Ezra Pound And Roman Poetry A Preliminary Survey
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| Author | : Peter Davidson |
| Publisher | : BRILL |
| Total Pages | : 185 |
| Release | : 2023-08-14 |
| Genre | : History |
| ISBN | : 9004648208 |
Ezra Pound and Roman Poetry is an examination of a crucial phase in the development of Pound as translator and, therefore, of creative translation in the twentieth century. The book provides a survey of Pound's attempt to appropriate the poetry of Classical Rome, by tracing the histories of the poet's involvement with Horace, Virgil, Catullus, Ovid and Propertius, in order to express his own marginal position within London during the First World War. No extensive critical discussion is attempted, but attention is given to Pound's critical writings on the Latin poets as well as his translations from their work. Dr Davidson also treats other aspects of Pound's problematic relation to the Classical Tradition: the use and abuse of dictionaries; Laforgue and Baudelaire as a third term haunting Pound's translations; the difficult monolith of English classicism; the invention of an oppositional romanitas. It is hoped that this work may encourage others to produce the comprehensive survey which Pound's sustained and Protean relationship to the classical languages would appear to demand. Pound's readings of Latin poetry are inevitably readings also of English poetry, in the context of England, and particularly London, in the first two decades of the twentieth century.
| Author | : Peter Davidson |
| Publisher | : Rodopi |
| Total Pages | : 190 |
| Release | : 1995 |
| Genre | : American poetry |
| ISBN | : 9789051838749 |
Ezra Pound and Roman Poetry is an examination of a crucial phase in the development of Pound as translator and, therefore, of creative translation in the twentieth century. The book provides a survey of Pound's attempt to appropriate the poetry of Classical Rome, by tracing the histories of the poet's involvement with Horace, Virgil, Catullus, Ovid and Propertius, in order to express his own marginal position within London during the First World War. No extensive critical discussion is attempted, but attention is given to Pound's critical writings on the Latin poets as well as his translations from their work. Dr Davidson also treats other aspects of Pound's problematic relation to the Classical Tradition: the use and abuse of dictionaries; Laforgue and Baudelaire as a third term haunting Pound's translations; the difficult monolith of English classicism; the invention of an oppositional romanitas. It is hoped that this work may encourage others to produce the comprehensive survey which Pound's sustained and Protean relationship to the classical languages would appear to demand. Pound's readings of Latin poetry are inevitably readings also of English poetry, in the context of England, and particularly London, in the first two decades of the twentieth century.
| Author | : Demetres P. Tryphonopoulos |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 363 |
| Release | : 2005-04-30 |
| Genre | : Literary Criticism |
| ISBN | : 0313061432 |
Ezra Pound forever changed the course of poetry. The author of a vast body of literature, his enormous range of references and use of multiple languages make him one of the most obscure authors and—because of his Fascism, anti-Semitism, and questionable sanity—one of the most controversial. This encyclopedia is a concise yet comprehensive guide to his life and writings. Included are more than 250 alphabetically arranged entries on such topics as Arabic history, Chinese translation, dance, Hilda Doolittle, Egyptian literature, Robert Frost, and Pound's publications. The entries are written by roughly 100 expert contributors and cite works for further reading. Ezra Pound forever changed the course of poetry. His vast body of poetry and critical works make him one of the 20th century's most prolific writers, and his influence has shaped later poets, great and small. His enormous range of references, deliberate obscurity, and use of multiple languages make him one of the most difficult authors and— because of his Fascism, anti-Semitism, and questionable sanity—one of the most controversial figures in American literary history. This encyclopedia is a concise yet comprehensive guide to his life and writings.
| Author | : Ira B. Nadel |
| Publisher | : Cambridge University Press |
| Total Pages | : 531 |
| Release | : 2010-11-11 |
| Genre | : Literary Criticism |
| ISBN | : 1139492675 |
Long at the centre of the modernist project, from editing Eliot's The Waste Land to publishing Joyce, Pound has also been a provocateur and instigator of new movements, while initiating a new poetics. This is the first volume to summarize and analyze the multiple contexts of Pound's work, underlining the magnitude of his contribution and drawing on new archival, textual and theoretical studies. Pound's political and economic ideas also receive attention. With its concentration on the contexts of history, sociology, aesthetics and politics, the volume will provide a portrait of Pound's unusually international reach: an American-born, modern poet absorbing the cultures of England, France, Italy and China. These essays situate Pound in the social and material realities of his time and will be invaluable for students and scholars of Pound and modernism.
| Author | : Catharina Wulf |
| Publisher | : Rodopi |
| Total Pages | : 216 |
| Release | : 1995 |
| Genre | : |
| ISBN | : 9789051835861 |
| Author | : Cecilia Piantanida |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 273 |
| Release | : 2021-01-14 |
| Genre | : History |
| ISBN | : 1350101915 |
Going beyond exclusively national perspectives, this volume considers the reception of the ancient Greek poet Sappho and her first Latin translator, Catullus, as a literary pair who transmit poetic culture across the world from the early 20th century to the present. Sappho's and Catullus' reception has shaped a transnational network of poets and intellectuals, helping to define ideas of origins, gender, sexuality and national identities. This book shows that across time and cultures translations and rewritings of Sappho and Catullus articulate modernist poetics of myth and fragmentation, forms of confessionalism and post-modern pastiche. The inquiry focuses on Italian and North American poetry as two central yet understudied hubs of Sappho's and Catullus' modern reception, also linked by a rich mutual intellectual exchange: key case-studies include Giovanni Pascoli, Ezra Pound, H.D., Salvatore Quasimodo, Robert Lowell, Rosita Copioli and Anne Carson, and cover a wide range of unpublished archival material. Texts are analysed and compared through reception and translation theories and inserted within the current debate on the Classics as World Literature, demonstrating how sustained transnational poetic discourse employs the ancient pair to expand notions of literary origins and redefine poetry's relationship to human existence.
| Author | : Michelle Borg |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 181 |
| Release | : 2014-07-18 |
| Genre | : Literary Criticism |
| ISBN | : 144386420X |
No less than their modern counterparts, ancient genres were contested, hybrid and ambiguous. This volume, the result of a conference at the University of Sydney, is a collection dealing with some of the many issues around ancient understandings of genre. It presents a series of case studies, some concerned with texts that have loomed large in discussions of ancient genre (such as the works of Ovid), and others, in particular late-antique works, that have received less attention. Ranging from Rome and Greece to Gaza and Syria, Approaches to Genre in the Ancient World makes a unique contribution to the study of ancient genre and to the understanding of the specific texts discussed.
| Author | : Frances Dickey |
| Publisher | : University of Virginia Press |
| Total Pages | : 367 |
| Release | : 2012-06-29 |
| Genre | : Literary Criticism |
| ISBN | : 0813932696 |
In The Modern Portrait Poem, Frances Dickey recovers the portrait as a poetic genre from the 1860s through the 1920s. Combining literary and art history, she examines the ways Dante Gabriel Rossetti, Algernon Swinburne, and J. M. Whistler transformed the genre of portraiture in both painting and poetry. She then shows how their new ways of looking at and thinking about the portrait subject migrated across the Atlantic to influence Ezra Pound, T. S. Eliot, William Carlos Williams, Amy Lowell, E. E. Cummings, and other poets. These poets creatively exposed the Victorian portrait to new influences ranging from Manet’s realism to modern dance, Futurism, and American avant-garde art. They also condensed, expanded, and combined the genre with other literary modes including epitaph, pastoral, and Bildungsroman. Dickey challenges the tendency to view Modernism as a break with the past and as a transition from aural to visual orientation. She argues that the Victorian poets and painters inspired the new generation of Modernists to test their vision of Aestheticism against their perception of modernity and the relationship between image and text. In bridging historical periods, national boundaries, and disciplinary distinctions, Dickey makes a case for the continuity of this genre over the Victorian/Modernist divide and from Britain to the United States in a time of rapid change in the arts.
| Author | : Philip Hardie |
| Publisher | : Cambridge Philological Society |
| Total Pages | : 369 |
| Release | : 2020-08-30 |
| Genre | : Literary Criticism |
| ISBN | : 1913701298 |
An important collection of essays on Ovid's Metamorphoses and its reception.
| Author | : John B. Vickery |
| Publisher | : LSU Press |
| Total Pages | : 266 |
| Release | : 2006-05-01 |
| Genre | : Literary Criticism |
| ISBN | : 0807131423 |
Lamentation of death is the traditional elegiac focus, but in the twentieth century the elegy has become characterized as well by the mourning of other kinds of loss—those personal, familial, romantic, cultural, and philosophical privations and dispossessions that have so greatly shaped the modern sensibility. According to John B. Vickery, a profound elegiac temper is itself the major trait of twentieth-century culture, registered in attitudes ranging from regret, sorrow, confusion, anger, anxiety, doubt, and alienation to outright despair. He transforms our understanding of the elegy and its relation to modernism in The Modern Elegiac Temper. Vickery offers in-depth readings of a broad sampling of British and American poems written from World War I to the present. He considers works of overlooked poets such as Vernon Watkins, George Barker, and Edith Sitwell while also attending to canonical writers such as T. S. Eliot, Ezra Pound, W. H. Auden, and Wallace Stevens. Taking a text-oriented rather than author- or theory-oriented approach, he discusses in turn the personal, love, cultural, and philosophical elegy and shows how war, the Great Depression, the Holocaust, and other major historical events influenced poets’ elegiac expressions. By suggesting ways in which the individual-centered concerns of the traditional elegy metamorphose under the depersonalizing lens of high modernism, Vickery reveals the modern elegy to be a finely calibrated instrument for reading and expressing, absorbing and reflecting, the modern temperament.
