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Author | : National Coal Association |
Publisher | : |
Total Pages | : 892 |
Release | : 1919 |
Genre | : Coal trade |
ISBN | : |
Duke Ellington, Day by Day and Film by Film
Author | : Klaus Stratemann |
Publisher | : |
Total Pages | : 798 |
Release | : 1992 |
Genre | : Jazz musicians |
ISBN | : |
Every Day
Author | : David Levithan |
Publisher | : Knopf Books for Young Readers |
Total Pages | : 338 |
Release | : 2012-08-28 |
Genre | : Young Adult Fiction |
ISBN | : 0307975630 |
NEW YORK TIMES BESTSELLER • NAMED ONE OF THE BEST BOOKS OF THE YEAR by Booklist • Kirkus Reviews Celebrate all the ways love makes us who we are with the romance that Entertainment Weekly calls "wise, wildly unique"--from the bestselling co-author of Nick and Norah's Infinite Playlist--about a teen who wakes up every morning in a different body, living a different life. Now a major motion picture! Every day a different body. Every day a different life. Every day in love with the same girl. There’s never any warning about where it will be or who it will be. A has made peace with that, even established guidelines by which to live: Never get too attached. Avoid being noticed. Do not interfere. It’s all fine until the morning that A wakes up in the body of Justin and meets Justin’s girlfriend, Rhiannon. From that moment, the rules by which A has been living no longer apply. Because finally A has found someone he wants to be with—day in, day out, day after day. With his new novel, David Levithan, bestselling co-author of Will Grayson, Will Grayson, and Nick and Norah's Infinite Playlist, has pushed himself to new creative heights. He has written a captivating story that will fascinate readers as they begin to comprehend the complexities of life and love in A’s world, as A and Rhiannon seek to discover if you can truly love someone who is destined to change every day. “A story that is always alluring, oftentimes humorous and much like love itself— splendorous.” —Los Angeles Times
Beyond the Screen
Author | : Marta Braun |
Publisher | : Indiana University Press |
Total Pages | : 346 |
Release | : 2012-08-22 |
Genre | : Performing Arts |
ISBN | : 0861969138 |
This scholarly anthology presents a new framework for understanding early cinema through its usage outside the realm of entertainment. From its earliest origins until the beginning of the twentieth century, cinema provided widespread access to remote parts of the globe and immediate reports on important events. Reaching beyond the nickelodeon theatres, cinema became part of numerous institutions, from churches and schools to department stores and charitable organizations. Then, in 1915, the Supreme Court declared moviemaking a “busines, pure and simple,” entrenching the film industry’s role as a producer of “harmless entertainment.” In Beyond the Screen, contributors shed light on how pre-1915 cinema defined itself through institutional interconnections and publics interested in science, education, religious uplift, labor organizing, and more.
A Hard Day's Night - Music on Film Series
Author | : Ray Morton |
Publisher | : Limelight Editions |
Total Pages | : 180 |
Release | : 2011-08-01 |
Genre | : Music |
ISBN | : 0879104155 |
(Limelight). A Hard Day's Night: Music on Film Series is the story of the making of the greatest rock-and-roll movie of all time. Beginning with introductions to the film's stars chronicling their rise from a raggedy teenage skiffle band to the biggest pop act in the world the book goes on to tell how the American film company United Artists wanted to make a quick, low-budget movie starring the Fab Four so its record division could put out a motion picture soundtrack album full of new Beatles songs, in order to allow the studio to cash in on the incredible wave of Beatlemania then sweeping the planet. Director Richard Lester, producer Walter Shenson, and screenwriter Alun Owen were hired to churn out just another cheap exploitation film, but instead used the opportunity to create a startlingly fresh and original movie that broke new ground both in subject matter (instead of simply following genre tradition and sticking the band in some corny made-up plot, they had the Beatles play themselves in a narrative based on their own incredible real-life experiences) and in form (Lester's inspired, surrealist approach to the film's musical numbers kicked off the entire music video revolution). Covered is the film's frantic six-week shoot, the lively recording sessions that resulted in seven great new Beatles songs, and how both the film and the album met with great critical and popular success.