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| Author | : Carolyn Thomas de la Peña |
| Publisher | : Univ of North Carolina Press |
| Total Pages | : 293 |
| Release | : 2010 |
| Genre | : Business & Economics |
| ISBN | : 0807834092 |
"Empty Pleasures, a rich and rewarding read, makes the tools of cultural analysis available to a wide range of readers. De la Pena's argument, that artificial sweeteners provide consumers with a way to exercise `indulgent restraint,' will surely re-energi
| Author | : Carolyn de la Peña |
| Publisher | : Univ of North Carolina Press |
| Total Pages | : 292 |
| Release | : 2010-09-27 |
| Genre | : Business & Economics |
| ISBN | : 0807879673 |
Sugar substitutes have been a part of American life since saccharin was introduced at the 1893 World's Fair. In Empty Pleasures, the first history of artificial sweeteners in the United States, Carolyn de la Pena blends popular culture with business and women's history, examining the invention, production, marketing, regulation, and consumption of sugar substitutes such as saccharin, Sucaryl, NutraSweet, and Splenda. She describes how saccharin, an accidental laboratory by-product, was transformed from a perceived adulterant into a healthy ingredient. As food producers and pharmaceutical companies worked together to create diet products, savvy women's magazine writers and editors promoted artificially sweetened foods as ideal, modern weight-loss aids, and early diet-plan entrepreneurs built menus and fortunes around pleasurable dieting made possible by artificial sweeteners. NutraSweet, Splenda, and their predecessors have enjoyed enormous success by promising that Americans, especially women, can "have their cake and eat it too," but Empty Pleasures argues that these "sweet cheats" have fostered troubling and unsustainable eating habits and that the promises of artificial sweeteners are ultimately too good to be true.
| Author | : Paul David Tripp |
| Publisher | : Crossway Books |
| Total Pages | : 0 |
| Release | : 2013 |
| Genre | : Money |
| ISBN | : 9781433536496 |
Sex and money can easily captivate our minds and steal our worship. Paul Tripp directs readers to the liberating power of the gospel and offers real-world advice for fighting sexual and financial idolatry.
| Author | : Clare Chambers |
| Publisher | : HarperCollins |
| Total Pages | : 403 |
| Release | : 2021-10-12 |
| Genre | : Fiction |
| ISBN | : 0063091003 |
In the best tradition of Tessa Hadley, Kazuo Ishiguro, and Ann Patchett—an astonishing, keenly observed period piece about an ordinary British woman in the 1950s whose dutiful life takes a sudden turn into a pitched battle between propriety and unexpected passion. "With wit and dry humor...quietly affecting in unexpected ways. Chambers' language is beautiful, achieving what only the most skilled writers can: big pleasure wrought from small details."--The New York Times LONGLISTED FOR THE WOMEN'S PRIZE FOR FICTION 1957: Jean Swinney is a feature writer on a local paper in the southeast suburbs of London. Clever but with limited career opportunities and on the brink of forty, Jean lives a dreary existence that includes caring for her demanding widowed mother, who rarely leaves the house. It’s a small life with little joy and no likelihood of escape. That all changes when a young woman, Gretchen Tilbury, contacts the paper to claim that her daughter is the result of a virgin birth. Jean seizes onto the bizarre story and sets out to discover whether Gretchen is a miracle or a fraud. But the more Jean investigates, the more her life becomes strangely (and not unpleasantly) intertwined with that of the Tilburys, including Gretchen’s gentle and thoughtful husband Howard, who mostly believes his wife, and their quirky and charming daughter Margaret, who becomes a sort of surrogate child for Jean. Gretchen, too, becomes a much-needed friend in an otherwise empty social life. Jean cannot bring herself to discard what seems like her one chance at happiness, even as the story that she is researching starts to send dark ripples across all their lives…with unimaginable consequences. Both a mystery and a love story, Small Pleasures is a literary tour-de-force in the style of The Remains of the Day, about conflict between personal fulfillment and duty; a novel that celebrates the beauty and potential for joy in all things plain and unfashionable.
| Author | : David Sterritt |
| Publisher | : Univ. Press of Mississippi |
| Total Pages | : 324 |
| Release | : 2005 |
| Genre | : Motion pictures |
| ISBN | : 9781617034053 |
| Author | : Peter Kivy |
| Publisher | : OUP Oxford |
| Total Pages | : 288 |
| Release | : 2011-03-03 |
| Genre | : Philosophy |
| ISBN | : 0191615757 |
Antithetical Arts constitutes a defence of musical formalism against those who would put literary interpretations on the absolute music canon. In Part I, the historical origins of both the literary interpretation of absolute music and musical formalism are laid out. In Part II, specific attempts to put literary interpretations on various works of the absolute music canon are examined and criticized. Finally, in Part III, the question is raised as to what the human significance of absolute music is, if it does not lie in its representational or narrative content. The answer is that, as yet, philosophy has no answer, and that the question should be considered an important one for philosophers of art to consider, and to try to answer without appeal to representational or narrative content.
| Author | : Bruce Wagner |
| Publisher | : Penguin |
| Total Pages | : 259 |
| Release | : 2013-12-17 |
| Genre | : Fiction |
| ISBN | : 1101630744 |
Composed of two companion novellas, The Empty Chair is a profound, heart-wrenching piece of spiritual storytelling from Bruce Wagner, the internationally acclaimed author of such novels as Dead Stars, I’m Losing You and Force Majeure. In First Guru, a fictional Wagner narrates the tale of a Buddhist living in Big Sur, who achieves enlightenment in the horrific aftermath of his child’s suicide. In Second Guru, Queenie, an aging wild child, returns to India to complete the spiritual journey of her youth. Told in ravaged, sensuous detail to the author-narrator by two strangers on opposite sides of the country, years apart from each other, both stories illuminate the random, chaotic nature of human suffering and the miraculous strength of the human spirit. A deeply affecting and meditative reading experience, The Empty Chair is an exquisitely rendered, thought-provoking, and humbling new work.
| Author | : Phillip Mitsis |
| Publisher | : Oxford University Press |
| Total Pages | : 848 |
| Release | : 2020-07-16 |
| Genre | : Philosophy |
| ISBN | : 0197522009 |
The ancient Greek philosopher Epicurus (341-270 BCE), though often despised for his materialism, hedonism, and denial of the immortality of the soul during many periods of history, has at the same time been a source of inspiration to figures as diverse as Vergil, Hobbes, Thomas Jefferson, and Bentham. This volume offers authoritative discussions of all aspects of Epicurus's philosophy and then traces out some of its most important subsequent influences throughout the Western intellectual tradition. Such a detailed and comprehensive study of Epicureanism is especially timely given the tremendous current revival of interest in Epicurus and his rivals, the Stoics. The thirty-one contributions in this volume offer an unmatched resource for all those wishing to deepen their knowledge of Epicurus' powerful arguments about happiness, death, and the nature of the material world and our place in it. At the same time, his arguments are carefully placed in the context of ancient and subsequent disputes, thus offering readers the opportunity of measuring Epicurean arguments against a wide range of opponents--from Platonists, Aristotelians and Stoics, to Hegel and Nietzsche, and finally on to such important contemporary philosophers as Thomas Nagel and Bernard Williams. The volume offers separate and detailed discussions of two fascinating and ongoing sources of Epicurean arguments, the Herculaneum papyri and the inscription of Diogenes of Oenoanda. Our understanding of Epicureanism is continually being enriched by these new sources of evidence and the contributors to this volume have been able to make use of them in presenting the most current understanding of Epicurus's own views. By the same token, the second half of the volume is devoted to the extraordinary influence of Epicurean doctrines, often either neglected or misunderstood, in literature, political thinking, scientific innovation, personal conceptions of freedom and happiness, and in philosophy generally. Taken together, the contributions in this volume offer the most comprehensive and detailed account of Epicurus and Epicureanism available in English.
| Author | : Frank Kozik |
| Publisher | : Last Gasp |
| Total Pages | : 124 |
| Release | : 2002 |
| Genre | : Art |
| ISBN | : 9780867195156 |
Frank Kozic is one of the leading rock artists of his generation. His work has graced hundreds of posters, flyers and album covers, and his originals are held by some of the foremost collectors of contemporary rock art. His posters are colourfully ironic admixtures of pop permutations.
| Author | : Timothy Aubry |
| Publisher | : Harvard University Press |
| Total Pages | : 143 |
| Release | : 2018-09-03 |
| Genre | : Literary Criticism |
| ISBN | : 0674988965 |
In the wake of radical social movements in the 1960s and 1970s, literary studies’ embrace of politics entailed a widespread rejection of aesthetic considerations. For scholars invested in literature’s role in supporting or challenging dominant ideologies, appreciating literature’s formal beauty seemed frivolous and irresponsible, even complicit with the iniquities of the social order. This suspicion of aesthetics became the default posture within literary scholarship, a means of establishing the rigor of one’s thought and the purity of one’s political commitments. Yet as Timothy Aubry explains, aesthetic pleasure never fully disappeared from the academy. It simply went underground. From New Criticism to the digital humanities, Aubry recasts aesthetics as the complicated, morally ambiguous, embattled yet resilient protagonist in late twentieth-century and early twenty-first–century literary studies. He argues that academic critics never stopped asserting preferences for certain texts, rhetorical strategies, or intellectual responses. Rather than serving as the enemy of formalism and aesthetics, political criticism enabled scholars to promote heightened experiences of perceptual acuity and complexity while adjudicating which formal strategies are best designed to bolster these experiences. Political criticism, in other words, did not eradicate but served covertly to nurture reading practices aimed at achieving aesthetic satisfaction. Guilty Aesthetic Pleasures shows that literary studies’ break with midcentury formalism was not as clean as it once appeared. Today, when so many scholars are advocating renewed attention to textual surfaces and aesthetic experiences, Aubry’s work illuminates the surprisingly vast common ground between the formalists and the schools of criticism that succeeded them.
