Badlands

Badlands
Author: Robert Kroetsch
Publisher: Rocky Mountain Books Ltd
Total Pages: 360
Release: 2015
Genre: Fiction
ISBN: 1771600632

In 1916 William Dawe leads a paleontological expedition into the badlands of Alberta. Fifty years later his daughter enters these same badlands and while visiting the expedition site exposes the absurdity of her father's work.

Badlands

Badlands
Author: C.J. Box
Publisher: Minotaur Books
Total Pages: 288
Release: 2015-07-28
Genre: Fiction
ISBN: 146688150X

In C.J. Box's New York Times bestseller, Badlands, the town of Grimstad used to be a place people came from but were never headed to. Now it’s the oil capital of North Dakota. With oil comes money, with money comes drugs, and with drugs come the dirtiest criminals Grimstad’s new deputy sheriff Cassie Dewell has ever encountered. . . Twelve-year-old Kyle Westergaard dreams of getting out of Grimstad and leading a better life. Even though Kyle has been written off as a “slow” kid, he has dreams deeper than anyone can imagine. One day, while delivering newspapers, he witnesses a car accident and takes a mysterious bundle from the scene. Suddenly he’s in possession of a lot of money—and packets of white powder—and Kyle can’t help but wonder whether his luck has changed...for better or for worse. “Suspenseful—you can’t put it down.’’—Library Journal When the temperature drops to 30 below and a gang war heats up, it’s up to Cassie to help restore law and order. But is she in over her head? As she is propelled on a collision course with a murderous enemy, she finds that the key to it all might come in the most unlikely form: a boy on a bike named Kyle. He keeps showing up where he doesn’t belong. And he seems to know something that Cassie does not about what lies beneath the surface of this small and troubled town... “The unrelenting cold makes this the perfect beach read.”—Kirkus Reviews

The Badlands

The Badlands
Author: James W. Sheire
Publisher:
Total Pages: 204
Release: 1969
Genre: Badlands (S.D. and Neb.)
ISBN:

Women, Reading, Kroetsch

Women, Reading, Kroetsch
Author: Susan Rudy Dorscht
Publisher: Wilfrid Laurier Univ. Press
Total Pages: 153
Release: 1991-12-04
Genre: Literary Criticism
ISBN: 0889202052

Women, Reading, Kroetsch: Telling the Difference is a book of both practical and theoretical criticism. Some chapters are feminist deconstructive readings of a broad range of the writings of contemporary Canadian poet-critic-novelist Robert Kroetsch, from But We are Exiles to Completed Field Notes. Other chapters self-consciously examine the history and possibility of feminist deconstruction and feminist readings of Kroetsch's writing by analyzing Kroetsch, Derrida, and Freud on subjectivity and sexuality; Neuman, Hutcheon, and van Herk on Kroetsch. As such, the book speaks out of and about a number of contemporary theoretical discourses, including particular positions within Canadian literary criticism, feminism, postmodernism, and poststructuralism. Written by a woman reader whose theoretical and methodological orientations are both feminist and poststructuralist, Women, Reading, Kroetsch: Telling the Difference problematizes notions of writing, reading, gender, sexuality, and subjectivity in and through Robert Kroetsch's writings. In this critical study of one writer's work the author also challenges the traditionally subservient relationship of reader to text and so empowers the feminist reader as well as, if not rather than, the male writer.

Paper Dinosaurs

Paper Dinosaurs
Author:
Publisher:
Total Pages:
Release: 2002
Genre:
ISBN:

Paper Dinosaurs: Field Notes as Finds in Robert Kroetsch's Badlands revisits the 1975 postmodern novel about a fictionalized palaeontological expedition down Alberta's Red Deer River in light of recent calls for systematic investigation into the source materials of historiographic meta-fictions in anglophone Canadian literature. Inspired by John Livingston-Lowes' canonical dissection of the major poems of Samuel Taylor Coleridge, via the treasure trove of the Gutch Memorandum Book in The Road to Xanadu, this study undertakes a new process focused inquiry into the archive and into the documentary tradition. By excavating unpublished holograph materials from Quebec, Ontario, and Alberta repositories written by Geological Survey of Canada collectors, geologists, and palaeontologists, in addition to field-notes, research notes and diaries produced by Robert Kroetsch during the writing of Badlands, this critical examination reveals hitherto unseen strata underlying a particular work of fiction. In most any palaeontological dig the removal of overburden from a target specimen often exposes surprising ancillary data, which through careful interpretation may give vital clues to palaeo-enviromments. A dinosaur skeleton is rarely pried whole from a sterile quarry. Neither is any inquiry into literary process. No text exists unto itself. Because Kroetsch so self-consciously crafted his narrative as an interrogation of history generation and transmission - specifically via the written word in the vehicle of field-notes - this study surveys a broad field encompassing inter-texts from antiquity, science, history, popular history, travel writing, Canadian and World literatures. Recourse is freely made to widely divergent authors and periods from Thomas Jefferson and the barrow mounds to Bruce Chatwin and his "brontosaurus" skin. Of course no such inter-disciplinary enterprise can be exhaustive. Rather this project assembles a kind of literary cabinet of curiosities grouped around.

Field Notes for Food Adventure

Field Notes for Food Adventure
Author: Brad Leone
Publisher: Voracious
Total Pages: 352
Release: 2021-11-23
Genre: Cooking
ISBN: 0316497363

NEW YORK TIMES BESTSELLER • A FOOD52 BEST COOKBOOK OF THE YEAR • Join Brad Leone, star of Bon Appétit's hit YouTube series It's Alive, for a year of cooking adventures, tall tales, and fun with fire and fermentation in more than 80 ingenious recipes Come along with Brad Leone as he explores forests, fields, rivers, and the ocean in the hunt for great food and good times. These pages are Brad’s field notes from a year of adventures in the Northeast, getting out into nature to discover its bounty, and capturing memorable ideas for making delicious magic at home anytime. He taps maple trees to make syrup, and shows how to use it in surprising ways. He forages for ramps and mushrooms, and preserves their flavors for seasons to come. He celebrates the glory of tomatoes along with undersung fruits of the sea like squid and seaweed. Inspiration comes from hikes into the woods, trips to the dock, and cooking poolside in the dead of summer. And every dish has a signature Brad Leone approach—whether that’s in Sous Vide Mountain Ribs or Spicy Smoked Tomato Chicken, Sumac Lemonade or Fermented Bloody Marys, Cold Root Salad, Marinated Beans, or just a few shakes of a Chile Hot Sauce that’s dead simple to make. This is a book about experimentation, adventure, fermentation, fire, and having fun while you’re cooking. And hey, you might just learn a thing or two. Let’s get going!

Before the Country

Before the Country
Author: Stephanie McKenzie
Publisher: University of Toronto Press
Total Pages: 249
Release: 2007-11-25
Genre: Literary Criticism
ISBN: 1442691441

In the late 1960s and early 1970s, Canada witnessed an explosion in the production of literary works by Aboriginal writers, a development that some critics have called the Native Renaissance. In Before the Country, Stephanie McKenzie explores the extent to which this growing body of literature influenced non-Native Canadian writers and has been fundamental in shaping our search for a national mythology. In the context of Northrop Frye's theories of myth, and in light of the attempts of social critics and early anthologists to define Canada and Canadian literature, McKenzie discusses the ways in which our decidedly fractured sense of literary nationalism has set indigenous culture apart from the mainstream. She examines anew the aesthetics of Native Literature and, in a style that is creative as much as it is scholarly, McKenzie incorporates the principles of storytelling into the unfolding of her argument. This strategy not only enlivens her narrative, but also underscores the need for new theoretical strategies in the criticism of Aboriginal literatures. Before the Country invites us to engage in one such endeavour.