Entertainment Journalism
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Author | : Ben Falk |
Publisher | : |
Total Pages | : 0 |
Release | : 2018 |
Genre | : Amusements |
ISBN | : 9781138649378 |
Entertainment Journalism presents a comprehensive overview and clear practical guidance on the key elements of entertainment journalism: one of the most highly visible areas of global media practice.
Author | : Ben Falk |
Publisher | : Routledge |
Total Pages | : 286 |
Release | : 2018-03-09 |
Genre | : Social Science |
ISBN | : 1317233247 |
Entertainment Journalism is a practical guide to one of the most highly visible areas of media practice. Drawing on 20 years’ experience as an entertainment journalist, Ben Falk gives a comprehensive overview of journalistic reporting on the arts industries, with particular focus on film, music, TV and celebrity gossip. This is coupled with an extensive range of tips and tools to help students and young professionals hone the key skills required for a career in entertainment journalism. Interviews with industry professionals appear throughout, from current editors of the biggest entertainment brands, Hollywood bureau chiefs and critics to consumer publicists, multimedia content producers, live radio correspondents, video makers, TV presenters and social media specialists. Topics include: breaking a story interviewing techniques working at press junkets and red carpet events working with PRs selling as a freelance using social media for reporting and networking breaking into the industry. With up-to-the-minute expert advice, accessibly written guidance on writing and reporting and invaluable perspectives from those within the entertainment world, this is an instructive and insightful book for any aspiring showbiz journalist.
Author | : Lindsey A. Sherrill |
Publisher | : Rowman & Littlefield |
Total Pages | : 231 |
Release | : 2023-02-13 |
Genre | : Language Arts & Disciplines |
ISBN | : 1666906026 |
In this book, Lindsey A. Sherrill explores the exponential growth of true crime podcasting, including the role of the ubiquitous Serial podcast in the growth of the industry. Using both demographic population analysis and interviews with podcast hosts and producers, Sherill demonstrates that true crime podcasts exist as hybrid organizations, with diverse goals ranging from entertainment to criminal justice reform advocacy to journalistic inquiry. These competing motivations of podcast producers are explored, along with the ethical quandaries that emerge in the process of telling true crime stories. Sherrill traces true crime podcasting back to the infancy of the medium and examines the influences, innovations, and events that created the true crime podcast ecosystem, as well as its influence on real cases in the United States. Scholars of communication, sociology, and media studies will find this book of particular interest.
Author | : Anne Cooper-Chen |
Publisher | : Routledge |
Total Pages | : 280 |
Release | : 2006-04-21 |
Genre | : History |
ISBN | : 1135607834 |
Elevates global entertainment to an area of worthy media study that was previously reserved for global news and takes a worldwide approach, encompassing Nigeria, Egypt, Brazil, and India - in addition to the more high-profile, heavily researched areas of Europe and East Asia.
Author | : Nicholas David Bowman |
Publisher | : Walter de Gruyter GmbH & Co KG |
Total Pages | : 747 |
Release | : 2024-10-21 |
Genre | : Language Arts & Disciplines |
ISBN | : 3110792931 |
Although not considered a formal area of study, scholarship on the uses, content, and effects of entertaining media has been central to communication studies and related fields for more than a century. The serious study of entertainment seems paradoxical, as we presume entertainment to be the “lighter side” of our daily lives. Yet as revealed in this volume, entertainment media serve as cultural artifacts that shape our understandings of various peoples and publics in ways that invite deeper, immersive, and increasingly interactive engagement. On this backdrop, Entertainment Media and Communication serves as a reference guide for canonical and foundational research into media entertainment and a collection of emerging and updated theories and models core to the study of media entertainment in the 21st century. Across more than forty chapters and with a diverse and inclusive list of authors, this volume provides a broad-yet-nuanced view into entertainment media and communication scholarship. The contributors explore its foundations, define and extend key concepts and theories through myriad lenses, discuss unique considerations of digital media, and divine future paths for scholarly inquiry.
Author | : Allison Eden |
Publisher | : |
Total Pages | : 250 |
Release | : 2019-08-16 |
Genre | : Mass media |
ISBN | : 9781524962739 |
Author | : Anne Cooper-Chen |
Publisher | : Routledge |
Total Pages | : 280 |
Release | : 2006-04-21 |
Genre | : Language Arts & Disciplines |
ISBN | : 1135607826 |
Global Entertainment Media offers a unique perspective on entertainment media worldwide. As one of the first comprehensive books to address entertainment mass media worldwide, it addresses students as TV watchers and takes them to new places, both geographically and intellectually. Editor Anne Cooper-Chen has gathered an international group of scholars to explore such concepts as psychology, gratifications, and effects of media entertainment and its relation to national cultures, as well as to discuss the business of international TV trade by transnational media corporations. In this volume, experts discuss the content, audiences, and cultural and legal aspects of their respective countries, all of which are major TV markets. The country-specific chapters draw on the individual insights, expertise, and currency of 10 resident authors. Contributions represent every hemisphere of the globe, offering detailed examinations of media entertainment in United Kingdom, Germany, Egypt, Nigeria, South Africa, India, Japan, China, Brazil, and Mexico. The two concluding chapters provide cross-national case studies that look at familiar TV experiences--The Olympics and the "Who Wants to Be a Millionaire" show--in global and novel ways. Global Entertainment Media is intended for students in international media, comparative media, cross-cultural communication, and television studies, and it also has much to offer scholars and researchers in entertainment media.
Author | : Stuart Cunningham |
Publisher | : NYU Press |
Total Pages | : 364 |
Release | : 2019-02-26 |
Genre | : Business & Economics |
ISBN | : 1479846899 |
Winner, 2020 Outstanding Book Award, given by the International Communication Association Honorable Mention, 2020 Nancy Baym Book Award, given by the Association of Internet Researchers How the transformation of social media platforms and user-experience have redefined the entertainment industry In a little over a decade, competing social media platforms, including YouTube, Facebook, Twitter, Instagram, and Snapchat, have given rise to a new creative industry: social media entertainment. Operating at the intersection of the entertainment and interactivity, communication and content industries, social media entertainment creators have harnessed these platforms to generate new kinds of content separate from the century-long model of intellectual property control in the traditional entertainment industry. Social media entertainment has expanded rapidly and the traditional entertainment industry has been forced to cede significant power and influence to content creators, their fans, and subscribers. Digital platforms have created a natural market for embedded advertising, changing the worlds of marketing and communication in their wake. Combined, these factors have produced new, radically shifting demands on the entertainment industry, posing new challenges for screen regimes, media scholars, industry professionals, content creators, and audiences alike. Stuart Cunningham and David Craig chronicle the rise of social media entertainment and its impact on media consumption and production. A massive, industry-defining study with insight from over 100 industry insiders, Social Media Entertainment explores the latest transformations in the entertainment industry in this time of digital disruption.
Author | : Paolo Sigismondi |
Publisher | : Routledge |
Total Pages | : 475 |
Release | : 2019-07-25 |
Genre | : Social Science |
ISBN | : 1351603701 |
This new book offers an insightful guide into the complex tapestry of global entertainment media markets. It features analyses and case studies from leading international media scholars, who explore the causes and effects of globalization upon this ever-evolving industry. There are still opposing and restraining forces to globalization processes taking place in media, and the global mediascape comprises international, regional and local markets, and global and local players, which in recent years have evolved at an uneven pace. By analyzing similarities and differences in a landscape where driving forces of globalization meet locally situated audiences and institutions, this volume unveils a complex, contested space comprising global and local players, whose success is determined by both their national and international dimensions. It guides its readers to the geographical and intellectual exploration of the international media landscape, analyzing the global and local media players and their modus operandi. Editor Paolo Sigismondi’s insightful, engaging collection presents a compelling and novel approach to the analysis of global entertainment media. World Entertainment Media: Global, Regional and Local Perspectives is an ideal starting point for students and practitioners alike looking to build a solid understanding of the global mediascape, and a great resource for instructors and scholars in global media entertainment.
Author | : Robert Lance Holbert |
Publisher | : Routledge |
Total Pages | : 159 |
Release | : 2016-03-17 |
Genre | : Social Science |
ISBN | : 131757656X |
The prominence of politically-themed entertainment is evident across the global media landscape. Given its popularity, it is important to gain a firm understanding of the mechanisms through which this diverse and multi-faceted content can generate democratic outcomes. In addition, it is essential to isolate and predict properly the strength of a given effect and the conditions under which a specific outcome will become evident. The works contained in this edited volume explore affect- and cognition-driven processes of influence, recognizing that humans are both emotional and rational beings. In addition, empirical evidence is offered to isolate and compare specific types of political entertainment media content (e.g., different types of satire) and citizens’ proclivities for this content (e.g., a person’s Affinity for Political Humor), in order to best understand the complex means by which entertainment media can generate political influence. Attention is also paid to expanding what can and should be defined as "political entertainment" media, which includes opinion-based political talk programming. The collection and its authors represent a global perspective to reflect the rise of political entertainment media as a global phenomenon. This book was originally published as a special issue of Mass Communication and Society.