Folk-memory

Folk-memory
Author: Walter Johnson
Publisher:
Total Pages: 482
Release: 1908
Genre: Folklore
ISBN:

Romancing the Folk

Romancing the Folk
Author: Benjamin Filene
Publisher: UNC Press Books
Total Pages: 344
Release: 2000
Genre: Music
ISBN: 9780807848623

In American music, the notion of "roots" has been a powerful refrain, but just what constitutes our true musical traditions has often been a matter of debate. As Benjamin Filene reveals, a number of competing visions of America's musical past have vied fo

The Folk

The Folk
Author: Ross Cole
Publisher: Univ of California Press
Total Pages: 275
Release: 2021-09-07
Genre: Music
ISBN: 0520383745

"Who were 'the folk'? This question has haunted generations of radicals and reactionaries alike. The Folk traces the musical culture of these elusive figures in Britain and the US during a crucial period from 1870 to 1930, and beyond to the contemporary alt-right. It follows an insistent set of disputes surrounding the practice of collecting, ideas of racial belonging, the poetics of nostalgia, and the pre-history of European fascism. It is the biography of a people who exist only as a symptom of the modern imagination and the archaeology of a landscape directing the flow of global politics today"--

Famine Echoes – Folk Memories of the Great Irish Famine

Famine Echoes – Folk Memories of the Great Irish Famine
Author: Cathal Poirteir
Publisher: Gill & Macmillan Ltd
Total Pages: 345
Release: 1995-09-01
Genre: History
ISBN: 0717165841

Famine Echoes is a groundbreaking oral account of the Great Irish Potato Famine of 1845–52, telling the stories of its victims for the first time ever in their own words and those of their descendants. 'When the potato crop failed no other food was available and the people perished by the hundreds of thousands, along the roadside, in the ditches, in the fields from hunger and cold, and what was even worse – the famine fever. The strongest men were reduced to mere skeletons and they could be met daily with the clothes hanging on them like ghosts.' The Great Irish Famine is the greatest tragedy in Irish history. Over one million people died and nearly two million emigrated as a result. Famine Echoes gives a voice to its victims, offering a unique perspective on the Great Hunger, the defining event of modern Irish history. In Famine Echoes, descendants of Famine survivors recall the community memories of the great hunger in their own words, conveying like never before the heartbreak and horrors their relatives experienced. This remarkable book, a seminal record of the oral transmission of folk memory, is a record of the last living link with the survivors of Ireland's most devastating historical event. In the 1940s, the Folklore Commission conducted interviews with thousands of elderly people around Ireland who remembered what they themselves had heard from ancestors who had survived the Famine. Cathal Póirtéir has edited a selection of these recollections, arranging the material in an order which follows the rough chronology of the Famine itself. Famine Echoes is published to coincide with the RTÉ Radio series of the same name. Famine Echoes: Table of Contents - Folk Memory and the Famine - Before the Bad Times - Abundance Abused and the Blight - Turnips, Blood, Herbs and Fish - 'No Sin and You Starving' - Mouths Stained Green - 'The Fever, God Bless Us' - The Paupers and the Poorhouse - Boilers, Stirabout and 'Yellow Male' - New Lines and 'Male Roads' - 'Soupers', 'Jumpers' and 'Cat Breacs' - The Bottomless Coffin and the Famine Pit - Landlords, Grain and Government - Agents, Grabbers and Gombeen Men - 'A Terrible Levelling of Houses' - The Coffin Ships and the Going Away - Of Curses, Kindness and Miraculous FoodAppendix I Appendix II

Remembering the Year of the French

Remembering the Year of the French
Author: Guy Beiner
Publisher: Univ of Wisconsin Press
Total Pages: 490
Release: 2007-02-01
Genre: History
ISBN: 0299218236

Remembering the Year of the French is a model of historical achievement, moving deftly between the study of historical events—the failed French invasion of the West of Ireland in 1798—and folkloric representationsof those events. Delving into the folk history found in Ireland’s rich oral traditions, Guy Beiner reveals alternate visions of the Irish past and brings into focus the vernacular histories, folk commemorative practices, and negotiations of memory that have gone largely unnoticed by historians. Beiner analyzes hundreds of hitherto unstudied historical, literary, and ethnographic sources. Though his focus is on 1798, his work is also a comprehensive study of Irish folk history and grass-roots social memory in Ireland. Investigating how communities in the West of Ireland remembered, well into the mid-twentieth century, an episode in the late eighteenth century, this is a “history from below” that gives serious attention to the perspectives of those who have been previously ignored or discounted. Beiner brilliantly captures the stories, ceremonies, and other popular traditions through which local communities narrated, remembered, and commemorated the past. Demonstrating the unique value of folklore as a historical source, Remembering the Year of the French offers a fresh perspective on collective memory and modern Irish history. Winner, Wayland Hand Competition for outstanding publication in folklore and history, American Folklore Society Finalist, award for the best book published about or growing out of public history, National Council on Public History Winner, Michaelis-Jena Ratcliff Prize for the best study of folklore or folk life in Great Britain and Ireland “An important and beautifully produced work. Guy Beiner here shows himself to be a historian of unusual talent.”—Marianne Elliott, Times Literary Supplement “Thoroughly researched and scholarly. . . . Beiner’s work is full of empathy and sympathy for the human remains, memorials, and commemorations of past lives and the multiple ways in which they actually continue to live.”—Stiofán Ó Cadhla, Journal of British Studies “A major contribution to Irish historiography.”—Maureen Murphy, Irish Literary Supplement "A remarkable piece of scholarship . . . . Accessible, full of intriguing detail, and eminently teachable.”?—Ray Casman, New Hibernia Review “The most important monograph on Irish history of the nineteenth and twentieth centuries to be published in recent years.”—Matthew Kelly, English Historical Review “A strikingly ambitious work . . . . Elegantly constructed, lucidly written and inspired, and displaying an inexhaustible capacity for research”—Ciarán Brady, History IRELAND “A closely argued, meticulously detailed and rich analysis . . . . providing such innovative treatment of a wide array of sources, his work will resonate with the concerns of many cultural and historical geographers working on social memory in quite different geographical settings and historical contexts.”—Yvonne Whelan, Journal of Historical Geography

The Edge of Memory

The Edge of Memory
Author: Patrick Nunn
Publisher: Bloomsbury Publishing
Total Pages: 226
Release: 2018-08-23
Genre: Social Science
ISBN: 1472943279

How much of the folk tales of our ancestors is rooted in fact, and what can they tell us about the future? In today's society it is the written word that holds the authority. We are more likely to trust the words found in a history textbook over the version of history retold by a friend – after all, human memory is unreliable, and how can you be sure your friend hasn't embellished the facts? But before humans were writing down their knowledge, they were passing it on in the form of stories. The Edge of Memory celebrates the predecessor of written information – the spoken word, tales from our ancestors that have been passed down, transmitting knowledge from one generation to the next. Among the most extensive and best-analysed of these stories are from native Australian cultures. These stories conveyed both practical information and recorded history, describing a lost landscape, often featuring tales of flooding and submergence. Folk traditions such as these are increasingly supported by hard science. Geologists are starting to corroborate the tales through study of climatic data, sediments and land forms; the evidence was there in the stories, but until recently, nobody was listening. In this book, Patrick Nunn unravels the importance of these tales, exploring the science behind folk history from around the world – including northwest Europe and India – and what it can tell us about environmental phenomena, from coastal drowning to volcanic eruptions. These stories of real events were handed down the generations over thousands of years, and they have broad implications for our understanding of how human societies have developed through the millennia, and ultimately how we respond collectively to changes in climate, our surroundings and the environment we live in.

Helen LaFrance

Helen LaFrance
Author: Kathy Moses
Publisher: S&s Pub.
Total Pages: 192
Release: 2011
Genre: Outsider art
ISBN: 9780615413143

Includes bibliographical references (p. 191).

The Hero

The Hero
Author: FitzRoy Richard Somerset Raglan
Publisher: Courier Corporation
Total Pages: 340
Release: 2003-01-01
Genre: Social Science
ISBN: 9780486427089

Heroic figures, invested with a common pattern that satisfies the human desire for idealization, are the focus of this intriguing study of legendary characters — from Oedipus and King Arthur to heroes of the Trojan War and Robin Hood. A fascinating study that will appeal to students of folklore, mythology, and history.

Finding Charity’s Folk

Finding Charity’s Folk
Author: Jessica Millward
Publisher: University of Georgia Press
Total Pages: 160
Release: 2015-12-15
Genre: History
ISBN: 0820348791

Finding Charity’s Folk highlights the experiences of enslaved Maryland women who negotiated for their own freedom, many of whom have been largely lost to historical records. Based on more than fifteen hundred manumission records and numerous manuscript documents from a diversity of archives, Jessica Millward skillfully brings together African American social and gender history to provide a new means of using biography as a historical genre. Millward opens with a striking discussion about how researching the life of a single enslaved woman, Charity Folks, transforms our understanding of slavery and freedom in Revolutionary America. For African American women such as Folks, freedom, like enslavement, was tied to a bondwoman’s reproductive capacities. Their offspring were used to perpetuate the slave economy. Finding loopholes in the law meant that enslaved women could give birth to and raise free children. For Millward, Folks demonstrates the fluidity of the boundaries between slavery and freedom, which was due largely to the gendered space occupied by enslaved women. The gendering of freedom influenced notions of liberty, equality, and race in what became the new nation and had profound implications for African American women’s future interactions with the state.

For Folk’s Sake

For Folk’s Sake
Author: Erin Morton
Publisher: McGill-Queen's Press - MQUP
Total Pages: 405
Release: 2016-11-01
Genre: Art
ISBN: 077359986X

Folk art emerged in twentieth-century Nova Scotia not as an accident of history, but in tandem with cultural policy developments that shaped art institutions across the province between 1967 and 1997. For Folk’s Sake charts how woodcarvings and paintings by well-known and obscure self-taught makers - and their connection to handwork, local history, and place - fed the public’s nostalgia for a simpler past. The folk artists examined here range from the well-known self-taught painter Maud Lewis to the relatively anonymous woodcarvers Charles Atkinson, Ralph Boutilier, Collins Eisenhauer, and Clarence Mooers. These artists are connected by the ways in which their work fascinated those active in the contemporary Canadian art world at a time when modernism – and the art market that once sustained it – had reached a crisis. As folk art entered the public collection of the Art Gallery of Nova Scotia and the private collections of professors at the Nova Scotia College of Art and Design, it evolved under the direction of collectors and curators who sought it out according to a particular modernist aesthetic language. Morton engages national and transnational developments that helped to shape ideas about folk art to show how a conceptual category took material form. Generously illustrated, For Folk’s Sake interrogates the emotive pull of folk art and reconstructs the relationships that emerged between relatively impoverished self-taught artists, a new brand of middle-class collector, and academically trained professors and curators in Nova Scotia’s most important art institutions.