The Black Index

The Black Index
Author: Bridget R. Cooks
Publisher:
Total Pages: 120
Release: 2020-10-15
Genre:
ISBN: 9783777435961

The artists featured in The Black Index--Dennis Delgado, Alicia Henry, Kenyatta A.C. Hinkle, Titus Kaphar, Whitfield Lovell, and Lava Thomas--build upon the tradition of Black self-representation as an antidote to colonialist images. Their translations of photography challenge the medium's long-assumed qualities of objectivity, legibility, and identification. Using drawing, sculpture, and digital technology to transform the recorded image, these artists question our reliance on photography as a privileged source for documentary objectivity and historical understanding. The works featured here offer an alternative practice--a Black index. In the hands of these six artists, the index still serves as a finding aid for information about Black subjects, but it also challenges viewers' desire for classification and, instead, redirects them toward alternative information.

Exhibiting Blackness

Exhibiting Blackness
Author: Bridget R. Cooks
Publisher:
Total Pages: 205
Release: 2011
Genre: African American art
ISBN: 9781613760062

"In Exhibiting Blackness, art historian Bridget R. Cooks analyzes the curatorial strategies, challenges, and critical receptions of the most significant museum exhibitions of African American art. Tracing two dominant methodologies used to exhibit art by African Americans--an ethnographic approach that focuses more on artists than their art, and a recovery narrative aimed at correcting past omissions--Cooks exposes the issues involved in exhibiting cultural difference that continue to challenge art history, historiography, and American museum exhibition practices. By further examining the unequal and often contested relationship between African American artists, curators, and visitors, she provides insight into the complex role of art museums and their accountability to the cultures they represent."--

Exhibiting Contradiction

Exhibiting Contradiction
Author: Alan Wallach
Publisher: Univ of Massachusetts Press
Total Pages: 176
Release: 1998
Genre: Architecture
ISBN:

In Exhibiting Contradiction, a leading scholar considers the way art museums have depicted--and continue to depict--American society and the American past. In closely focused and often controversial essays, Alan Wallach explores the opposing ideologies that drove the development of the American art museum in the nineteenth century and the tensions and contradictions characteristic of recent museum history.

Mounting Frustration

Mounting Frustration
Author: Susan E. Cahan
Publisher: Duke University Press
Total Pages: 377
Release: 2016-01-28
Genre: Art
ISBN: 0822374897

In Mounting Frustration Susan E. Cahan uncovers the moment when the civil rights movement reached New York City's elite art galleries. Focusing on three controversial exhibitions that integrated African American culture and art, Cahan shows how the art world's racial politics is far more complicated than overcoming past exclusions.

Two Centuries of Black American Art

Two Centuries of Black American Art
Author: David C. Driskell
Publisher:
Total Pages: 234
Release: 1976
Genre: Art
ISBN:

"This book represents a major event in the art world. It is the first book to encompass the entire span and range of black art in America, from unknown artisans and journeymen painters of the 18th century to such internationally admired 19th-century artists as Edward M. Bannister, Edmonia Lewis, and Henry Ossawa Tanner, through the artists of the dynamic "Harlem Renaissance" of the 1920s, and up to Horace Pippin, Jacob Lawrence, and Romare Bearden ... and reproduces works, chronologically arranged, by all the 63 artists in the show, their paintings, sculptures, graphics, as well as crafts ranging from dolls to walking sticks" --

Among Others

Among Others
Author: Darby English
Publisher:
Total Pages: 488
Release: 2019-08-20
Genre: Art
ISBN: 9781633450349

Among Others: Blackness at MoMA begins with an essay that provides a rigorous and in-depth analysis of MoMA's history regarding racial issues. It also calls for further developments, leaving space for other scholars to draw on particular moments of that history. It takes an integrated approach to the study of racial blackness and its representation: the book stresses inclusion and, as such, the plate section, rather than isolating black artists, features works by non-black artists dealing with race and race- related subjects. As a collection book, the volume provides scholars and curators with information about the Museum's holdings, at times disclosing works that have been little documented or exhibited. The numerous and high-quality illustrations will appeal to anyone interested in art made by black artists, or in modern art in general.

Black Male

Black Male
Author: Thelma Golden
Publisher:
Total Pages: 228
Release: 1994
Genre: Art
ISBN:

Red Lip Theology

Red Lip Theology
Author: Candice Marie Benbow
Publisher: Convergent Books
Total Pages: 225
Release: 2022-01-18
Genre: Religion
ISBN: 059323846X

A moving essay collection promoting freedom, self-love, and divine wholeness for Black women and opening new levels of understanding and ideological transformation for non-Black women and allies “Candice Marie Benbow is a once-in-a-generation theologian, the kind who, having ground dogma into dust with the fine point of a stiletto, leads us into the wide-open spaces of faith.”—Brittney Cooper, author of Eloquent Rage and co-editor of The Crunk Feminist Collection Blurring the boundaries of righteous and irreverent, Red Lip Theology invites us to discover freedom in a progressive Christian faith that incorporates activism, feminism, and radical authenticity. Essayist and theologian Candice Marie Benbow’s essays explore universal themes like heartache, loss, forgiveness, and sexuality, and she unflinchingly empowers women who struggle with feeling loved and nurtured by church culture. Benbow writes powerfully about experiences at the heart of her Black womanhood. In honoring her single mother’s love and triumphs—and mourning her unexpected passing—she finds herself forced to shed restrictions she’d been taught to place on her faith practice. And by embracing alternative spirituality and womanist theology, and confronting staid attitudes on body positivity and LGBTQ+ rights, Benbow challenges religious institutions, faith leaders, and communities to reimagine how faith can be a tool of liberation and transformation for women and girls.

Bodies in Dissent

Bodies in Dissent
Author: Daphne Brooks
Publisher: Duke University Press
Total Pages: 492
Release: 2006
Genre: Biography & Autobiography
ISBN: 9780822337225

Performance and identity in nineteenth and early twentieth-century Arican-American creative work.

Exhibiting the Foreign on U.S. Soil

Exhibiting the Foreign on U.S. Soil
Author: Kathleen Berrin
Publisher: Rowman & Littlefield
Total Pages: 389
Release: 2021-07-21
Genre: Art
ISBN: 1538134098

The uneasy relationship between the arts, US art museums, and the federal government has not been thoroughly explored by scholars. This book focuses on the development of “national diplomacy exhibitions” during World War II and the early Cold War and explains how the War provided the government with an impetus to create a national arts policy. It discusses how national diplomacy exhibitions on US soil were deployed as persuasive tools to influence public opinion, to reconcile discrepancies between high art and democracy, and to resolve America’s lagging art status and difficulties with “the foreign.” The type of soft diplomacy that art museums provide by initiating national diplomacy exhibitions has not received emphasis in the scholarly community and art museums have essentially been ignored in cultural studies of the early Cold War. Scholarly analysis of museum exhibitions in the last quarter of the 20th century is now a popular topic, but investigations of exhibitions between 1939-1960 have been thin. By scrutinizing major exhibitions during those formative years this book takes a new perspective and examines the foundational development of the so-called “blockbuster” exhibition stimulated by World War II. The book will interest readers in visual studies, history, museums, cultural affairs, government, and international diplomacy.