Fathers And Daughters In Shakespeare And Shaw
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Author | : Lagretta Lenker |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 216 |
Release | : 2001-04-30 |
Genre | : Literary Criticism |
ISBN | : 0313000573 |
How can the most silent member of the family carry the message of subversion against venerated institutions of state and society? Why would two playwrights, writing 300 years apart, employ the same dramatic methods for rebelling against the establishment, when these methods are virtually ignored by their contemporaries? This book considers these and similar questions. It examines the historical similarities of the eras in which Shakespeare and Shaw wrote and then explores types of father-daughter interactions, considering each in terms of the existing power structures of society. These two dramatists draw on themes of incest, daughter sacrifice, role playing, education, and androgyny to create both active and passive daughters. The daughters literally represent a challenge to the patriarchy and metaphorically extend that challenge to such institutions as church and state. The volume argues that the father-daughter relationship was the ideal dramatic vehicle for Shakespeare and Shaw to advance their social and political agendas. By exploring larger issues through the father-daughter relationship, both playwrights were able to avoid the watchful eyes of censors and comment on such topics as the divine right of kings, filial bonds of obedience, and even regicide.
Author | : Oliver Ford Davies |
Publisher | : Bloomsbury Publishing |
Total Pages | : 222 |
Release | : 2017-06-29 |
Genre | : Literary Criticism |
ISBN | : 1474290140 |
A theme that obsessed Shakespeare in over 20 plays from Titus Andronicus to The Tempest was the relationship between a daughter and her father. This study traces chronologically the development of this theme, relating it to the little we know of his own two daughters, and sheds new light on his exploration of the family that so dominated his approach to drama. Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies, a former university lecturer and now an Honorary Associate Artist of the RSC and Olivier Award winner, has written an engaging and deeply researched study of a topic that has intrigued him from playing Capulet in 1967, King Lear in 2002, to Polonius in 2008.
Author | : Frederic B. Tromly |
Publisher | : University of Toronto Press |
Total Pages | : 377 |
Release | : 2010-01-01 |
Genre | : Literary Criticism |
ISBN | : 0802099610 |
Introduction : interpreting Shakespeare's sons : ambivalence, rescue, and revenge -- Paternal authority and filial autonomy in Shakespeare's England -- Henry VI, part one : prototypical beginnings : the two John Talbots -- Richard II : patrilineal inheritance and the generation gap -- Henry IV, part one : Deep defiance and the rebel prince -- Henry IV, part two : the prince becomes the king, with a note on Henry V -- Hamlet : notes from the underground : paternal and filial subterfuge -- King Lear : the usurpation of fathers, and of fathers and sons -- Macbeth and the late plays : the disappearance of ambivalent sons -- Biographical coda : William Shakespeare, son of John Shakespeare -- Appendix 1 : Shakespearean fathers and sons in Edward III -- Appendix 2 : Thomas Plume's anecdote : the merry-cheeked, jest-cracking John Shakespeare, Sir John Mennes, and Sir John Falstaff
Author | : Carl Edmund Rollyson |
Publisher | : |
Total Pages | : 586 |
Release | : 2003 |
Genre | : Drama |
ISBN | : |
Combines, updates, and expands two earlier Salem Press reference sets: Critical survey of drama, Rev. ed., English language series, published in 1994, and Critical survey of drama, Foreign language series, published in 1986. This new 8 vol. set contains 602 essays, of which 538 discuss individual dramatists and 64 cover broad overview topics. The dramatist profiles contain more than 310 photographs and drawings.
Author | : Diane Dreher |
Publisher | : University Press of Kentucky |
Total Pages | : 224 |
Release | : |
Genre | : Literary Criticism |
ISBN | : 9780813132914 |
Shakespeare was clearly fascinated by the relationship between fathers and daughters, for this primal bond of domination and defiance structures twenty-one of his comedies, tragedies, and romances. In a conflict that is at once social and interpersonal, Shakespeare's fathers demand hierarchical obedience while their daughters affirm the new, more personal values upheld by Renaissance humanists and Puritans. In her penetrating analysis of this compelling relationship, Diane Dreher examines the underlying psychological tensions as well as the changing concepts of marriage and the family during Shakespeare's time. She points to the pain and conflict caused by sex role polarization. Shakespeare's possessive fathers tyrannize over their daughters, unwilling to relinquish their "masculine" power and control and leaving these young women with only two alternatives: paternal domination or defiance and loss of love. The logic of Shakespeare's plays repudiates traditional stereotypes, showing how women like Ophelia and Desdemona are destroyed by conforming to the passive Renaissance ideal. The book concludes with a consideration of Shakespeare's androgynous characters -- dynamic women in doublet and hose, and fathers who become sensitive, caring, and empathetic. Shakespeare's balanced characters thus reconcile the polarities within themselves and bring greater harmony to their world. Domination and Defiance is the first book on this most provocative relationship in Shakespeare. Shedding new light on the complex father-daughter bond, character, and motivation, it makes a major contribution to literary studies.
Author | : |
Publisher | : |
Total Pages | : 1064 |
Release | : 2001 |
Genre | : Periodicals |
ISBN | : |
Author | : S. Loftis |
Publisher | : Springer |
Total Pages | : 261 |
Release | : 2015-12-11 |
Genre | : Literary Criticism |
ISBN | : 1137321377 |
Shakespeare's Surrogates contends that adapting Renaissance drama played a key role in the development of modern drama's major aesthetic movements. Loftis posits that playwrights' reactions to Shakespeare and his contemporaries worked to create their public personas, inform their theoretical writings, and influence the development of new genres.
Author | : Heidi J. Holder |
Publisher | : Penn State University Press |
Total Pages | : 304 |
Release | : 2006 |
Genre | : Drama |
ISBN | : |
Shaw publishes general articles on Shaw and his milieu, reviews, notes, and the authoritative Continuing Checklist of Shaviana, the bibliography of Shaw studies. Every other issue is devoted to a special theme. Information about joining the International Shaw Society (ISS) can be seen at www.shawsociety.org or by contacting R. F. Dietrich at [email protected].
Author | : |
Publisher | : |
Total Pages | : 502 |
Release | : 1970 |
Genre | : Electronic journals |
ISBN | : |
A journal of Irish studies.
Author | : David Livingstone |
Publisher | : Univerzita Palackého v Olomouci |
Total Pages | : 346 |
Release | : 2020 |
Genre | : Art |
ISBN | : 8024456834 |
This publication looks at fictional portrayals of William Shakespeare with a focus on novels, short stories, plays, occasional poems, films, television series and even comics. In terms of time span, the analysis covers the entire twentieth century and ends in the present-day. The authors included range from well-known figures (G.B. Shaw, Kipling, Joyce) to more obscure writers. The depictions of Shakespeare are varied to say the least, with even interpretations giving credence to the Oxfordian theory and feminist readings involving a Shakespearian sister of sorts. The main argument is that readings of Shakespeare almost always inform us more about the particular author writing the specific work than about the historical personage.