Folk Rock
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| Author | : Jerry Burgan |
| Publisher | : Scarecrow Press |
| Total Pages | : 271 |
| Release | : 2014-04-10 |
| Genre | : Music |
| ISBN | : 0810888629 |
The dawn of folk rock comes to life in Jerry Burgan’s unforgettable memoir of the pre-psychedelic 1960s and the summer that changed everything. As a naïve folksinger from Pomona, California, Burgan was thrust to the forefront of the counterculture and its aftermath. The Byrds, the Rolling Stones, the Mamas and Papas, Barry McGuire, Bo Diddley and many others make appearances in this 50th Anniversary reminiscence by the surviving cofounder of WE FIVE, the San Francisco electro-folk ensemble whose million-seller, "You Were On My Mind,” entered the world two months before Bob Dylan plugged in an electric guitar at the Newport Folk Festival. Vying with the Byrds to record the first folk-rock hit, Burgan and his lifelong friend Mike Stewart embarked on a road they thought well paved by the latter's older brother, Kingston Trio member John Stewart. Little did they realize that they would join the largest-ever American generation in an ecstatic, sometimes tortured, journey of invention and disillusion. Wounds to Bind bears witness to a lost and hopeful convergence in American history—that missing link between the folk and rock eras—when Bob Dylan and Sammy Davis Jr. were played on the same radio station in the same hour. A survivor of the human realignments, tragedies and triumphs that followed, Burgan tracks down the demons that drove the genius of We Five cofounder Mike Stewart and sheds light on the 40-year enigma of what became of the band’s reclusive lead singer, Beverly Bivens, a forerunner of Grace Slick, Linda Ronstadt, and Stevie Nicks.
| Author | : Lana Stanley |
| Publisher | : |
| Total Pages | : 104 |
| Release | : 1970 |
| Genre | : Folk music |
| ISBN | : |
| Author | : Michael Lydon |
| Publisher | : |
| Total Pages | : 200 |
| Release | : 1971 |
| Genre | : Jazz |
| ISBN | : 9780385274951 |
| Author | : Britta Sweers |
| Publisher | : Oxford University Press |
| Total Pages | : 350 |
| Release | : 2005-01-13 |
| Genre | : Music |
| ISBN | : 0198038984 |
In the 1960s and 1970s, a number of British musicians rediscovered traditional folk ballads, fusing the old melodies with rock, jazz, and blues styles to create a new genre dubbed "electric folk" or "British folk rock." This revival featured groups such as Steeleye Span, Fairport Convention, and Pentangle and individual performers like Shirley & Dolly Collins, and Richard Thompson. While making music in multiple styles, they had one thing in common: they were all based on traditional English song and dance material. These new arrangements of an old repertoire created a unique musical voice within the popular mainstream. After reasonable commercial success, peaking with Steeleye Span's Top 10 album All Around My Hat, Electric Folk disappeared from mainstream notice in the late 1970s, yet performers continue to create today. In Electric Folk: The Changing Face of English Traditional Music, Britta Sweers provides an illuminating history and fascinating analysis of the unique features of the electric folk scene, exploring its musical styles and cultural implications. Drawing on rare historical sources, contemporary music journalism, and first-hand interviews with several of electric folk's most prominent artists, Sweers argues that electric folk is both a result of the American folk revival of the early 1960s and a reaction against the dominance of American pop music abroad. Young British "folk-rockers," such as Richard Thompson and Maddy Prior, turned to traditional musical material as a means of asserting their British cultural identity. Yet, unlike many American and British folk revivalists, they were not as interested in the "purity" of folk ballads as in the music's potential for lively interaction with modern styles, instruments, and media. The book also delves into the impact of the British folk rock movement on mainstream pop, American rock music, and neighboring European countries. Ultimately, Sweers creates a richly detailed portrait of the electric folk scene--as cultural phenomenon, commercial entity, and performance style.
| Author | : |
| Publisher | : Hal Leonard Publishing Corporation |
| Total Pages | : 0 |
| Release | : 2001-02 |
| Genre | : Folk-rock music |
| ISBN | : 9780634023774 |
(Guitar Recorded Versions). 35 great folk-rock favorites, including: At Seventeen * Best of My Love * Eight Miles High * Fire and Rain * Here Comes the Sun * Leaving on a Jet Plane * Me and Bobby McGee * Teach Your Children * Time in a Bottle * Turn! Turn! Turn! (To Everything There Is a Season) * Wild World * You've Got a Friend * and more.
| Author | : Steve Forbert |
| Publisher | : Pfp Publishing |
| Total Pages | : 266 |
| Release | : 2018-07-25 |
| Genre | : BIOGRAPHY & AUTOBIOGRAPHY |
| ISBN | : 9780997024876 |
Steve Forbert carved out a niche in New York City's vibrant club scene, playing now-iconic venues like Gerde's Folk City and CBGB's during a time when rootsy rock was fading out and New Wave and punk acts were moving in. His critically acclaimed first album, Alive on Arrival, captured that heady period. Forbert's next, Jackrabbit Slim, introduced the hit "Romeo's Tune. Since then he's produced 20 studio albums. Keith Urban, Rosanne Cash, and Marty Stuart, among others, have recorded his songs and Forbert's tribute to Jimmie Rodgers, Any Old Time, was nominated for a Grammy. Big City Cat: My Life in Folk-Rock features photos from Forbert's personal collection. His stories are interspersed with early journal entries from New York City as well as reminiscences from the people around him--including former manager Danny Fields and E Street Band bassist Garry Tallent, who produced three of Forbert's albums. It's a tale of a talented survivor in a challenging and changing music industry.
| Author | : Richie Unterberger |
| Publisher | : Hal Leonard Corporation |
| Total Pages | : 326 |
| Release | : 2002 |
| Genre | : Music |
| ISBN | : 9780879307035 |
A portrait of folk rock cites its role as a vehicle for musical and social change, chronicling its evolution in the 1960s while profiling its major contributors and milestones, such as Bob Dylan, the Byrds, Simon and Garfunkel, the Newport Folk Festival, and Woodstock. Original.
| Author | : Richie Unterberger |
| Publisher | : Hal Leonard Corporation |
| Total Pages | : 372 |
| Release | : 2003 |
| Genre | : Music |
| ISBN | : 9780879307431 |
Eight Miles High documents the evolution of the folk-rock movement from mid-1966 through the end of the decade. This much-anticipated sequel to Turn! Turn! Turn!(00330946) - the acclaimed history of folk-rock's early years - portrays the mutation of the genre into psychedelia via California bands like the Byrds and Jefferson Airplane; the maturation of folk-rock composers in the singer-songwriter movement; the re-emergence of Bob Dylan and the creation of country-rock; the rise of folk-rock's first supergroup, CSN&Y; the origination of British folk-rock; and the growing importance of major festivals from Newport to Woodstock. Based on firsthand interviews with such folk-rock visionaries as: Jorma Kaukonen, Roger McGuinn, Donovan, Judy Collins, Jim Messina, Dan Hicks and dozens of others.
| Author | : Richard Thompson |
| Publisher | : Algonquin Books |
| Total Pages | : 304 |
| Release | : 2021-04-06 |
| Genre | : Biography & Autobiography |
| ISBN | : 1643751700 |
A Rolling Stone Best Music Book of 2021 “Thompson is a master showman . . . [Beeswing is] everything you’d hope a Richard Thompson autobiography would be . . . It’s both major and minor, dirge and ditty, light on its feet but packing a punch.” —The Wall Street Journal Now Featuring an Interview with Elvis Costello In this moving, immersive, and long-awaited memoir, beloved international music legend Richard Thompson recreates the spirit of his early years, where he found, and then lost, and then found his way again. Considered one of the top twenty guitarists of all time, Thompson also belongs in the songwriting pantheon alongside Bob Dylan, Paul Simon, and Randy Newman. Here the British folk musician takes us back to the late 1960s, a period of great change and creativity for both him and the world at large. During the pivotal years of 1967 to 1975, just as he was discovering his passion for music, he formed the band Fairport Convention with some schoolmates and helped establish the genre of British folk rock. It was a thrilling period of massive tours, where Thompson was on the road in both the UK and the US, crossing paths with the likes of Led Zeppelin, Pink Floyd, and Jimi Hendrix, as well as a time of heady and explosive creativity for Thompson, who wrote some of his most famous songs during this time. But as Thompson reveals, those eight years were also marked by upheaval and tragedy. Honest, moving, and compelling, Beeswing vividly captures the life of a remarkable man and musician during a period of artistic intensity, in a world on the cusp of change. “An absorbing, witty, often deliciously biting read, as all rock memoirs should be.” —Los Angeles Review of Books
| Author | : Mark Pedelty |
| Publisher | : Temple University Press |
| Total Pages | : 243 |
| Release | : 2011-06-15 |
| Genre | : Music |
| ISBN | : 1439907137 |
Can musicians really make the world more sustainable? Anthropologist Mark Pedelty, joined an eco-oriented band, the Hypoxic Punks, to find out. In his timely and exciting book, Ecomusicology, Pedelty explores the political ecology of rock, from local bands to global superstars. He examines the climate change controversies of U2's 360 Degrees stadium tour—deemed excessive by some—and the struggles of local folk singers who perform songs about the environment. In the process, he raises serious questions about the environmental effects and meanings on music. Ecomusicology examines the global, national, regional, and historical contexts in which environmental pop is performed. Pedelty reveals the ecological potentials and pitfalls of contemporary popular music, in part through ethnographic fieldwork among performers, audiences, and activists. Ultimately, he explains how popular music dramatically reflects both the contradictions and dreams of communities searching for sustainability.
