Essays On German Literature And Culture Part I
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Author | : Chris Ramon Vanden Bossche |
Publisher | : Univ of California Press |
Total Pages | : 761 |
Release | : 2024-11-19 |
Genre | : Literary Collections |
ISBN | : 0520409906 |
In the early 1820s, the acclaimed Victorian philosopher, social critic, and essayist Thomas Carlyle achieved a level of expertise in German language and literature that prompted editors to seek him out as a reviewer and launched his career as an essayist. Carlyle has long been credited with establishing the importance of new German writing in Britain at the time, and Essays on German Literature and Culture brings together his complete writings on the topic. This volume will be published in two parts. In the essays in part 1, Carlyle ranges broadly over German literature, much of it new to English-speaking audiences, and comments on three writers—Goethe, Richter, and Novalis—who profoundly influenced him. In keeping with the Norman and Charlotte Strouse Edition of the Writings of Thomas Carlyle, these essays are accompanied by a thorough historical introduction to the material, extensive notes providing historical and cultural context while expanding on references and allusions, and a textual apparatus that carefully details and explains the editorial decisions made in reconciling the editions of each essay.
Author | : Roger Paulin |
Publisher | : Open Book Publishers |
Total Pages | : 272 |
Release | : 2021-08-24 |
Genre | : Literary Criticism |
ISBN | : 1800642156 |
From Goethe to Gundolf: Essays on German Literature and Culture is a collection of Roger Paulin’s groundbreaking essays, spanning the last forty years. The work represents his major research interests of Romanticism and the reception of Shakespeare in Germany, but also explores a broader range of themes, from poetry and the public memorialization of poets to fairy stories - all meticulously researched, yet highly accessible. As a comprehensive examination of German literary history in the period 1700-1900, the collection not only includes accounts of the lives and work of Goethe, Schiller, the Schlegels, and Gundolf (amongst others), serving to nuance our understanding of these figures in history, but also considers diverse (and often underexplored) topics, from academic freedom to the rise of travel literature. The essays have been reformulated, corrected, and updated to add references to recent works. However, the core foundations of the originals remain, and just as when they were first published, the value of these essays – to researchers, students, and all those who are interested in German literary history – cannot be overstated.
Author | : Chris Ramon Vanden Bossche |
Publisher | : Univ of California Press |
Total Pages | : 710 |
Release | : 2024 |
Genre | : Biography & Autobiography |
ISBN | : 0520410300 |
"In the early 1820s, the acclaimed Victorian philosopher, social critic, and essayist Thomas Carlyle achieved a level of expertise in German language and literature that prompted editors to seek him out as a reviewer and launched his career as an essayist. Carlyle has long been credited with establishing the importance of new German writing in Britain at the time, and Essays on German Literature brings together his complete writings on the topic. This volume will be published in two parts. In the essays in part 1, Carlyle ranges broadly over German literature, much of it new to English-speaking audiences, and comments on three writers-Goethe, Richter, and Novalis-who profoundly influenced him. The essays in part 2 include historical overviews of German literature from the Middle Ages to the present and a series of commentaries marking the passing of Goethe. In keeping with the Norman and Charlotte Strouse Edition of the Writings of Thomas Carlyle, these essays are accompanied by a thorough historical introduction to the material, extensive notes providing historical and cultural context while expanding on references and allusions, and a textual apparatus that carefully details and explains the editorial decisions made in reconciling the editions of each essay"--
Author | : Gabriele Duerbeck |
Publisher | : Lexington Books |
Total Pages | : 485 |
Release | : 2017-10-16 |
Genre | : Literary Criticism |
ISBN | : 1498514936 |
The volume offers a survey of the contribution of German literature and culture to the evolution of ecological thought. As the field of ecocritical theory and practice is rapidly expanding towards transnational and global dimensions, it seems nevertheless necessary to consider the distinct manifestations of ecological thought in various cultures. In this sense, the volume demonstrates in twenty-six essays from different disciplines how German literature, philosophy, art, and science have contributed in unique ways to the emergence of ecological thought on national and transnational scale. The volume maps the most important and characteristic of these developments both on a theoretical and on a textual-analytical level. It is structured in five parts ranging from proto-ecological thought since early modern times (part I) to major theoretical approaches (part II), environmental history (part III), and ecocritical case studies (part IV), to ecological visions in different media and art forms (part V). The four editors have widely published and are actively involved in ecocritical literary and cultural studies. The group of editors consists of two scholars of German literature and cultural studies, Gabriele Duerbeck and Urte Stobbe (both University of Vechta), a scholar in German and comparative literature, Evi Zemanek (University of Freiburg), as well as a scholar of Anglo-American ecoliterature and ecocriticism, Hubert Zapf. All of them are involved in various projects and research networks on ecology and literature. The contributors of the individual chapters likewise are all experts in their respective fields, ranging from German literature, history, environmental studies, art history, music and art. The book is a unique and readily accessible collection of essays that is of relevance not only for a German and continental European but for a worldwide audience.
Author | : David E. Wellbery |
Publisher | : Harvard University Press |
Total Pages | : 1038 |
Release | : 2004 |
Genre | : Education |
ISBN | : 9780674015036 |
'A New History of German Literature' offers some 200 essays on events in German literary history.
Author | : Nora M. Alter |
Publisher | : Berghahn Books |
Total Pages | : 272 |
Release | : 2005-10 |
Genre | : Music |
ISBN | : 9781571814371 |
Working across established disciplines & methodological divides, these essays investigate the ways in which texts, artists, & performers in all kinds of media have utilized sound materials in order to enforce or complicate dominant notions of German cultural & national identity.
Author | : Jan Stievermann |
Publisher | : Penn State Press |
Total Pages | : 294 |
Release | : 2015-06-26 |
Genre | : History |
ISBN | : 0271063009 |
Through innovative interdisciplinary methodologies and fresh avenues of inquiry, the nine essays collected in A Peculiar Mixture endeavor to transform how we understand the bewildering multiplicity and complexity that characterized the experience of German-speaking people in the middle colonies. They explore how the various cultural expressions of German speakers helped them bridge regional, religious, and denominational divides and eventually find a way to partake in America’s emerging national identity. Instead of thinking about early American culture and literature as evolving continuously as a singular entity, the contributions to this volume conceive of it as an ever-shifting and tangled “web of contact zones.” They present a society with a plurality of different native and colonial cultures interacting not only with one another but also with cultures and traditions from outside the colonies, in a “peculiar mixture” of Old World practices and New World influences. Aside from the editors, the contributors are Rosalind J. Beiler, Patrick M. Erben, Cynthia G. Falk, Marie Basile McDaniel, Philip Otterness, Liam Riordan, Matthias Schönhofer, and Marianne S. Wokeck.
Author | : James R. Hodkinson |
Publisher | : Camden House |
Total Pages | : 280 |
Release | : 2009 |
Genre | : Literary Criticism |
ISBN | : 1571134190 |
German-language writings about Islam not only reveal much about Islamic culture but also about the European "home" culture. Islam has been a rich topic in German-language literature since the middle ages, and the writings about it not only reveal much about Islamic culture but also about the European "home" culture. Many of the early essays in this chronologically arranged volume uncover fresh evidence of how German writers used images of Islam-as-other to define their individual subject positions as well as to define the German nation and the Christian religion. The perspectives of many contemporary writers are, however, far removed from such a polar opposition of cultures. Their experience of the German-Islamic encounter is complicated by a crucial factor: many of them emerge from Muslim migrant communities such as the German-Turkish community. The culturally hybrid origins of these writers and their expression of experiences and ideologies that cross boundaries of East and West, Christendom and Islam, strongly affect the findings of the essays as the volume moves toward the present. The texts discussed include travelogues and other firsthand encounters with Islam; reports for colonial authorities; aesthetic treatises on Islamic art; literary, essayistic, and theological writing on Islamic religious practice; the incorporation of characters, situations, and settings from the Islamic world into fiction or drama; and fictional and autobiographical writing by Muslims in German. Contributors: Cyril Edwards, Silke Falkner, James Hodkinson, Timothy R. Jackson, Margaret Littler, Rachel MagShamráin, Frauke Matthes, Yomb May, Jeffrey Morrison, Kate Roy, Monika Shafi, Edwin Wieringa, W. Daniel Wilson, Karin E. Yesilada. James Hodkinson is Assistant Professor of German at Warwick University; Jeffrey Morrison is Senior Lecturer at the National University of Ireland, Maynooth.
Author | : Christoph Lorey |
Publisher | : Camden House |
Total Pages | : 542 |
Release | : 1998 |
Genre | : History |
ISBN | : 9781571131782 |
This collection of essays exposes points of queerness, marginality, and alterity present in the German canon and introduces further deviation from traditional German literature and culture in the form of openly lesbian and gay works. It provides new queer analyses of texts by canonical authors such as Goethe, Schiller. Thomas and Klaus Mann, Ingeborg Bachmann, Christa Reinig, and Elfriede Jelinek, yet discusses works that have seldom received scholarly attention. It also breaks the traditional limitation of Germanistik to the study of literature by including essays on aspects of German culture such as music, film, fine art and art history, and politics and law.
Author | : Gregory Maertz |
Publisher | : Columbia University Press |
Total Pages | : 299 |
Release | : 2017-04-25 |
Genre | : Literary Criticism |
ISBN | : 3838269810 |
The construction of Johann Wolfgang von Goethe as an Anglo-American sage and literary icon was the product of a cult of personality that lay at the center of nineteenth-century cultural politics. A reconstruction of the culture wars fought over Goethe’s authority, a previously hidden chapter in the intellectual history of the period ranging from the late eighteenth century to the threshold of Modernism, is the focus of Literature and the Cult of Personality. Marginal as well as canonical writers and critics figured prominently in this process, and Literature and the Cult of Personality offers insight into the mediation activities of Mary Wollstonecraft, Henry Crabb Robinson, the canonical Romantic poets, Thomas Carlyle, Margaret Fuller, George Eliot, Matthew Arnold, and others. For women writers and Jacobins, Scots, and Americans, translating Goethe served as an empowering cultural platform that challenges the myth of the self-sufficiency of British literature. Reviewing and translating German authors provided a means of gaining literary enfranchisement and offered a paradigm of literary development according to which 're-writers' become original writers through an apprenticeship of translation and reviewing. In the diverse and fascinating body of critical writing examined in this book, textual exegesis plays an unexpectedly minor role; in its place, a full-blown cult of personality emerges along with a blueprint for the ideology of hero-worship that is more fully mapped out in the cultural and political life of twentieth-century Europe.