The Printed Picture

The Printed Picture
Author: Richard Benson
Publisher: The Museum of Modern Art
Total Pages: 352
Release: 2008
Genre: Art
ISBN: 9780870707216

Relief printing : woodcut, metal type, and wood engraving -- Intaglio and planographic printing : engraving, etching, mezzotint, and lithography -- Color printing : hand coloring and multiple-impression color -- Bits and pieces : modern art prints, oddities, and photographic precursors -- Early photography in silver : daguerreotypes, early silver paper processes and tintypes -- Non-silver processes : carbon, blueprint, platinum, and a couple of others -- Modern photography : developing-out gelatin silver printing -- Color notes : primary colors and neutrality -- Color photography : separation-based processes and chromogenic prints -- Photography in ink : relief and intaglio printing : the letterpress halftone and gravure printing -- Photography in ink : planographic printing : collotype and photo offset lithography -- Digital processes : binary issues, inkjet, dye sublimation, and digital C-prints -- Where do we go from here? : some questions about the future

Artwork

Artwork
Author:
Publisher:
Total Pages: 382
Release: 1927
Genre: Art
ISBN:

Hiratsuka

Hiratsuka
Author: Un'ichi Hiratsuka
Publisher:
Total Pages: 128
Release: 2001
Genre: Art
ISBN:

Published to accompany the exhibition organised by the Art Institute of Chicago, and presented in two parts: 16 June - 23 July, and 4 August - 16 September 2001.

Bulletin

Bulletin
Author: Museum of Fine Arts, Boston
Publisher:
Total Pages: 302
Release: 1914
Genre: Art
ISBN:

Fifty Works by Fifty British Women Artists 1900 - 1950

Fifty Works by Fifty British Women Artists 1900 - 1950
Author: Sacha Llewellyn
Publisher:
Total Pages: 200
Release: 2019
Genre: Art, British
ISBN: 9780993088483

This exhibition catalogue highlights the work of a cross-section of women artists, active during the first half of the 20th century, whose work deserves more critical acclaim. Ever since Linda Nochlin asked in 1971, 'Why have there been no great women artists?', art history has been probing the female gaze. Through scholarship and exhibitions, readings have been put in place to counter prevailing assumptions that artistic creativity is primarily a masculine affair. Fifty Works by Fifty British Women functions as a corrective to the exclusion of women from the 'master' narratives of art. It introduces fifty artworks by known and lesser-known women - outstanding works that speak out. Fifty commentaries by fifty different writers bring out each artwork's unique story - sometimes from an objective art historical perspective and sometimes from an entirely personal point of view - thereby creating a rich and colourful diorama. This exhibition does not, however, attempt to present a survey or to address all the arguments around the history of women and art. Anthologies are of necessity incomplete, and many remarkable imaginations are not here represented. Women artists have been set apart from male artists not only to their own disadvantage but also to the detriment of British art. While there were some improvements for women to access an artistic career in the twentieth century in terms of patronage, economics and critical attention - all the things that confer professional status - women had the least of everything. By showcasing just a few of the remarkable works produced, this exhibition draws attention to the fact that a vision of British twentieth century art closer to a 50/50 balance would not only provide a truer account, but also a more vivid and meaningful narrative. 126 illustrations, 43 b/w