Hyperimprovisation

Hyperimprovisation
Author: Roger Dean
Publisher: A-R Editions, Inc.
Total Pages: 233
Release: 2003-01-01
Genre: Music
ISBN: 0895795086

Hyperimprovisation is the first book to focus on the unique potential of computer-interactive sound improvisation. Instrumental improvisation, through the intermediacy of computers, allows musicians to create and modify large scale and long term structures at a highly polyphonic level, yet still in real-time. Computers also allow the construction of hyperinstruments, with many levels of explicit control of sound generation and transformation. Further, networked improvisation allows mutual—or competitive!— adaptation of the performing interfaces and mechanisms by several performers, again, in real-time. The achievements and future possibilities of the “hyperimprovisation” which is released by computer technology are explored in this book.

Psyche

Psyche
Author: Louis Couperus
Publisher:
Total Pages: 260
Release: 1908
Genre:
ISBN:

Eastward

Eastward
Author: Norman Macleod
Publisher:
Total Pages: 512
Release: 1878
Genre: Judea and Samaria
ISBN:

The Oxford Handbook of Algorithmic Music

The Oxford Handbook of Algorithmic Music
Author: R. T. Dean
Publisher: Oxford University Press
Total Pages: 713
Release: 2018
Genre: Juvenile Nonfiction
ISBN: 0190226994

Featuring chapters by emerging and established scholars as well as by leading practitioners in the field, this Handbook both describes the state of algorithmic composition and also set the agenda for critical research on and analysis of algorithmic music.

The Routledge Companion to Dance Studies

The Routledge Companion to Dance Studies
Author: Helen Thomas
Publisher: Routledge
Total Pages: 741
Release: 2019-10-30
Genre: Performing Arts
ISBN: 1315306530

The Routledge Companion to Dance Studies maps out the key features of dance studies as the field stands today, while pointing to potential future developments. It locates these features both historically—within dance in particular social and cultural contexts—and in relation to other academic influences that have impinged on dance studies as a discipline. The editors use a thematically based approach that emphasizes that dance scholarship does not stand alone as a single entity, but is inevitably linked to other related fields, debates, and concerns. Authors from across continents have contributed chapters based on theoretical, methodological, ethnographic, and practice-based case studies, bringing together a wealth of expertise and insight to offer a study that is in-depth and wide-ranging. Ideal for scholars and upper-level students of dance and performance studies, The Routledge Companion to Dance Studies challenges the reader to expand their knowledge of this vibrant, exciting interdisciplinary field.