Man within His Life-World

Man within His Life-World
Author: Anna-Teresa Tymieniecka
Publisher: Springer Science & Business Media
Total Pages: 994
Release: 2013-06-29
Genre: Philosophy
ISBN: 9400925875

On Paul Ricoeur

On Paul Ricoeur
Author: Richard Kearney
Publisher: Taylor & Francis
Total Pages: 193
Release: 2017-07-05
Genre: Philosophy
ISBN: 1351913859

This volume begins with a brief overview of the most important features of Ricoeur's philosophical journey accompanied by a number of studies on the subject. The second part of the study is devoted to other issues in Ricoeur's work based upon five critical exchanges with the author over the last 25 years.

Znakolog

Znakolog
Author:
Publisher:
Total Pages: 412
Release: 1991
Genre: Semiotics
ISBN:

In Search of 'the Genuine Word of God'

In Search of 'the Genuine Word of God'
Author: Rajmund Pietkiewicz
Publisher: Vandenhoeck & Ruprecht
Total Pages: 347
Release: 2020-12-14
Genre: Religion
ISBN: 3647517070

The Polish-Lithuanian Commonwealth familiarized itself with Christian Hebraism in the first half of the 16th century. "In Search of 'the Genuine Word of God'" sketches out the process in three chapters. The first one deals with the development of modern Hebrew studies in Western Europe, the second gives an account of the academic and religious level of Hebrew scholarship in the Commonwealth in the 16th century and at the beginning of the 17th century, and the third is devoted to Polish translations of the Hebrew Bible, which were the most significant consequences of the reception of the West-European Christian Hebraism in the Polish-Lithuanian Commonwealth in Renaissance. Knowledge of Hebrew would be spread in the Polish-Lithuanian Commonwealth through personal contacts of magnates and church dignitaries with the Western European Hebrew experts, through Jewish converts teaching Semitic languages, through foreign studies at European universities and through books. Polish Christian Hebraism was not creative; local humanists and reformers who communicated with adherents of Judaism contributed but little to domestic Hebrew studies. Only scholarly trends occasioned by different Christian confessions come to our notice. Hebrew studies were undertaken within universities or religious movements. The purpose was practical: to have direct access to the original Hebrew Bible for the sake of theological disputes or to have proper translation tools for rendering the Scripture in Polish.

The Oxford Handbook of Topic Theory

The Oxford Handbook of Topic Theory
Author: Danuta Mirka PhD
Publisher: Oxford University Press
Total Pages: 713
Release: 2014-10-16
Genre: Music
ISBN: 0199841586

Topics are musical signs developed and employed primarily during the long eighteenth century. Their significance relies on associations that are clearly recognizable to the listener with different genres, styles and types of music making. Topic theory, which is used to explain conventional subjects of musical composition in this period, is grounded in eighteenth-century music theory, aesthetics, and criticism, while drawing also from music cognition and semiotics. The concept of topics was introduced into by Leonard Ratner in the 1980s to account for cross-references between eighteenth-century styles and genres. As the invention of a twentieth-century academic, topic theory as a field is comparatively new, and The Oxford Handbook of Topic Theory provides a much-needed reconstruction of the field's aesthetic underpinnings. The volume grounds the concept of topics in eighteenth-century music theory, aesthetics, and criticism. Documenting the historical reality of individual topics on the basis of eighteenth-century sources, it traces the origins of topical mixtures to transformations of eighteenth-century musical life, and relates topical analysis to other methods of music analysis conducted from the perspectives of composers, performers, and listeners. Focusing its scope on eighteenth-century musical repertoire, The Oxford Handbook of Topic Theory lays the foundation for further investigation of topics in music of the nineteenth, twentieth, and twenty-first centuries.