Film Flam

Film Flam
Author: Larry McMurtry
Publisher: Simon and Schuster
Total Pages: 228
Release: 2010-06-01
Genre: Literary Criticism
ISBN: 1439129703

A noted screenwriter himself, Pulitzer Prize–winner Larry McMurtry knows Hollywood—in Film Flam, he takes a funny, original, and penetrating look at the movie industry and gives us the truth about the moguls, fads, flops, and box-office hits. With successful movies and television miniseries made from several of his novels—Terms of Endearment, The Last Picture Show, Lonesome Dove, and Hud—McMurtry writes with an outsider's irony of the industry and an insider's experience. In these essays, he illuminates the plight of the screenwriter, cuts a clean, often hilarious path through the excesses of film reviewing, and takes on some of the worst trends in the industry: the decline of the Western, the disappearance of love in the movies, and the quality of the stars themselves. From his recollections of the day Hollywood entered McMurtry's own life as he ate meat loaf in Fort Worth to the pleasures he found in the Beverly Wilshire Hotel, Film Flam is one of the best books ever written about Hollywood.

Film Flam

Film Flam
Author: Elliot Paul
Publisher:
Total Pages: 168
Release: 1956
Genre: Motion pictures
ISBN:

The Truth about Uri Geller

The Truth about Uri Geller
Author: James Randi
Publisher: Pyr
Total Pages: 372
Release: 1982
Genre: Body, Mind & Spirit
ISBN:

A professional magician exposes mystics, mediums, psychic surgeons, and others who claim to possess supernatural or paranormal powers, demonstrating how their feats are little more than well-planned tricks that any competent magician can duplicate.

Schmucks with Underwoods

Schmucks with Underwoods
Author: Max Wilk
Publisher: Hal Leonard Corporation
Total Pages: 364
Release: 2004
Genre: Performing Arts
ISBN: 9781557835086

(Applause Books). "Where were you when the page was blank?!" a beleaguered screenwriter once asked a demanding director back in the golden age of movies. Max Wilk, an esteemed writer himself, admits "dignity for screenwriters is long overdue." That's why he has assembled this insightful homage to the men and women whose words created the foundation for our best and most-loved films. Here are face-to-face interviews with some of the historic giants of the industry, spanning the silent era to the 1960s, including Billy Wilder, Ernst Lubitsch, Sidney Buchman ( Mr. Smith Goes to Washington ), Donald Ogden Stewart ( The Philadelphia Story ), R.C. Sherriff ( Goodbye Mr. Chips ), Albert and Frances Hackett ( It's a Wonderful Life ), Evan Hunter ( The Birds ), John Collier, Edmund Hartmann, Ben Hecht, Nunnally Johnson and many more. In addition, Schmucks with Underwoods (a derogatory label for screenwriters coined by none other than the irascible Jack Warner) includes quotes and commentary about many other towering figures of the day, including Raymond Chandler, Edward Chodorov, Preston Sturges, Howard Koch, Dorothy Parker, Herman Mankiewicz and Paddy Chayefsky. Always entertaining, this book offers invaluable insight into the craft of writing, a fascinating portrait of a lost era of Hollywood, with enough hilarious anecdotes and behind-the-scenes trivia to please even the most casual movie buff.

Flim-Flam Man

Flim-Flam Man
Author: Jennifer Vogel
Publisher: Simon and Schuster
Total Pages: 234
Release: 2010-06-15
Genre: Biography & Autobiography
ISBN: 1439131457

Major motion picture Flag Day starring Sean Penn and his daughter Dylan Penn is based on this father-daughter story of a charming criminal—told by the daughter who loved him. One frosty winter morning in 1995, Jennifer Vogel opened the newspaper and read that her father had gone on the run. John Vogel, fifty-two, had been arrested for single-handedly counterfeiting nearly $20 million in U.S. currency—the fourth-largest sum ever seized by federal agents—and then released pending trial. Though Jennifer hadn't spoken to her father in more than four years, the police suspected he might turn up at her Minneapolis apartment. She examined the shadows outside her building, thought she spotted him at the grocery store and the bus stop. He had simply vanished. Framed around the six months her father eluded authorities, Jennifer's memoir documents the police chase—stakeouts, lie detector tests, even a segment on Unsolved Mysteries—and vividly chronicles her tumultuous childhood while examining her father's legacy. A lifelong criminal who robbed banks, burned down buildings, scammed investors, and even plotted murder, John Vogel was also a hapless dreamer who wrote a novel, baked lemon meringue pies, and took his ten-year-old daughter to see Rocky in an empty theater on Christmas Eve. When it came time to pass his counterfeit bills, he spent them at Wal-Mart for political reasons. Culling from memories, photo albums, public documents, and interviews with the handful of people who knew the real John Vogel, this is an intimate and intensely moving psychological portrait of a charismatic, larger-than-life figure—as told by the daughter who nearly followed in his footsteps.

Movie Anecdotes

Movie Anecdotes
Author: Peter Hay
Publisher: Oxford University Press
Total Pages: 331
Release: 1991-12-12
Genre: Performing Arts
ISBN: 0195364422

Hollywood, Walter Winchell quipped, is where they shoot too many movies and not enough actors. Always looking for an angle, always, scheming, always the scene of clashing egos, the movie industry is where they place you under contract instead of observation--and if you don't have anything nice to say, write it down. "In 1940, I had my choice between Hitler and Hollywood," French director Ren'e Clair recalled, "and I preferred Hollywood--just a little." In Movie Anecdotes, Peter Hay treats us to a delightful ride through the world that has captivated audiences for almost a century, with stories that are often hilarious, sometimes tragic, and always entertaining. He takes us from the rough-and tumble early days (when one studio paid Pancho Villa $25,000 to launch his attacks only in daylight, after a film crew had set up) to the studio era (when Joan Crawford refused to cross the street on the MGM lot except in a chauffeured limousine) to the shenanigans of today's global industry. Here are stories about all the legends: Charlie Chaplin, Greta Garbo, John Barrymore, Mae West, Lucille Ball, Marilyn Monroe, Errol Flynn, Humphrey Bogart, Bette Davis, Judy Garland, Sophia Loren, John Wayne, and, of course, Ronald Reagan. There are the great directors from D.W. Griffith, Hitchcock, and Eisenstein, to Kurosawa, Bergman, Visconti, Huston, Ford, and Woody Allen. And Hay has selected tales of the writers, the wits, and the grand moguls, including perhaps the largest collection of Goldwynisms--both genuine and apocryphal. Along with the laughter, this volume recreates the conflicts that have torn the movie world, from battles over money and contracts, to discrimination, divorces, and scandals. Colorful, incredible, bitter, funny--the stories about moviemaking are as fantastic as the pictures themselves. Now they have been gathered together in an irresistible bouquet that is certain to delight every movie buff and provide fascinating insights for serious students of film.

The Chips are Down

The Chips are Down
Author: Jean-Paul Sartre
Publisher: Pioneer Drama Service, Inc.
Total Pages: 32
Release: 1951
Genre:
ISBN:

The Imperial Trace

The Imperial Trace
Author: Nancy Condee
Publisher: Oxford University Press
Total Pages: 361
Release: 2009-04-08
Genre: Performing Arts
ISBN: 0199710546

The collapse of the USSR seemed to spell the end of the empire, yet it by no means foreclosed on Russia's enduring imperial preoccupations, which had extended from the reign of Ivan IV over four and a half centuries. Examining a host of films from contemporary Russian cinema, Nancy Condee argues that we cannot make sense of current Russian culture without accounting for the region's habits of imperial identification. But is this something made legible through narrative alone-Chechen wars at the periphery, costume dramas set in the capital-or could an imperial trace be sought in other, more embedded qualities, such as the structure of representation, the conditions of production, or the preoccupations of its filmmakers? This expansive study takes up this complex question through a commanding analysis of the late Soviet and post-Soviet period auteurists, Kira Muratova, Vadim Abdrashitov, Nikita Mikhalkov, Aleksei German, Aleksandr Sokurov and Aleksei Balabanov.