Film Programming
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Author | : Peter Bosma |
Publisher | : Columbia University Press |
Total Pages | : 218 |
Release | : 2015-06-09 |
Genre | : Performing Arts |
ISBN | : 0231850824 |
This study explores artistic choices in cinema exhibition, focusing on film theaters, film festivals, and film archives and situating film-curating issues within an international context. Artistic and commercial film availability has increased overwhelmingly as a result of the digitization of the infrastructure of distribution and exhibition. The film trade's conventional structures are transforming and, in the digital age, supply and demand can meet without the intervention of traditional gatekeepers—everybody can be a film curator, in a passive or active way. This volume addresses three kinds of readers: those who want to become film curators, those who want to research the film-curating phenomenon, and those critical cinema visitors who seek to investigate the story behind the selection process of available films and the way to present them.
Author | : Kati Irons |
Publisher | : ALA Editions |
Total Pages | : 169 |
Release | : 2014 |
Genre | : Language Arts & Disciplines |
ISBN | : 9780838911976 |
Film programming can seem more complicated than other kids of programming libraries offer. Irons, development library for the Film and Music Collection at the Pierce County Library System in Washington State, provides inspiration on aspects such as licensing, marketing, equipment, film advisory, and film displays.
Author | : Cynthia Lucia |
Publisher | : University of Texas Press |
Total Pages | : 393 |
Release | : 2017-11-01 |
Genre | : Performing Arts |
ISBN | : 1477313435 |
Digital technology and the Internet have revolutionized film criticism, programming, and preservation in deeply paradoxical ways. The Internet allows almost everyone to participate in critical discourse, but many print publications and salaried positions for professional film critics have been eliminated. Digital technologies have broadened access to filmmaking capabilities, as well as making thousands of older films available on DVD and electronically. At the same time, however, fewer older films can be viewed in their original celluloid format, and newer, digitally produced films that have no “material” prototype are threatened by ever-changing servers that render them obsolete and inaccessible. Cineaste, one of the oldest and most influential publications focusing on film, has investigated these trends through a series of symposia with the top film critics, programmers, and preservationists in the United States and beyond. This volume compiles several of these symposia: “Film Criticism in America Today” (2000), “International Film Criticism Today” (2005), “Film Criticism in the Age of the Internet” (2008), “Film Criticism: The Next Generation” (2013), “The Art of Repertory Film Exhibition and Digital Age Challenges” (2010), and “Film Preservation in the Digital Age” (2011). It also includes interviews with the late, celebrated New Yorker film critic Pauline Kael and the critic John Bloom (“Joe Bob Briggs”), as well as interviews with the programmers/curators Peter von Bagh and Mark Cousins and with the film preservationist George Feltenstein. This authoritative collection of primary-source documents will be essential reading for scholars, students, and film enthusiasts.
Author | : Jeffrey Ruoff |
Publisher | : |
Total Pages | : 259 |
Release | : 2012 |
Genre | : Film festivals |
ISBN | : 9781908437037 |
This is an outstanding anthology of work on film-festival programming. Combining theoretical and historical overviews with detailed studies of individual festivals and personal testimonies from experts long associated with film festivals, the book makes a thorough, wide-ranging
Author | : United States Information Agency |
Publisher | : |
Total Pages | : 24 |
Release | : 1956 |
Genre | : Documentary films |
ISBN | : |
Author | : United States Information Agency |
Publisher | : |
Total Pages | : 20 |
Release | : 1959 |
Genre | : Documentary films |
ISBN | : |
Author | : Bridgette Wessels |
Publisher | : Manchester University Press |
Total Pages | : 207 |
Release | : 2022-12-20 |
Genre | : Performing Arts |
ISBN | : 1526157837 |
Reception studies have made film audiences increasingly visible, while surveys track trends and policymakers gather information about audience preferences and demographics. But little attention has been paid to the specific contextual relationships and interactions between films and individuals that generate and sustain audiences. This monograph develops the idea of audiences as interactive and relational, introducing three innovative concepts: ‘personal film journeys’, five types of audience formations and five geographies of film provision. A major challenge of audience research is how to capture the richness of people’s social and cultural engagement with film. To achieve this, the book uses an innovative mixed-methods research and computational ontology. It develops ground-breaking theory and concepts and an innovative methodology based on an extensive data-set derived from the under-researched area of British regional film audiences.
Author | : Patrice Petro |
Publisher | : Rutgers University Press |
Total Pages | : 239 |
Release | : 2022-06-17 |
Genre | : Art |
ISBN | : 1978829949 |
Introduction: Uncanny histories / Patrice Petro -- Pt. 1. The disciplinary uncanny -- Film and media in the double take of history / Priya Jaikumar -- Haunted by the body: cleanliness in colonial Manila's film culture / Jasmine Trice -- Reimagining the history of media studies through games, play and the uncanny valley / Alenda Chang -- Pt. 2. Uncanny films -- Flickering lights and mischievous stars: the uncanny feminism of my twentieth century / Hanna Goodwin -- The sublime body under the sign of developmentalism: the Wolf of Wall Street (2013), Malaysian politics and global markets / Peter J. Bloom -- Uncanny histories of transnational cinematic receptions: Eisenstein in Cuba / Masha Salazkina -- Pt. 3. Uncanny figures -- Julia García Espinosa and the fight for a critical culture in Cuba / Cristina Venegas -- The case for (re)collecting Lotte Eisner's work / Naomi DeCelles -- A widow's work: archives and the construction of Russian film history / Maria N. Corrigan -- Fiendish devices: the uncanny history of Almena Davis / Ellen C. Scott.
Author | : |
Publisher | : |
Total Pages | : 106 |
Release | : 1956-08-11 |
Genre | : |
ISBN | : |
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
Author | : Erin Franziska Högerle |
Publisher | : Walter de Gruyter GmbH & Co KG |
Total Pages | : 355 |
Release | : 2020-10-26 |
Genre | : Social Science |
ISBN | : 3110696657 |
Responding to a lack of studies on the film festival’s role in the production of cultural memory, this book explores different parameters through which film festivals shape our reception and memories of films. By focusing on two Asian American film festivals, this book analyzes the frames of memory that festivals create for their films, constructed through and circulated by the various festival media. It further establishes that festival locations—both cities and screening venues—play a significant role in shaping our experience of films. Finally, it shows that festivals produce performances which help guide audiences towards certain readings and direct the film’s role as a memory object. Bringing together film festival studies and memory studies, 'Asian American Film Festivals' offers a mixed-methods approach with which to explore the film festival phenomenon, thus shedding light on the complex dynamics of frames, locations, and performances shaping the festival’s memory practices. It also draws attention to the understudied genre of Asian American film festivals, showing how these festivals actively engage in constructing and performing a minority group’s collective identity and memory.