English Romantic Partsongs

English Romantic Partsongs
Author: Paul Hillier
Publisher:
Total Pages: 168
Release: 1986
Genre: Music
ISBN:

30 nineteenth-century partsongs for SATB including classics of the genre and lesser-known gems. The book includes a full introduction and critical notes by the editor.

Madrigals and Partsongs

Madrigals and Partsongs
Author: Clifford Bartlett
Publisher:
Total Pages: 392
Release: 2001
Genre: Music
ISBN:

This collection gathers together nearly sixty of the finest examples of the secular choral repertoire into one volume. Due space is given to the magnificent sixteenth century madrigals of England and Italy, with favorite works by Gibbons and Morley placed alongside less familiar selections by Lassus, Marenzio, and Weelkes. German and French pieces are also represented, for example, with Passereau's ever-popular Il est bel est bon. Works by Haydn and Schubert lead to the nineteenth century repertoire, which includes Brahms's lovely Nachtwache, from Five Songs, Op. 104, and Pearsall's exquisite Lay a Garland. The survey is completed by Debussy's Trois Chansons de Charles D'Orleans and examples of the glorious outpouring of English Romantic partsongs, with works by Elgar, Parry, Stanford, Britten, Finzi, and Vaughan Williams. Ranging from the late fifteenth to the twentieth century, and spanning all major European countries, this is a masterly survey suitable for all choirs. Clifford Bartlett has prepared completely new editions of all pre-twentieth century pieces, going back to the earliest and most reliable manuscript or printed sources. English translations are provided to aid understanding, with playable keyboard reductions in every case.

Nineteenth-century Choral Music

Nineteenth-century Choral Music
Author: Donna Marie Di Grazia
Publisher: Routledge
Total Pages: 543
Release: 2013
Genre: Music
ISBN: 0415988527

Nineteenth-Century Choral Music is a collection of essays studying choral music making as a cultural phenomenon, one that had an impact on multiple parts of society. Rather than merely offering a collection of raw descriptions of works, the contributors focus their discussions on what these pieces reveal about their composers as craftsmen/women. Major works as well as other equally rich parts of the repertoire are discussed, including smaller choral works and contributions by composers such as Fanny Mendelssohn, Amy Beach, Charles Stanford,

Sourcebook for Research in Music

Sourcebook for Research in Music
Author: Phillip Crabtree
Publisher: Indiana University Press
Total Pages: 258
Release: 1993
Genre: Bibliographical literature
ISBN: 9780253213235

This bibliography of bibliographies lists and describes sources, from basic references to highly specialized materials. Valuable as a classroom text and as a research tool for scholars, librarians, performers, and teachers.

Sourcebook for Research in Music, Third Edition

Sourcebook for Research in Music, Third Edition
Author: Allen Scott
Publisher: Indiana University Press
Total Pages: 518
Release: 2015-06-01
Genre: Music
ISBN: 0253014565

Since it was first published in 1993, the Sourcebook for Research in Music has become an invaluable resource in musical scholarship. The balance between depth of content and brevity of format makes it ideal for use as a textbook for students, a reference work for faculty and professional musicians, and as an aid for librarians. The introductory chapter includes a comprehensive list of bibliographical terms with definitions; bibliographic terms in German, French, and Italian; and the plan of the Library of Congress and the Dewey Decimal music classification systems. Integrating helpful commentary to instruct the reader on the scope and usefulness of specific items, this updated and expanded edition accounts for the rapid growth in new editions of standard works, in fields such as ethnomusicology, performance practice, women in music, popular music, education, business, and music technology. These enhancements to its already extensive bibliographies ensures that the Sourcebook will continue to be an indispensable reference for years to come.

The Music of Hamish Maccunn

The Music of Hamish Maccunn
Author: Alasdair Jamieson
Publisher: AuthorHouse
Total Pages: 479
Release: 2013
Genre: Biography & Autobiography
ISBN: 1477235043

For many people, Hamish MacCunn's name is forever associated with one work The Land of the Mountain and the Flood. Yet, in his short life (1868 – 1916) he wrote other equally fi ne orchestral works, cantatas, two grand operas and over 100 songs. This book is the fi rst detailed examination of his output, providing a contextual basis for, and a stylistic analysis of his major works. In this way it seeks to establish informed criteria by which a truer assessment of MacCunn's signifi cance may be made, challenging the sovereignty of The Land of the Mountain and the Flood in the public's reckoning, and hence revealing it to be not an isolated peak but one summit among many.

All Music Guide to Classical Music

All Music Guide to Classical Music
Author: Chris Woodstra
Publisher: Hal Leonard Corporation
Total Pages: 1620
Release: 2005
Genre: Music
ISBN: 9780879308650

Offering comprehensive coverage of classical music, this guide surveys more than eleven thousand albums and presents biographies of five hundred composers and eight hundred performers, as well as twenty-three essays on forms, eras, and genres of classical music. Original.

The Cambridge Companion to Choral Music

The Cambridge Companion to Choral Music
Author: André de Quadros
Publisher: Cambridge University Press
Total Pages: 356
Release: 2012-08-16
Genre: Music
ISBN: 1107493390

Choral music is now undoubtedly the foremost genre of participatory music making, with more people singing in choirs than ever before. Written by a team of leading international practitioners and scholars, this Companion addresses the history of choral music, its emergence and growth worldwide and its professional practice. The volume sets out a historical survey of the genre and follows with a kaleidoscopic bird's eye view of choral music from all over the world. Chapters vividly portray the emergence and growth of choral music from its Quranic antecedents in West and Central Asia to the baroque churches of Latin America, representing its global diversity. Uniquely, the book includes a pedagogical section where several leading choral musicians write about the voice and the inner workings of a choir and give their professional insights into choral practice. This Companion will appeal to choral scholars, directors and performers alike.