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| Author | : Ernest Fenollosa |
| Publisher | : Stone Bridge Press, Inc. |
| Total Pages | : 720 |
| Release | : 2009-02-01 |
| Genre | : Art |
| ISBN | : 0893469629 |
Two volumes of the essential and definitive survey of Chinese and Japanese art in one book.
| Author | : Ernest Francisco Fenollosa |
| Publisher | : |
| Total Pages | : 512 |
| Release | : 1921 |
| Genre | : Art |
| ISBN | : |
| Author | : Craig Clunas |
| Publisher | : Princeton University Press |
| Total Pages | : 304 |
| Release | : 2023-10-17 |
| Genre | : Art |
| ISBN | : 0691253021 |
A history of the reception of Chinese painting from the sixteenth century to the present What is Chinese painting? When did it begin? And what are the different associations of this term in China and the West? In Chinese Painting and Its Audiences, which is based on the A. W. Mellon Lectures in the Fine Arts given at the National Gallery of Art, leading art historian Craig Clunas draws from a wealth of artistic masterpieces and lesser-known pictures, some of them discussed here in English for the first time, to show how Chinese painting has been understood by a range of audiences over five centuries, from the Ming Dynasty to today. Chinese Painting and Its Audiences demonstrates that viewers in China and beyond have irrevocably shaped this great artistic tradition. Arguing that audiences within China were crucially important to the evolution of Chinese painting, Clunas considers how Chinese artists have imagined the reception of their own work. By examining paintings that depict people looking at paintings, he introduces readers to ideal types of viewers: the scholar, the gentleman, the merchant, the nation, and the people. In discussing the changing audiences for Chinese art, Clunas emphasizes that the diversity and quantity of images in Chinese culture make it impossible to generalize definitively about what constitutes Chinese painting. Exploring the complex relationships between works of art and those who look at them, Chinese Painting and Its Audiences sheds new light on how the concept of Chinese painting has been formed and reformed over hundreds of years. Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DC Please note: All images in this ebook are presented in black and white and have been reduced in size.
| Author | : David Carrier |
| Publisher | : Duke University Press |
| Total Pages | : 334 |
| Release | : 2006-05-31 |
| Genre | : Art |
| ISBN | : 9780822336945 |
DIVProminent art historian looks at the birth of the art museum and contemplates its future as a public institution./div
| Author | : Lara Jaishree Netting |
| Publisher | : Hong Kong University Press |
| Total Pages | : 313 |
| Release | : 2013-09-01 |
| Genre | : Art |
| ISBN | : 9888139185 |
After serving as a missionary and then foreign advisor to Qing officials from 1887 to 1911, John Ferguson became a leading dealer of Chinese art, providing the Metropolitan Museum of Art, the Cleveland Museum of Art, and other museums with their inaugural collections of paintings and bronzes. In multiple publications dating to the 1920s and 1930s, Ferguson made the controversial claim that China’s autochthonous culture was the basis of Chinese art. His two Chinese language reference works, still in use today, were produced with essential help from Chinese scholars. Emulating these “men of culture” with whom he lived and worked in Peking, Ferguson gathered paintings, bronzes, rubbings, and other artifacts. In 1934, he donated this group of over one thousand objects to Nanjing University, the school he had helped to found as a young missionary. This work offers a significant contribution to the history of Chinese art collection. John Ferguson learned from and worked with Qing dynasty collectors and scholars, and then Republican-era dealers and archeologists, while simultaneously supplying the objects he had come to know as Chinese art to American museums and individuals. He is an ideal subject to help us see the interconnections between increased Western interest in Chinese art and archeology in the modern era, and cultural change taking place in China.
| Author | : Dōshin Satō |
| Publisher | : Getty Publications |
| Total Pages | : 378 |
| Release | : 2011 |
| Genre | : Art |
| ISBN | : 1606060597 |
This is an insightful and intelligent re-thinking of Japanese art history & its Western influences. This broad-ranging and profoundly influential analysis describes how Western art institutions and vocabulary were transplanted to Japan in the late nineteenth century. In the 1870-80s, artists and government administrators in Japan encountered the Western 'system of the arts' for the first time. Under pressure to exhibit and sell its artistic products abroad, Japan's new Meiji government came face-to-face with the need to create European-style art schools and museums - and even to establish Japanese words for art, painting, artist, and sculpture. "Modern Japanese Art" is a full re-conceptualization of the field of Japanese art history, exposing the politics through which the words, categories, and values that structure our understanding of the field came to be while revealing the historicity of Western and non-Western art history.
