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| Author | : Elaine A. King |
| Publisher | : Allworth Press |
| Total Pages | : 296 |
| Release | : 2006-09 |
| Genre | : Art |
| ISBN | : |
'Ethics and the Visual Arts' offers insights on matters as far ranging as art and censorship, cultural globalization, the effect of the Internet on art and artists, and the ethics and role of new media.
| Author | : Hanna Meretoja |
| Publisher | : Routledge |
| Total Pages | : 318 |
| Release | : 2017-09-18 |
| Genre | : Literary Criticism |
| ISBN | : 1351965778 |
In recent years there has been a huge amount of both popular and academic interest in storytelling as something that is an essential part of not only literature and art but also our everyday lives as well as our dreams, fantasies, aspirations, historical self-understanding, and political actions. The question of the ethics of storytelling always, inevitably, lurks behind these discussions, though most frequently it remains implicit rather than explicit. This volume explores the ethical potential and risks of storytelling from an interdisciplinary perspective. It stages a dialogue between contemporary literature and visual arts across media (film, photography, performative arts), interdisciplinary theoretical perspectives (debates in narrative studies, trauma studies, cultural memory studies, ethical criticism), and history (traumatic histories of violence, cultural history). The collection analyses ethical issues involved in different strategies employed in literature and art to narrate experiences that resist telling and imagining, such as traumatic historical events, including war and political conflicts. The chapters explore the multiple ways in which the ethics of storytelling relates to the contemporary arts as they work with, draw on, and contribute to historical imagination. The book foregrounds the connection between remembering and imagining and explores the ambiguous role of narrative in the configuration of selves, communities, and the relation to the non-human. While discussing the ethical aspects of storytelling, it also reflects on the relevance of artistic storytelling practices for our understanding of ethics. Making an original contribution to interdisciplinary narrative studies and narrative ethics, this book both articulates a complex understanding of how artistic storytelling practices enable critical distance from culturally dominant narrative practices, and analyzes the limitations and potential pitfalls of storytelling. Chapter 7 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons [Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
| Author | : Jacqueline Millner |
| Publisher | : Routledge |
| Total Pages | : 313 |
| Release | : 2021-11-24 |
| Genre | : Art |
| ISBN | : 1000471357 |
What would it mean to substitute care for economics as the central concern of politics? This anthology invites analysis, reflections and speculations on how contemporary artists and creative practitioners engage with, interpret, and enact care in practices which might forge an alternative ethics in the age of neoliberalism. Interdisciplinary and innovative, it brings together contributions from artists, researchers and practitioners who creatively consider how care can be practised in a range of contexts, including environmental ethics, progressive pedagogies, cultures of work, alternative economic models, death literacy advocacy, parenting and mothering, deep listening, mental health, disability and craftivism. Care Ethics and Art contributes new modes of understanding these fields, together with practical solutions and models of practice, while also offering new ways to think about recent contemporary art and its social function. The book will benefit scholars and postgraduate research students in the fields of art, art history and theory, visual cultures, philosophy and gender studies, as well as creative and arts practitioners.
| Author | : François Matarasso |
| Publisher | : |
| Total Pages | : 233 |
| Release | : 2019 |
| Genre | : Art and society |
| ISBN | : 9781903080207 |
From the contents:00I. Participatory art now01. The normalisation of participatory art 0II. What is participatory art?02. Concepts03. Defnitions04. The intentions of participatory art 05. The art of participatory art 06. The ethics of participatory art 0III. Where does participatory art come from?07. Making history 08. Deep roots 09. Community art and the cultural revolution (1968 to 1988) 010. Participatory art and appropriation (1988 to 2008).
| Author | : Elaine A. King |
| Publisher | : Simon and Schuster |
| Total Pages | : 450 |
| Release | : 2010-09-21 |
| Genre | : Art |
| ISBN | : 158115822X |
The dark side of the arts is explored in this timely volume, sure to spark discussion and debate. Nineteen diverse essays by such distinguished authors as Eric Fischl, Suzaan Boettger, Stephen Weil, Richard Serra, and more cover a broad range of topics facing today’s artists, policy makers, art lawyers, galleries, museum professionals, and many others. Readers will find expert insights on such up-to-the-minute issues as preserving Iraqi heritage after the U.S. invasion; the role of new media; art and censorship; the impact of 9/11 on artists; authenticity and forgeries; cultural globalization; fair use; how tax laws encourage donations of art to museums; where people buy art; the ethical codes of working art critics; and much more. With its clear-sighted commentary on today’s hottest arts issues, Ethics in the Visual Arts is essential reading for anyone interested in the humanities and in current events. • Eric Fischl, Suzaan Boettger, Stephen Weil, other top names • Valuable to policy makers, attorneys, art critics, museum professionals, anyone involved in art Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.
| Author | : John Henry Merryman |
| Publisher | : Kluwer Law International B.V. |
| Total Pages | : 1356 |
| Release | : 2007-01-01 |
| Genre | : Law |
| ISBN | : 9041125175 |
This book describes the collisions between the art world and the law, with a critical eye through a combination of primary source materials, excerpts from professional and art journals, and extensive textual notes. Topics analysed include + the fate of works of art in wartime, + the international trade in stolen and illegally exported cultural property, + artistic freedom, + censorship and state support for art and artists, + copyright, + droit moral and droit de suite, + the artist's professional life and death, + collectors in the art market, + income and estate taxation, + charitable donations and works of art, and + art museums and their collections. The authors are recognised experts in the field who have defined the canon in many aspects of art law.
| Author | : John Henry Merryman |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2024 |
| Genre | : Artists |
| ISBN | : 9781107651746 |
"Introduces legal and ethical issues impacting artists, art collectors, dealers, and museums in today's international art markets. Highlights key international treaties and statutes, judicial decisions, and excerpts from scholarly and other publications to make legal and ethical issues in the world of the visual arts accessible and understandable"--
| Author | : John Merryman |
| Publisher | : Springer |
| Total Pages | : 1080 |
| Release | : 1998-07-10 |
| Genre | : Law |
| ISBN | : |
What happens when the art world encounters the law and vice versa? This book describes these collisions with a critical eye through a combination of primary source materials, excerpts from professional and art journals, and extensive textual notes. Topics analysed include the fate of works of art in wartime, The international trade in stolen and illegally exported cultural property, artistic freedom, censorship and state support for art and artists, copyright, droit moral and droit de suite, The artist's professional life and death, collectors in the art market, income and estate taxation, charitable donations and works of art, and art museums and their collections. Law, Ethics, And The Visual Arts is unique in its description of the origins and development of major areas of art and practice; its analysis of international problems, applicable public and private international law, and different national approaches to similar problems; and its critical evaluation of the implications of laws, legal decisions, and art world practices. The authors are recognised experts in the field who have defined the canon in many aspects of art law. Art world professionals, including practising and academic lawyers, trusts and estate lawyers and others dealing with art as an asset, those in the art trade, art administrators, The museum trustees and staff, art historians, archaeologists, and art collectors will appreciate the unmatched features of Law, Ethics, And The Visual Arts and find it of great value in their work.
