European Vision and the South Pacific
Author | : Bernard Smith |
Publisher | : |
Total Pages | : 370 |
Release | : 1985 |
Genre | : Art |
ISBN | : 9780300044799 |
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Author | : Bernard Smith |
Publisher | : |
Total Pages | : 370 |
Release | : 1985 |
Genre | : Art |
ISBN | : 9780300044799 |
Author | : Bernard Smith |
Publisher | : Oxford, Clarendon |
Total Pages | : 376 |
Release | : 1960 |
Genre | : Art |
ISBN | : |
Includes references to the depiction of Aboriginal people of the Sydney region and Tasmania; early representation and portrayal; colonisation and art history.
Author | : Bernard Smith |
Publisher | : Yale University Press |
Total Pages | : 290 |
Release | : 1992-01-01 |
Genre | : Art |
ISBN | : 9780300050530 |
Smith's scrutiny of the pictorial and documentary evidence results in some surprising findings. He argues that the obligation science placed on art to provide information was a factor in the triumph of Impressionism during the late nineteenth century. He points out, for example, that William Hodges, Cook's official artist on his second voyage to the Pacific, was one of the first artists to adopt plein-air methods of painting. Describing the impact of the Pacific world on burgeoning English Romanticism, Smith tells of the crucial influence of Cook's astronomer, William Wales, on S.T. Coleridge's imaginative development. He describes how John Webber's apparently documentary art was fashioned to suit political concerns. He examines critically the relevance of Edward Said's Orientalism for our understanding of European perceptions of the Pacific
Author | : Doug Munro |
Publisher | : University of Hawaii Press |
Total Pages | : 284 |
Release | : 2005-11-30 |
Genre | : History |
ISBN | : 9780824829421 |
Texts and Contexts is concerned with the development of Pacific Islands history as a specialization in its own right. Specifically, this volume examines the foundational texts that pioneered and consolidated the new subdiscipline and served as the building blocks and stepping stone for further developments in the field. Thirty-five texts, all of which represent defining points in the development of Pacific Islands historiography, are examined. Much more than retrospective appraisals of the foundational texts, the individual chapters consider a text or complimentary texts within the context of the time of writing and gauge what ongoing influence they exerted. In some cases they suggest how a particular text has been superseded by subsequent work that breaks new conceptual ground in the ongoing process of revisionism. Contributors: Chris Ballard on Gavin Souter; Ivan Brady on Greg Dening; I. C. Campbell on Norma McArthur; Bronwen Douglas and Doug Munro on H. E. Maude and Dorothy Shineberg; Michael Goldsmith on Marshall Sahlins; David Hanlon on Francis X. Hezel; K. R. Howe on Andrew Sharp and David Lewis; Brij V.Lal on K. L. Gillion and Peter Corris; Hugh Laracy on Niel Gunson and Ta‘unga; Lamont Lindstrom on Peter Worsley and Peter Lawrence; Doug Munro on Douglas L. Oliver, R. P. Gilson, J. W. Davidson, and K. R. Howe; Vincent O’Malley on Keith Sinclair and Alan Ward; Jon Osorio on Ralph Kuykendall and Gavan Daws; Tom Ryan on Bernard Smith; Jane Samson on W. P. Morrell and Deryck Scarr; Francis West on Francis West and Gavan Daws; Glyndwr Williams on O. H. K. Spate.
Author | : Jennifer Taylor |
Publisher | : |
Total Pages | : 366 |
Release | : 2014-07-31 |
Genre | : Architecture |
ISBN | : |
This book recounts the recent development of the South Pacific and the regions fascinating architecture. It traces the European architectural overlay onto this scattered group of Islands and their transition toward a regional identity that has been fashioned by the remote location, the incomparable setting and the distinctive ethnic mix of its inhabitants. Includes many photos.
Author | : Rob Wilson |
Publisher | : Duke University Press |
Total Pages | : 326 |
Release | : 2000 |
Genre | : History |
ISBN | : 9780822325239 |
Discusses the makings of the "American Pacific" locality/location/identity as space and ground of cultural production, and the way this region can be linked to "Asia" and "Pacific" as well as to "American mainland"
Author | : Nicholas Thomas |
Publisher | : Cambridge University Press |
Total Pages | : 304 |
Release | : 1999-04-26 |
Genre | : Art |
ISBN | : 9780521659987 |
Taking as its departure point Bernard Smith's classic study, European Vision and the South Pacific (1960), Double Vision explores the ambivalences of European perceptions of the Pacific and juxtaposes them with the indigenous visual cultures that challenge Western assumptions about art and representation. Double Vision addresses these larger interpretive questions through case studies of the cultures of voyages, colonial art, and indigenous affirmations of identity. It suggests that images and texts can be combined through a new practice of innovative, visually oriented cultural history. This approach yields a fresh understanding of history, colonialism and culture in Australia, New Zealand and the Pacific. Double Vision is a challenging combination of visual and textual inquiry, and its outstanding list of contributors offers a fresh perspective on art and history in the Pacific.
Author | : Rainer F. Buschmann |
Publisher | : University of Hawaii Press |
Total Pages | : 202 |
Release | : 2014-05-31 |
Genre | : History |
ISBN | : 0824838254 |
Navigating the Spanish Lake examines Spain’s long presence in the Pacific Ocean (1521–1898) in the context of its global empire. Building on a growing body of literature on the Atlantic world and indigenous peoples in the Pacific, this pioneering book investigates the historiographical “Spanish Lake” as an artifact that unites the Pacific Rim (the Americas and Asia) and Basin (Oceania) with the Iberian Atlantic. Incorporating an impressive array of unpublished archival materials on Spain’s two most important island possessions (Guam and the Philippines) and foreign policy in the South Sea, the book brings the Pacific into the prevailing Atlanticentric scholarship, challenging many standard interpretations. By examining Castile’s cultural heritage in the Pacific through the lens of archipelagic Hispanization, the authors bring a new comparative methodology to an important field of research. The book opens with a macrohistorical perspective of the conceptual and literal Spanish Lake. The chapters that follow explore both the Iberian vision of the Pacific and indigenous counternarratives; chart the history of a Chinese mestizo regiment that emerged after Britain’s occupation of Manila in 1762-1764; and examine how Chamorros responded to waves of newcomers making their way to Guam from Europe, the Americas, and Asia. An epilogue analyzes the decline of Spanish influence against a backdrop of European and American imperial ambitions and reflects on the legacies of archipelagic Hispanization into the twenty-first century. Specialists and students of Pacific studies, world history, the Spanish colonial era, maritime history, early modern Europe, and Asian studies will welcome Navigating the Spanish Lake as a persuasive reorientation of the Pacific in both Iberian and world history.
Author | : Bernard Smith |
Publisher | : Macmillan Education AU |
Total Pages | : 148 |
Release | : 2007 |
Genre | : Art |
ISBN | : 9781876832339 |
In this well-illustrated book Professor Bernard Smith, who is often referred to as the father of art history in Australia, condenses the arguments presented in an earlier publication Modernisms History, 1998) into a very accessible and helpful text will prove useful for students and arts-interested readers. He begins by listing and carefully explaining those terms which frequently occur in arts literature dealing with the modern period and then goes on to show that modernism has become an historical period with its art forms both 'institutionalised' and 'globalised'. Now an historical entity, art historys basic tools can be employed to explain and describe it. They include an investigation of the periods 'style', use of 'form' and attitudes to meaning. In his defence of art historys traditions and methodologies he argues that the period that encompasses modernism in the arts might now be known as The Formalesque .