World's Fair of 1855
Author | : Exposition Universelle de 1855 (Paris, France) |
Publisher | : |
Total Pages | : |
Release | : 1981 |
Genre | : Art, Modern |
ISBN | : |
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Author | : Exposition Universelle de 1855 (Paris, France) |
Publisher | : |
Total Pages | : |
Release | : 1981 |
Genre | : Art, Modern |
ISBN | : |
Author | : HardPress |
Publisher | : Hardpress Publishing |
Total Pages | : 290 |
Release | : 2013-12 |
Genre | : |
ISBN | : 9781314821994 |
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Author | : George Wallis |
Publisher | : Legare Street Press |
Total Pages | : 0 |
Release | : 2023-07-18 |
Genre | : |
ISBN | : 9781019753439 |
Explore the 1855 Exposition Universelle in Paris, which helped establish French art and design as the global standard, through the eyes of English artist and curator George Wallis. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author | : Eastman Kodak Company |
Publisher | : |
Total Pages | : |
Release | : 185? |
Genre | : Photographs |
ISBN | : |
Author | : Exposition Universelle de 1855 (PARIS) |
Publisher | : |
Total Pages | : 224 |
Release | : 1855 |
Genre | : |
ISBN | : |
Author | : John Hannavy |
Publisher | : Routledge |
Total Pages | : 1630 |
Release | : 2013-12-16 |
Genre | : Photography |
ISBN | : 1135873267 |
The Encyclopedia of Nineteenth-Century Photography is the first comprehensive encyclopedia of world photography up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come. Its coverage is global – an important ‘first’ in that authorities from all over the world have contributed their expertise and scholarship towards making this a truly comprehensive publication. The Encyclopedia presents new and ground-breaking research alongside accounts of the major established figures in the nineteenth century arena. Coverage includes all the key people, processes, equipment, movements, styles, debates and groupings which helped photography develop from being ‘a solution in search of a problem’ when first invented, to the essential communication tool, creative medium, and recorder of everyday life which it had become by the dawn of the twentieth century. The sheer breadth of coverage in the 1200 essays makes the Encyclopedia of Nineteenth-Century Photography an essential reference source for academics, students, researchers and libraries worldwide.
Author | : Patricia Mainardi |
Publisher | : |
Total Pages | : 247 |
Release | : 1990 |
Genre | : Art |
ISBN | : 9780300047479 |
In this book, Patricia Mainardi presents a new analysis of the major shift in nineteenth-century art from large public to small private works by examining the political and institutional factors that were in effect. Mainardi brings to life the complex institutional world of official art in the mid- to late-nineteenth century, presenting the relevant individual personalities, group interests, conflicts, and shift in a policy with clarity and detail. Writing in a lively, often witty style, she throws much new light on such subjects as the decline of history painting, the rise and eventual triumph of genre painting, the influence exerted in France by the art of England, Belgium, and Germany, and the inevitable collapse of the official exhibition system.
Author | : Canada. Executive committee for the Paris exhibition, 1855 |
Publisher | : |
Total Pages | : 486 |
Release | : 1856 |
Genre | : Exposition universelle de Paris en 1855 |
ISBN | : |