Emotions In Muslim Hausa Womens Fiction
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| Author | : Umma Aliyu Musa |
| Publisher | : Routledge |
| Total Pages | : 296 |
| Release | : 2019-03-07 |
| Genre | : Literary Criticism |
| ISBN | : 0429665202 |
This book examines the emotions expressed in Hausa women’s prose fiction in northern Nigeria, showing how Hausa Muslim women writers use fiction in their indigenous language to demonstrate and express their anger about the problems they face in a patriarchal society. Umma Aliyu Musa shows how Hausa women authors use literature as a subversive instrument to voice their anger and draw attention to their plight, and what they perceive to be unfair traditional authority in a male-dominated society. Their stories about women protagonists who rebel against existing traditional structures enable women readers to understand the anger experienced by other women who have gone through similar situations. Issues at the heart of these women's narratives include forced marriage, polygyny, family honor and the effects of love. The authors' use of metaphorical expressions of anger, particularly those registered through body parts, provides insight into Hausa women's thoughts, culture and socialization within their private spheres. Thus, writing by these women in the Hausa language creates an effective communication network that offers insight into domestic ecology as it affects women. Emotions in Muslim Hausa Women's Fiction will be of interest to scholars and students of African literature, postcolonial literature, gender studies in African society, womanism, emotions and indigenous African fiction studies.
| Author | : Hussein Rashid |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 417 |
| Release | : 2023-09-21 |
| Genre | : Religion |
| ISBN | : 1350145408 |
The Bloomsbury Handbook of Muslims and Popular Culture illustrates how Muslims participate in a broad spectrum of activities. Moving beyond a framework that emphasizes ritual, legal, historical, or theological issues, this book speaks to how Muslims live in the world, in relation to their religion and the realities of the world around them. The international team of contributors provide in-depth analysis that chronicles Islamic cultural products in regional and transnational contexts, explores dominant and emerging theories about popularization, and offers provocations in the field of religion and popular culture. The handbook is structured in six parts: spaces; appetites; performances; readings; visions; and communities. The book explores a variety of Muslim societies and communities within the last 100 years, ranging from the Islamic presence in Latin American architecture to Muslim Anglophone hip-hop, and Muslims in modern Indian theatre.
| Author | : Ousseina D. Alidou |
| Publisher | : University of Michigan Press |
| Total Pages | : 287 |
| Release | : 2024-04-23 |
| Genre | : Social Science |
| ISBN | : 0472221655 |
Protest Arts, Gender, and Social Change: Fiction, Popular Songs, and the Media in Hausa Society across Borders by Ousseina Alidou examines how a new generation of novelists, popular songwriters, and musical performers in contemporary Hausa society are using their creative works to effect social change. This book empathizes with the reality of the forms of oppression, social isolation, and marginalization that vulnerable and underprivileged communities in contemporary Hausa society in Northern Nigeria and the Niger Republic have been experiencing from the mid-1980s to the present. It also highlights the ways in which song performances produce an intertextual dialogue between their lyrics and visual dramatic narratives to raise awareness against social ills, including gender-based violence and social inequalities exposed by biomedical health pandemics such as HIV and COVID-19. In these creative Hausa narratives, the oppressed and marginalized have agency in articulating their own experiences. While there is an abundance of social science studies giving voice to the dominant actors of hegemonic violence in Hausa society, there is a dearth of works that center the voices of the afflicted, unprivileged, and marginalized class, among whom are women and youth. One aim of this book is to examine the ways popular songs and fiction fill up the humanistic urgency to capture the dignity of the life of those dehumanized by local, national, and international hegemonic religious and secular forces. The book focuses on the resistance narratives of one female novelist and six song composers and performers that generate alternative counterhegemonic responses to dominant patriarchal discourses produced by cultural, religious, and political elites, thus reaching out to marginalized local and national communities and global audiences. Alidou interweaves the social, political, and biomedical epidemics with the concept of “Hausa interiority” to create a unique perspective on contemporary Hausa culture and politics through the lens of artistic productions.
| Author | : Katja Föllmer |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 504 |
| Release | : 2024-07 |
| Genre | : History |
| ISBN | : 3111341658 |
The contributions of this volume discuss the broad field of transformation processes in Muslim societies from different perspectives with various disciplinary approaches. Apart from methodological questions the authors investigate religious and social developments in Africa and the Near and Middle East while focusing e.g. on the production of meaning, negotiation of religious values and spaces, gendered agency, and debates of identity.
| Author | : Pepetual Mforbe Chiangong |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 166 |
| Release | : 2021-06-15 |
| Genre | : Literary Criticism |
| ISBN | : 1527571157 |
Through a wide range of indigenous, postcolonial, gender and racial lenses, African writers have provided perspectives on various aspects of old age in the context of African literatures and cultures. This book illustrates how African literary and linguistic representations, ranging from short stories, novels and film to drama and theatre, give expression to ideas about old age. The perspectives offered here provide essential knowledge in understanding the uses of dichotomous age-related categories, such as old-young, elderly male-elderly female, and foreign-indigenous, which generally result in prejudice. Using ageism as its central theme, the contributions draw attention to the ambiguity associated with elderly people in African society who are often highly venerated for their wisdom, but also stereotyped because of their advanced age. However, as the book demonstrates, old age is also deeply valorised in some traditional African contexts, where older adults are regarded as indispensable members of society. It will be of particular interest to scholars, researchers, and students of African studies, applied theatre studies, gerontology, postcolonialism, sociolinguistics, sociology and anthropology.
| Author | : Ode Ogede |
| Publisher | : Taylor & Francis |
| Total Pages | : 231 |
| Release | : 2023-03-10 |
| Genre | : Literary Criticism |
| ISBN | : 1000852148 |
This book considers the evolution and characteristics of Nigeria’s third-generation literature, which emerged between the late 1980s and the early 1990s and is marked by expressive modes and concerns distinctly different from those of the preceding era. The creative writing of this period reflects new sensibilities and anxieties about Nigeria’s changing fortunes in the post-colonial era. The literature of the third generation is startling in its candidness, irreverence as well as the brutal self-disclosure of its characters, and it is governed by an unusually wide-ranging sweep in narrative techniques. This book examines six key texts of the oeuvre: Maria Ajima’s The Web, Okey Ndibe’s Foreign Gods, Inc., Teju Cole’s Open City, Chika Unigwe’s On Black Sisters Street, Lola Shoneyin’s The Secret Lives of Baba Segi’s Wives, and Chimamanda Ngozi Adichie’s The Thing Around Your Neck. The texts interpret contemporary corruption and other unspeakable social malaise; together, they point to the exciting future of Nigerian literature, which has always been defined by its daring creativity and inventive expressive modes. Even conventional storytelling strategies receive revitalizing energies in these angst-driven narratives. This book will be of interest to students and researchers of contemporary African literature, Sociology, Gender and women’s studies, and post-colonial cultural expression more broadly.
| Author | : Abdul-Rasheed Na'Allah |
| Publisher | : Routledge |
| Total Pages | : 143 |
| Release | : 2019-06-28 |
| Genre | : Art |
| ISBN | : 1000227987 |
This book traces Dàdàkúàdá’s history and artistic vision and discusses its vibrancy as the most popular traditional Yoruba oral art form in Islamic Africa. Foregrounding the role of Dàdàkúàdá in Ilorin, and of Ilorin in Dàdàkúàdá the book covers the history, cultural identity, performance techniques, language, social life and relationship with Islam of the oral genre. The author examines Dàdàkúàdá’s relationship with Islam and discusses how the Dàdàkúàdá singers, through their songs and performances, are able to accommodate Islam in ways that have ensured their continued survival as a traditional African genre in a predominantly Muslim community. This book will be of interest to scholars of traditional African culture, African art history, performance studies and Islam in Africa.
| Author | : Joshua Agbo |
| Publisher | : Routledge |
| Total Pages | : 232 |
| Release | : 2021-06-17 |
| Genre | : Fiction |
| ISBN | : 1000398633 |
This book investigates themes of exile and oppression in Southern Africa across Bessie Head’s novels and short fiction. An exile herself, arriving in Botswana as a South African refugee, Bessie Head’s fiction serves as an important example of African exile literature. This book argues that Head’s characters are driven to exile as a result of their socio- political ambivalence while still in South Africa, and that this sense of discomfort follows them to their new lives. Investigating themes of trauma and identity politics across colonial and post- colonial contexts, this book also addresses the important theme of black- on- black prejudice and hostility which is often overlooked in studies of Head’s work. Covering Head’s shorter fiction as well as her major novels When Rain Clouds Gather (1969), Maru (1971), A Question of Power (1973), Serowe: Village of the Rain Wind (1981), and A Bewitched Crossroads: An African Saga (1984), this book will be of interest to researchers of African literature and postcolonial history.
| Author | : Bosede Funke Afolayan |
| Publisher | : Routledge |
| Total Pages | : 286 |
| Release | : 2021-03-17 |
| Genre | : Drama |
| ISBN | : 1000361799 |
This book showcases the important, but often understudied, work of Nigerian women playwrights. As in many spheres of life in Nigeria, in literature and other creative arts the voices of men dominate, and the work of women has often been sidelined. However, Nigerian women playwrights have made important contributions to the development of drama in Nigeria, not just by presenting female identities and inequalities but by vigorously intervening in wider social and political issues. This book draws on perspectives from culture, language, politics, theory, orality and literature, to shine a light on the engaged creativity of women playwrights. From the trail blazing but more traditional contributions of Zulu Sofola, through to contemporary postcolonial work by Tess Osonye Onwueme, Julie Okoh, and Sefi Atta, to name just a few, the book shows the rich variety of work being produced by female Nigerian dramatists. This, the first major collection devoted to Nigerian women playwrights, will be an important resource for scholars of African theatre and performance, literature and women’s studies.
| Author | : Christopher Changwe Nshimbi |
| Publisher | : Routledge |
| Total Pages | : 150 |
| Release | : 2020-11-19 |
| Genre | : Social Science |
| ISBN | : 1000203271 |
This book examines the enduring significance of borders in Southern Africa, covering encounters between people, ideas and matter, and the new spatialities and transformations they generate in their historical, social, economic and cultural contexts. Situated within debates on borders, borderlands, sub- and regional integration, this volume examines local, grassroots and non-state actors and their cross-border economic and sociocultural encounters and contestations. Particular attention is also paid on the role they play in the Southern African Development Community (SADC) region and its integration project in its multiplicity. The interdisciplinary chapters address the diverse human activities relating to cross-border economic and sociocultural encounters and contestations that are manifested through multiform and -scalar interactions between or among grassroots actors, involving engagements between grassroots actors and the state or its agencies, and/or to the broader arrangements that bear consequences of the first two upon regional integration. By bringing these different, at times contrasting, forms of interaction under a holistic analysis, this volume devises novel ways to understand the persistence and role of borders and their relation to new transnational and transcultural integrative phenomena at various levels, extending from the (nation-)state and the political to the cultural and social at the everyday level of border practices. Scholars and students of African studies, geography, economics, politics, sociology and border studies will find this book useful.
