Fantastic Tv
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Author | : Gary Gerani |
Publisher | : Harmony |
Total Pages | : 194 |
Release | : 1977 |
Genre | : Performing Arts |
ISBN | : |
Text and more than 400 illustrations provide information on every science fiction and fantasy program that has been shown on television.
Author | : Charlotte E. Howell |
Publisher | : |
Total Pages | : 289 |
Release | : 2020 |
Genre | : Performing Arts |
ISBN | : 0190054379 |
From the mid-90s to the present, television drama with religious content has come to reflect the growing cultural divide between white middle-America and concentrated urban elites. As author Charlotte E. Howell argues in this book, by 2016, television narratives of white Christianity had become entirely disconnected from the religion they were meant to represent. Programming labeled "family-friendly" became a euphemism for white, middlebrow America, and developing audience niches became increasingly significant to serial dramatic television. Utilizing original case studies and interviews, Divine Programming investigates the development, writing, producing, marketing, and positioning of key series including 7th Heaven, Friday Night Lights, Rectify, Supernatural, Jane the Virgin, Daredevil, and Preacher. As this book shows, there has historically been a deep ambivalence among television production cultures regarding religion and Christianity more specifically. It illustrates how middle-American television audiences lost significance within the Hollywood television industry and how this in turn has informed and continues to inform television programming on a larger scale. In recent years, upscale audience niches have aligned with the perceived tastes of affluent, educated, multicultural, and-importantly-secular elites. As a result, the televised representation of white Christianity had to be othered, and shifted into the unreality of fantastic genres to appeal to niche audiences. To examine this effect, Howell looks at religious representation through four approaches - establishment, distancing, displacement, and use - and looks at series across a variety of genres and outlets in order to provied varied analyses of each theme.
Author | : Lorna Jowett |
Publisher | : Bloomsbury Publishing |
Total Pages | : 273 |
Release | : 2016-06-22 |
Genre | : Performing Arts |
ISBN | : 1838609717 |
From early examples such as Star Trek and Sapphire and Steel to more contemporary shows including Life on Mars and The Vampire Diaries, time has frequently been used as a device to allow programme makers to experiment stylistically and challenge established ways of thinking. Time on TV provides a range of exciting, accessible, yet intellectually rigorous essays that consider the many and varied ways in which telefantasy shows have explored this subject, providing the reader with a greater understanding of the importance of time to the success of genre on the small screen.
Author | : Steven Savile |
Publisher | : Plexus Publishing |
Total Pages | : 0 |
Release | : 2010 |
Genre | : Performing Arts |
ISBN | : 9780859654203 |
Fantastic TV celebrates five decades of sci-fi and fantasy television -- the cult shows that have defined popular culture. Featuring interviews with the writers and originators of the many series covered, along with the historical context of their creations, this book offers insight into a truly beloved genre of home entertainment. Detailing favorites as varied in theme and time period as The Twilight Zone, The 4400, Wonder Woman, Buffy the Vampire Slayer, and Heroes, and with black-and-white photographs, this guide has something for every devoted sci-fi fan.
Author | : Stan Lee |
Publisher | : Simon and Schuster |
Total Pages | : 192 |
Release | : 2015-11-03 |
Genre | : Art |
ISBN | : 1501107720 |
Graphic memoir about the career of Stan Lee, the American comic book writer, editor, publisher, and former president and chairman of Marvel Comics.
Author | : Jim Von Schilling |
Publisher | : Routledge |
Total Pages | : 243 |
Release | : 2013-10-28 |
Genre | : Language Arts & Disciplines |
ISBN | : 1136398600 |
This fascinating book tells the story of how television became popular in the United States following the medium's debut at the 1939 New York World's Fair. You'll learn about the people, events, and performances that were televised—or influenced what was being televised—from 1939 to 1953. In addition to the entertainment and cultural aspects of this newborn medium, it also explores the business, politics, and technology of early television.
Author | : Mike Bockoven |
Publisher | : Simon and Schuster |
Total Pages | : 322 |
Release | : 2016-10-11 |
Genre | : Fiction |
ISBN | : 1510709460 |
Since the 1970s, FantasticLand has been the theme park where “Fun is Guaranteed!” But when a hurricane ravages the Florida coast and isolates the park, the employees find it anything but fun. Five weeks later, the authorities who rescue the survivors encounter a scene of horror. Photos soon emerge online of heads on spikes outside of rides and viscera and human bones littering the gift shops, breaking records for hits, views, likes, clicks, and shares. How could a group of survivors, mostly teenagers, commit such terrible acts? Presented as a fact-finding investigation and a series of first-person interviews, FantasticLand pieces together the grisly series of events. Park policy was that the mostly college-aged employees surrender their electronic devices to preserve the authenticity of the FantasticLand experience. Cut off from the world and left on their own, the teenagers soon form rival tribes who viciously compete for food, medicine, social dominance, and even human flesh. This new social network divides the ravaged dreamland into territories ruled by the Pirates, the ShopGirls, the Freaks, and the Mole People. If meticulously curated online personas can replace private identities, what takes over when those constructs are lost? FantasticLand is a modern take on Lord of the Flies meets Battle Royale that probes the consequences of a social civilization built online. Skyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction—novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.
Author | : |
Publisher | : |
Total Pages | : 808 |
Release | : 2005 |
Genre | : Television programs |
ISBN | : |
Author | : Luca Bandirali |
Publisher | : Rowman & Littlefield |
Total Pages | : 135 |
Release | : 2021-11-08 |
Genre | : Philosophy |
ISBN | : 1498597572 |
What is a television series? A widespread answer takes it to be a totality of episodes and seasons. Luca Bandirali and Enrico Terrone argue against this characterization. In Concept TV: An Aesthetics of Television Series, they contend that television series are concepts that manifest themselves through episodes and seasons, just as works of conceptual art can manifest themselves through installations or performances. In this sense, a television series is a conceptual narrative, a principle of construction of similar narratives. While the film viewer directly appreciates a narrative made of images and sounds, the TV viewer relies on images and sounds to grasp the conceptual narrative that they express. Here lies the key difference between television and film. Reflecting on this difference paves the way for an aesthetics of television series that makes room for their alleged prolixity, their tendency to repetition, and their lack of narrative closure. Bandirali and Terrone shed light on the specific ways in which television series are evaluated, arguing that some apparent flaws of them are, indeed, aesthetic merits when considered from a conceptual perspective. Hence, to maximize the aesthetic value of television series, one should not assess them in the same framework in which films are assessed but rather in a distinct conceptual framework.
Author | : Lincoln Geraghty |
Publisher | : Scarecrow Press |
Total Pages | : 255 |
Release | : 2009-04-02 |
Genre | : Performing Arts |
ISBN | : 0810869225 |
Though science fiction certainly existed prior to the surge of television in the 1950s, the genre quickly established roots in the new medium and flourished in subsequent decades. In Channeling the Future: Essays on Science Fiction and Fantasy Television, Lincoln Geraghty has assembled a collection of essays that focuses on the disparate visions of the past, present, and future offered by science fiction and fantasy television since the 1950s and that continue into the present day. These essays not only shine new light on often overlooked and forgotten series but also examine the 'look' of science fiction and fantasy television, determining how iconography, location and landscape, special effects, set design, props, and costumes contribute to the creation of future and alternate worlds. Contributors to this volume analyze such classic programs as The Twilight Zone, Voyage to the Bottom of the Sea, and The Man from U.N.C.L.E., as well as contemporary programs, including Star Trek: The Next Generation, Angel, Firefly, Futurama, and the new Battlestar Galactica. These essays provide a much needed look at how science fiction television has had a significant impact on history, culture, and society for the last sixty years.