Film Folk
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Film, Folklore, and Urban Legends
| Author | : Mikel J. Koven |
| Publisher | : Scarecrow Press |
| Total Pages | : 220 |
| Release | : 2008 |
| Genre | : Performing Arts |
| ISBN | : 9780810860254 |
From Alien to When a Stranger Calls, many films are based on folklore or employ an urban legend element to propel the narrative. Films, Folklore and Urban Legends explores the convergence of folklore with popular cinema studies and focuses on the study of urban legends and how these narratives are used as inspiration for a number of films. Beginning with a general survey of the existing literature on folklore/film, this book addresses discourses of belief, how urban legends provide the organizing principle of some films, and how certain films "act out" or perform a legend.
We Don't Go Back
| Author | : Howard David Ingham |
| Publisher | : |
| Total Pages | : 440 |
| Release | : 2018-07-08 |
| Genre | : Horror films |
| ISBN | : 9781722748814 |
Secret, strange, dark, impure and dissonant...Enter the haunted landscapes of folk horror, a world of pagan village conspiracies, witch finders, and teenagers awakening to evil; of dark fairy tales, backwoods cults and obsolete technologies. Beginning with the classics Night of the Demon, Witchfinder General, The Wicker Man and Blood on Satan's Claw, We Don't Go Back surveys the genre of screen folk horror from across the world. Travelling from Watership Down to The Texas Chain Saw Massacre, with every stop inbetween, We Don't Go Back is a thoughtful, funny and essential overview of folk horror in TV and cinema."A beautiful rumination on the dark films and television that shaped me and a generation of odd children, for good or ill, worth a year of your time, because you won't just read the book, you'll feel a burning desire to watch everything mentioned within." - Robin Ince"A comprehensive, accessible and often riotously funny tome weaving together folk horror in all its forms, from British television to the American backwoods, from Eastern European fairytales to the vengeful ghosts of East Asia. Ingham explores uncanny landscapes haunted by things buried, old cultures converging with the reluctance of contemporary reason, that very tension that gives his book its name. He attempts to both define folk horror and free it from definition, creating the ultimate guide to the genre's manifestations on film and offering a convincing argument as to why the genre resonates so compellingly with people today." - Kier-La Janisse, author of House of Psychotic Women
Folk horror on film
| Author | : Kevin J. Donnelly |
| Publisher | : Manchester University Press |
| Total Pages | : 361 |
| Release | : 2023-10-10 |
| Genre | : Performing Arts |
| ISBN | : 1526164914 |
What is folk horror and how culturally significant is it? This collection is the first study to address these questions while considering the special importance of British cinema to the genre’s development. The book presents political and aesthetic analyses of folk horror’s uncanny landscapes and frightful folk. It places canonical films like Witchfinder General (1968), The Blood on Satan's Claw (1971) and The Wicker Man (1973) in a new light and expands the canon to include films like the sci-fi horror Doomwatch (1970–72) and the horror documentary Requiem for a Village (1975) alongside filmmakers Ken Russell and Ben Wheatley. A series of engrossing chapters by established scholars and new writers argue for the uniqueness of folk horror from perspectives that include the fragmented national history of pagan heresies and Celtic cultures, of peasant lifestyles, folkloric rediscoveries and postcolonial decline.
Folk Horror
| Author | : Adam Scovell |
| Publisher | : Liverpool University Press |
| Total Pages | : 366 |
| Release | : 2017-10-24 |
| Genre | : Performing Arts |
| ISBN | : 1911325248 |
Interest in the ancient, the occult, and the "wyrd" is on the rise. The furrows of Robin Hardy (The Wicker Man), Piers Haggard (Blood on Satan's Claw), and Michael Reeves (Witchfinder General) have arisen again, most notably in the films of Ben Wheatley (Kill List), as has the Spirit of Dark of Lonely Water, Juganets, cursed Saxon crowns, spaceships hidden under ancient barrows, owls and flowers, time-warping stone circles, wicker men, the goat of Mendes, and malicious stone tapes. Folk Horror: Hours Dreadful And Things Strange charts the summoning of these esoteric arts within the latter half of the twentieth century and beyond, using theories of psychogeography, hauntology, and topography to delve into the genre's output in film, television, and multimedia as its "sacred demon of ungovernableness" rises yet again in the twenty-first century.
Menus for Movieland
| Author | : Richard Abel |
| Publisher | : Univ of California Press |
| Total Pages | : 435 |
| Release | : 2015-09-01 |
| Genre | : Performing Arts |
| ISBN | : 0520961889 |
At the turn of the past century, the main function of a newspaper was to offer “menus” by which readers could make sense of modern life and imagine how to order their daily lives. Among those menus in the mid-1910s were several that mediated the interests of movie manufacturers, distributors, exhibitors, and the rapidly expanding audience of fans. This writing about the movies arguably played a crucial role in the emergence of American popular film culture, negotiating among national, regional, and local interests to shape fans’ ephemeral experience of moviegoing, their repeated encounters with the fantasy worlds of “movieland,” and their attractions to certain stories and stars. Moreover, many of these weekend pages, daily columns, and film reviews were written and consumed by women, including one teenage girl who compiled a rare surviving set of scrapbooks. Based on extensive original research, Menus for Movieland substantially revises what moviegoing meant in the transition to what we now think of as Hollywood.
Eclipsed Cinema
| Author | : Dong Hoon Kim |
| Publisher | : Edinburgh University Press |
| Total Pages | : 304 |
| Release | : 2017-03-22 |
| Genre | : History |
| ISBN | : 1474421814 |
In this ground-breaking investigation into the seldom-studied film culture of colonial Korea (1910-1945), Dong Hoon Kim brings new perspectives to the associations between colonialism, modernity, film historiography and national cinema. By reconstructing the lost intricacies of colonial film history, Eclipsed Cinema explores under-investigated aspects of colonial film culture, such as the representational politics of colonial cinema, the film unit of the colonial government, the social reception of Hollywood cinema, and Japanese settlers' film culture. Filling a significant void in Asian film history, Eclipsed Cinema greatly expands the critical and historical scopes of early cinema and Korean and Japanese film histories, as well as modern Asian culture, and colonial and postcolonial studies.
AKASHVANI
| Author | : All India Radio (AIR), New Delhi |
| Publisher | : All India Radio (AIR),New Delhi |
| Total Pages | : 52 |
| Release | : 1982-02-21 |
| Genre | : Antiques & Collectibles |
| ISBN | : |
"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio, New Delhi. From 1950,it was turned into a weekly journal. Later, The Indian listener became "Akashvani" (English ) w.e.f. January 5, 1958. It was made fortnightly journal again w.e.f July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: 21 FEBRUARY, 1982 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 52 VOLUME NUMBER: Vol. XLVII, No.8 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 14-49 ARTICLE: 1. Pablo Picasso The Master Painter 2. The Scientific And Technological Revolution 3. Emotions 4. On Being A Soldier’s Wife 5. The Fifth World Cup Hockey Tournament 6. In A Railway Compartment AUTHOR: 1. Anjali Sircar 2. Dr. A Kameswara Rao 3. Dr. P. Balu 4. Dr . Shaniu Chaudhuri 5. Mohan Singh 6. S. C. Bose KEYWORDS : 1. Stylistic changes,public stature 2. Encouraged the hope, food production 3. Emotional development 4. A new life, periods of separation 5. Interpretation of roles Prasar Bharati Archives has the copyright in all matters published in this “AKASHVANI” and other AIR journals. For reproduction previous permission is essential.
