Everyone Had Cameras
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Author | : Richard Steven Street |
Publisher | : |
Total Pages | : 740 |
Release | : 2008 |
Genre | : Art |
ISBN | : |
Deftly weaving the remarkable diversity of field photography into this story of labour activism, 'Everyone Had Cameras' establishes a new history of California photography while chronicling the impact that this visual medium has has on a vast, dispossessed class of American workers.
Author | : Richard Steven Street |
Publisher | : |
Total Pages | : 738 |
Release | : 2008 |
Genre | : Agricultural laborers |
ISBN | : |
Deftly weaving the remarkable diversity of field photography into this story of labour activism, 'Everyone Had Cameras' establishes a new history of California photography while chronicling the impact that this visual medium has has on a vast, dispossessed class of American workers.
Author | : Emma Davies |
Publisher | : |
Total Pages | : |
Release | : 2016 |
Genre | : |
ISBN | : 9780995632417 |
Author | : Kelli Anderson |
Publisher | : |
Total Pages | : |
Release | : 2015-11-20 |
Genre | : |
ISBN | : 9780997175905 |
This is a working camera that pops up from the pages of a book..The book concisely explains--and actively demonstrates--how a structure as humble as a folded piece of paper can tap into the intrinsic properties of light to produce a photograph.The book includes:- a piece of paper folded into a working 4x5" camera- a lightproof bag- 5 sheets of photo-paper "film"- development instructions (from complete DIY to "outsource it")- a foil-stamped cover- a satisfying demonstration of the connection between design & science / structures & functions
Author | : |
Publisher | : |
Total Pages | : 1070 |
Release | : 1926 |
Genre | : American periodicals |
ISBN | : |
Author | : Todd Gustavson |
Publisher | : |
Total Pages | : 376 |
Release | : 2009 |
Genre | : Photography |
ISBN | : |
"Few inventions have had as powerful an influence as the camera, and few modes of expression have enjoyed the enduring artistic, scientific, and popular appeal of photography. We are so focused on the products of the camera, the indelible images marking our lives and times, that it's easy to forget the instrument itself has a history. Now that history has been comprehensively traced for photography buffs and amateurs alike by Todd Gustavson, Curator of Technology at George Eastman House. In this ... volume, hundreds of new and archival images from George Eastman House bring the story to life and provide an unmatched reference source. Vast in its scope, this ... book is an in-depth visual and narrative look at the camera, and consequently photography itself"--Jacket.
Author | : Marina Goldovskaya |
Publisher | : University of Texas Press |
Total Pages | : 289 |
Release | : 2006-10-01 |
Genre | : Biography & Autobiography |
ISBN | : 0292713436 |
Marina Goldovskaya is one of Russia's best-known documentary filmmakers. The first woman in Russia (and possibly the world) to combine being a director, writer, cinematographer, and producer, Goldovskaya has made over thirty documentary films and more than one hundred programs for Russian, European, Japanese, and American television. Her work, which includes the award-winning films The House on Arbat Street, The Shattered Mirror, and Solovky Power, has garnered international acclaim and won virtually every prize given for documentary filmmaking. In Woman with a Movie Camera, Goldovskaya turns her lens on her own life and work, telling an adventurous, occasionally harrowing story of growing up in the Stalinist era and subsequently documenting Russian society from the 1960s, through the Thaw and Perestroika, to post-Soviet Russia. She recalls her childhood in a Moscow apartment building that housed famous filmmakers, being one of only three women students at the State Film School, and working as an assistant cameraperson on the first film of Andrei Tarkovsky, Russia's most celebrated director. Reviewing her professional filmmaking career, which began in the 1960s, Goldovskaya reveals her passion for creating films that presented a truthful picture of Soviet life, as well as the challenges of working within (and sometimes subverting) the bureaucracies that controlled Russian film and television production and distribution. Along the way, she describes a host of notable figures in Russian film, theater, art, and politics, as well as the technological evolution of filmmaking from film to video to digital media. A compelling portrait of a woman who broke gender and political barriers, as well as the eventful four decades of Russian history she has documented, Woman with a Movie Camera will be fascinating reading for a wide audience.
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Publisher | : |
Total Pages | : 1078 |
Release | : 1926 |
Genre | : |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 436 |
Release | : 1902 |
Genre | : Photography |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 342 |
Release | : 1902 |
Genre | : Photography |
ISBN | : |