The Denver Folk Music Tradition

The Denver Folk Music Tradition
Author: Paul Malkoski
Publisher: Arcadia Publishing
Total Pages: 178
Release: 2012-03-11
Genre: History
ISBN: 1614233675

In 1962, Harry Tuft founded the Denver Folklore Center to bring together contemporary folk music fans and performers such as Joan Baez, Pete Seeger, Judy Collins and so many more. In the following decade, a core of folk enthusiasts established the Swallow Hill Music Association. These two organizations have persevered to sustain a lasting folk legacy in the Mile High City. This is the story of how the music and the people who love and live it shaped a unique, influential tradition. Join local historian and musician Paul Malkoski on a tour through more than fifty years of Denver's proud folk music scene.

Folk Music in Denver

Folk Music in Denver
Author: Paul Alexander Malkoski
Publisher:
Total Pages: 153
Release: 2007
Genre: Folk music
ISBN: 9780549065265

This paper explores the impact folk music has had at the local, and to a lesser extent, national levels, and why folk music matters. The Folk Revival, commonly delineated as 1940-70, saw the rise and fall of folk music's commercial popularity, a time when its image moved from rural America to the urban landscape. Through the Folk Revival, and two Denver institutions in particular---the Denver Folklore Center and Swallow Hill Music Association---this paper will explore folk music's influence on popular music and culture, the recording business, guitar and stringed instrument making and merchandising, and community. In short, this papers examines why folk music matters, why is was important in the development of American culture, and why it remains a force in present day Denver.

The Denver Folk Music Tradition: An Unplugged History, from Harry Tufts to Swallow Hill and Beyond

The Denver Folk Music Tradition: An Unplugged History, from Harry Tufts to Swallow Hill and Beyond
Author: Paul A. Malkoski
Publisher: History Press Library Editions
Total Pages: 170
Release: 2012-03
Genre: Music
ISBN: 9781540231321

In 1962, Harry Tuft founded the Denver Folklore Center to bring together contemporary folk music fans and performers such as Joan Baez, Pete Seeger, Judy Collins and so many more. In the following decade, a core of folk enthusiasts established the Swallow Hill Music Association. These two organizations have persevered to sustain a lasting folk legacy in the Mile High City. This is the story of how the music and the people who love and live it shaped a unique, influential tradition. Join local historian and musician Paul Malkoski on a tour through more than fifty years of Denver's proud folk music scene.

Leftover Salmon

Leftover Salmon
Author: Tim Newby
Publisher: Rowman & Littlefield Publishers
Total Pages: 408
Release: 2019-01-11
Genre: Music
ISBN: 9781538113295

Newby presents an intimate portrait of the cult sensation jam band Leftover Salmon through its band members, family, friends, former band-mates, record label owners, managers, and the countless musicians. This book reveals Leftover Salmon's crucial contribution to American music as they've influenced countless other bands while garnering the respect of countless fans.

John Denver: Folk Singer

John Denver: Folk Singer
Author: John Denver
Publisher: Play It Like It Is
Total Pages: 0
Release: 2007-03
Genre: Music
ISBN: 9781575609423

(Play It Like It Is). 15 songs transcribed note for note from this country-folk entertainer and humanitarian. Includes: Darcy Farrow * Fly Away * Garden Song * I Guess He'd Rather Be in Colorado * Leaving on a Jet Plane * Mr. Bojangles * Mother Nature's Son * Paradise * Potter's Wheel * Rhymes and Reasons * Rocky Mountain High * Take Me Home, Country Roads * Thirsty Boots * This Old Guitar * Today.

A New History of American and Canadian Folk Music

A New History of American and Canadian Folk Music
Author: Dick Weissman
Publisher: Bloomsbury Publishing USA
Total Pages: 345
Release: 2019-09-05
Genre: Music
ISBN: 150134417X

Building on his 2006 book, Which Side Are You On?, Dick Weissman's A New History of American and Canadian Folk Music presents a provocative discussion of the history, evolution, and current status of folk music in the United States and Canada. North American folk music achieved a high level of popular acceptance in the late 1950s. When it was replaced by various forms of rock music, it became a more specialized musical niche, fragmenting into a proliferation of musical styles. In the pop-folk revival of the 1960s, artists were celebrated or rejected for popularizing the music to a mass audience. In particular the music seemed to embrace a quest for authenticity, which has led to endless explorations of what is or is not faithful to the original concept of traditional music. This book examines the history of folk music into the 21st century and how it evolved from an agrarian style as it became increasingly urbanized. Scholar-performer Dick Weissman, himself a veteran of the popularization wars, is uniquely qualified to examine the many controversies and musical evolutions of the music, including a detailed discussion of the quest for authenticity, and how various musicians, critics, and fans have defined that pursuit.