, especially the newly emerging ode and English opera. As a result, Adams reveals that although Purcell went through a marked stylistic development, encompassing an unusually wide range of surface changes, special elements of his style remained constant.
Author | : Rebecca Herissone |
Publisher | : Routledge |
Total Pages | : 439 |
Release | : 2016-04-01 |
Genre | : Music |
ISBN | : 1317043278 |
The Ashgate Research Companion to Henry Purcell provides a comprehensive and authoritative review of current research into Purcell and the environment of Restoration music, with contributions from leading experts in the field. Seen from the perspective of modern, interdisciplinary approaches to scholarship, the companion allows the reader to develop a rounded view of the environment in which Purcell lived, the people with whom he worked, the social conditions that influenced his activities, and the ways in which the modern perception of him has been affected by reception of his music after his death. In this sense the contributions do not privilege the individual over the environment: rather, they use the modern reader's familiarity with Purcell's music as a gateway into the broader Restoration world. Topics include a reassessment of our understanding of Purcell's sources and the transmission of his music; new ways of approaching the study of his creative methods; performance practice; the multi-faceted theatre environment in which his work was focused in the last five years of his life; the importance of the political and social contexts of late seventeenth-century England; and the ways in which the performance history and reception of his music have influenced modern appreciation of the composer. The book will be essential reading for anyone studying the music and culture of the seventeenth century.
Author | : Murray Steib |
Publisher | : Routledge |
Total Pages | : 2624 |
Release | : 2013-12-02 |
Genre | : Music |
ISBN | : 1135942692 |
The Reader's Guide to Music is designed to provide a useful single-volume guide to the ever-increasing number of English language book-length studies in music. Each entry consists of a bibliography of some 3-20 titles and an essay in which these titles are evaluated, by an expert in the field, in light of the history of writing and scholarship on the given topic. The more than 500 entries include not just writings on major composers in music history but also the genres in which they worked (from early chant to rock and roll) and topics important to the various disciplines of music scholarship (from aesthetics to gay/lesbian musicology).
Author | : Andrew Walkling |
Publisher | : Routledge |
Total Pages | : 388 |
Release | : 2016-08-25 |
Genre | : Music |
ISBN | : 1317099699 |
Masque and Opera in England, 1656–1688 presents a comprehensive study of the development of court masque and through-composed opera in England from the mid-1650s to the Revolution of 1688–89. In seeking to address the problem of generic categorization within a highly fragmentary corpus for which a limited amount of documentation survives, Walkling argues that our understanding of the distinctions between masque and opera must be premised upon a thorough knowledge of theatrical context and performance circumstances. Using extensive archival and literary evidence, detailed textual readings, rigorous tabular analysis, and meticulous collation of bibliographical and musical sources, this interdisciplinary study offers a host of new insights into a body of work that has long been of interest to musicologists, theatre historians, literary scholars and historians of Restoration court and political culture, but which has hitherto been imperfectly understood. A companion volume will explore the phenomenon of "dramatick opera" and its precursors on London’s public stages between the early 1660s and the first decade of the eighteenth century.