Feeling The Past In Seventeenth Century China
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| Author | : Xiaoqiao Ling |
| Publisher | : BRILL |
| Total Pages | : 360 |
| Release | : 2021-02-01 |
| Genre | : Literary Criticism |
| ISBN | : 1684176417 |
During the Manchu conquest of China (1640s–1680s), the Qing government mandated that male subjects shave their hair following the Manchu style. It was a directive that brought the physical body front and center as the locus of authority and control. Feeling the Past in Seventeenth-Century China highlights the central role played by the body in writers’ memories of lived experiences during the Ming–Qing cataclysm. For traditional Chinese men of letters, the body was an anchor of sensory perceptions and emotions. Sight, sound, taste, and touch configured ordinary experiences next to traumatic events, unveiling how writers participated in an actual and imagined community of like-minded literary men. In literature from this period, the body symbolizes the process by which individual memories transform into historical knowledge that can be transmitted across generations. The ailing body interprets the Manchu presence as an epidemic to which Chinese civilization is not immune. The bleeding body, cast as an aesthetic figure, helps succeeding generations internalize knowledge inherited from survivors of dynastic conquest as a way of locating themselves in collective remembrance. This embodied experience of the past reveals literature’s mission of remembrance as, first and foremost, a moral endeavor in which literary men serve as architects of cultural continuity.
| Author | : Xiaoqiao Ling |
| Publisher | : Harvard University Press |
| Total Pages | : 0 |
| Release | : 2019 |
| Genre | : China |
| ISBN | : 9780674241114 |
"Calls attention to the central role played by the body in capturing memories of the lived experiences of traditional Chinese writers during the tumultuous Manchu conquest of China"--
| Author | : Jonathan D. Spence |
| Publisher | : W. W. Norton & Company |
| Total Pages | : 1054 |
| Release | : 1990 |
| Genre | : History |
| ISBN | : 9780393307801 |
This work chronicles the history of China for over four hundred years through the spring of 1989.
| Author | : Peter Charles Sturman |
| Publisher | : Prestel Publishing |
| Total Pages | : 0 |
| Release | : 2012 |
| Genre | : Art |
| ISBN | : 9783791352725 |
This catalogue accompanies the exhibition The Artful Recluse: Painting, Poetry, and Politics in Seventeenth-Century China, organized by Susan S. Tai in collaboration with Peter C. Sturman and presented at the Santa Barbara Museum of Art, Santa Barbara, California, October 20, 2012-January 20, 2013, and the Asia Society, New York, March 5-June 2, 2013.
| Author | : Ying Zhang |
| Publisher | : University of Washington Press |
| Total Pages | : 329 |
| Release | : 2016-11-01 |
| Genre | : History |
| ISBN | : 0295806729 |
During the Ming-Qing transition (roughly from the 1570s to the 1680s), literati-officials in China employed public forms of writing, art, and social spectacle to present positive moral images of themselves and negative images of their rivals. The rise of print culture, the dynastic change, and the proliferating approaches to Confucian moral cultivation together gave shape to this new political culture. Confucian Image Politics considers the moral images of officials—as fathers, sons, husbands, and friends—circulated in a variety of media inside and outside the court. It shows how power negotiations took place through participants’ invocations of Confucian ethical ideals in political attacks, self-expression, self-defense, discussion of politically sensitive issues, and literati community rebuilding after the dynastic change. This first book-length study of early modern Chinese politics from the perspective of critical men’s history shows how images—the Donglin official, the Fushe scholar, the turncoat figure—were created, circulated, and contested to serve political purposes.
| Author | : Chi-ming Yang |
| Publisher | : JHU Press |
| Total Pages | : 284 |
| Release | : 2011-11-01 |
| Genre | : Literary Criticism |
| ISBN | : 1421404419 |
China in the seventeenth and eighteenth centuries was a model of economic and political strength, viewed by many as the greatest empire in the world. While the importance of China to eighteenth-century English consumer culture is well documented, less so is its influence on English values. Through a careful study of the literature, drama, philosophy, and material culture of the period, this book articulates how Chinese culture influenced English ideas about virtue. Discourses of virtue were significantly shaped by the intensified trade with the East Indies. Chi-ming Yang focuses on key forms of virtue—heroism, sincerity, piety, moderation, sensibility, and patriotism—whose meanings and social importance developed in the changing economic climate of the period. She highlights the ways in which English understandings of Eastern values transformed these morals. The book is organized by type of performance—theatrical, ethnographic, and literary—and by performances of gender, identity fraud, and religious conversion. In her analysis of these works, Yang brings to light surprising connections between figures as disparate as Confucius and a Chinese Amazon and between cultural norms as far removed as Hindu reincarnation and London coffeehouse culture. Part of a new wave of cross-disciplinary scholarship, where Chinese studies meets the British eighteenth century, this novel work will appeal to scholars in a number of fields, including performance studies, East Asian studies, British literature, cultural history, gender studies, and postcolonial studies.
| Author | : Ling Hon Lam |
| Publisher | : Columbia University Press |
| Total Pages | : 479 |
| Release | : 2018-05-15 |
| Genre | : Literary Criticism |
| ISBN | : 0231547587 |
Emotion takes place. Rather than an interior state of mind in response to the outside world, emotion per se is spatial, at turns embedding us from without, transporting us somewhere else, or putting us ahead of ourselves. In this book, Ling Hon Lam gives a deeply original account of the history of emotions in Chinese literature and culture centered on the idea of emotion as space, which the Chinese call “emotion-realm” (qingjing). Lam traces how the emotion-realm underwent significant transformations from the dreamscape to theatricality in sixteenth- to eighteenth-century China. Whereas medieval dreamscapes delivered the subject into one illusory mood after another, early modern theatricality turned the dreamer into a spectator who is no longer falling through endless oneiric layers but pausing in front of the dream. Through the lens of this genealogy of emotion-realms, Lam remaps the Chinese histories of morals, theater, and knowledge production, which converge at the emergence of sympathy, redefined as the dissonance among the dimensions of the emotion-realm pertaining to theatricality.The book challenges the conventional reading of Chinese literature as premised on interior subjectivity, examines historical changes in the spatial logic of performance through media and theater archaeologies, and ultimately uncovers the different trajectories that brought China and the West to the convergence point of theatricality marked by self-deception and mutual misreading. A major rethinking of key terms in Chinese culture from a comparative perspective, The Spatiality of Emotion in Early Modern China develops a new critical vocabulary to conceptualize history and existence.
| Author | : Chun-shu Chang |
| Publisher | : University of Michigan Press |
| Total Pages | : 472 |
| Release | : 1998 |
| Genre | : China |
| ISBN | : 9780472085286 |
Describes the social and cultural transformation of seventeenth-century China through the life and work of Li Yu
| Author | : Lynn A. Struve |
| Publisher | : Yale University Press |
| Total Pages | : 320 |
| Release | : 1993-01-01 |
| Genre | : History |
| ISBN | : 9780300075533 |
This fascinating book presents eyewitness accounts of a turbulent period in Chinese history: the fall of the Ming dynasty and the conquest of China by the Manchus in the mid-seventeenth century. Lynn A. Struve has translated, introduced, and annotated absorbing testimonies from a wide range of individuals in different social stations--Chinese and Europeans, missionaries and viceroys, artists and merchants, Ming loyalists and Qing collaborators, maidservants and eunuchs--all telling stories of hardship and challenge in the midst of cataclysmic change. "It is a book that brings history graphically to life."--Keith Pratt, Asian Affairs "A fascinating view of the dynamics of dynastic change in China."--Jonathan Porter, History "The book combines skillful translation of a rich variety of primary sources with authoritative commentary and meticulously researched annotation."--Helen Dunstan, Historian "One of the most engaging works of scholarship to appear in the field for a long time. . . . An extraordinarily good book destined to be read and enjoyed by a very wide audience beyond the professional one."--Craig Clunas, Bulletin of SOAS "Struve is] the most knowledgeable American scholar of the history of the 'Southern Ming.' . . . This fascinating volume . . . can be readily used in any college course on late imperial Chinese history for wonderful examples of the personal experiences of the Chinese people living through the fall of the Ming dynasty to their Manchu conquerors."--Benjamin A. Elman, China Review International "The scholarship behind this work is impeccable. . . . The translations are an important contribution to the field."--Jerry Dennerline, International History Review "Throughout the volume, Struve's translations capture the different voices of the cataclysm. Students of Chinese history will find a wealth of information here."--Choice
| Author | : Lisa See |
| Publisher | : A&C Black |
| Total Pages | : 399 |
| Release | : 2011-05-04 |
| Genre | : Fiction |
| ISBN | : 1408811790 |
Peony has neither seen nor spoken to any man other than her father, a wealthy Chinese nobleman. Nor has she ever ventured outside the cloistered women's quarters of the family villa. As her sixteenth birthday approaches she finds herself betrothed to a man she does not know, but Peony has dreams of her own. Her father engages a theatrical troupe to perform scenes from The Peony Pavilion, a Chinese epic opera, in their garden amidst the scent of ginger, green tea and jasmine. 'Unmarried girls should not be seen in public,' says Peony's mother, but her father allows the women to watch from behind a screen. Here, Peony catches sight of an elegant, handsome man and is immediately bewitched. So begins her unforgettable journey of love, desire, sorrow and redemption.
