Emily Jane Bronte and Her Music
Author | : John Hennessy |
Publisher | : |
Total Pages | : 504 |
Release | : 2018-04 |
Genre | : |
ISBN | : 9781999683610 |
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Author | : John Hennessy |
Publisher | : |
Total Pages | : 504 |
Release | : 2018-04 |
Genre | : |
ISBN | : 9781999683610 |
Author | : Emily Jane Brontë |
Publisher | : Columbia University Press |
Total Pages | : 302 |
Release | : 1996-01-04 |
Genre | : Literary Criticism |
ISBN | : 9780231515016 |
In 1846 a small book entitled Poems by Currer, Ellis and Acton Bellappeared on the British Literary scene. The three psuedonymous poets, the Brontë sisters went on to unprecedented success with such novels as Wuthering Heights, Agnes Grey, and Jane Eyre, all published in the following year. As children, these English sisters had begun writing poems and stories abotu an imaginary country named Gondal, yet they never sought to publish any of their work until Charlotte's discovery of Emily's more mature poems in the autumn of 1845. Charlotte later recalled: "I accidentally lighted on a MS. volume of verse in my sister Emily's handwriting....I looked it over, amd something more than surprise seized me -- a deep conviction that these were not common effusions, nor at all like the poetry women generally write. I thought them condensed and terse, vigorous and genuine. To my ear they had also a peculiar music -- wild, melancholy, and elevating." The renowned Hatfield edition of The Complete Poems of Emily Jane Brontë includes the poetry that captivated Charlotte Brontë a century and a half ago, a body of work that continues to resonate today. This incomparable volume includes Emily's verse from Poems by Currer, Ellis and Acton Bell as well as 200 works collected from various manuscript sources after her death in 1848. Some were deited and preserved by Charlotte and Arthur Bell Nichols; still others were discovered years later by Brontë scholars. Originally released in 1923, Hatfield's collection was the result of a remarkable attempt over twenty years to isolate Emily's poems from her sisters' and to achieve chronological order. Accompanied by an interpretive preface on "The Gondal Story" by Miss Fannie E. Ratchford, author of The Brontë's Web of Childhood, the edition is the definitive collection of Emily Brontë's poetical works.
Author | : Robert K. Wallace |
Publisher | : University of Georgia Press |
Total Pages | : 250 |
Release | : 2008-08-01 |
Genre | : Literary Criticism |
ISBN | : 082033295X |
When Emily Brontë was studying music in Brussels in 1842, she was drawn into the city's appreciation of Beethoven. After her exposure to the works of the great composer, Brontë's creativity flourished and she went on to compose what was to be her only novel--Wuthering Heights. In Emily Brontë and Beethoven, Robert K. Wallace continues to work from the perspective he developed in his Jane Austen and Mozart--integrating two fields that have traditionally been kept apart. Wallace compares Brontë and Beethoven through a close examination of the Romantic traits that their works share. Innovative and stimulating, Wallace's study extends literary criticism into a new context where equilibrium, balance, proportion and symmetry serve as a fulcrum to launch the reader into a new understanding of the formal parallels, the moods and emotions that connect music and literature.
Author | : Emily Bronte |
Publisher | : Library of Alexandria |
Total Pages | : 469 |
Release | : 2020-09-28 |
Genre | : Fiction |
ISBN | : 1613103379 |
Wuthering Heights is the name of Mr. HeathcliffÕs dwelling. ÔWutheringÕ being a significant provincial adjective, descriptive of the atmospheric tumult to which its station is exposed in stormy weather. Pure, bracing ventilation they must have up there at all times, indeed: one may guess the power of the north wind blowing over the edge, by the excessive slant of a few stunted firs at the end of the house; and by a range of gaunt thorns all stretching their limbs one way, as if craving alms of the sun. Happily, the architect had foresight to build it strong: the narrow windows are deeply set in the wall, and the corners defended with large jutting stones. Before passing the threshold, I paused to admire a quantity of grotesque carving lavished over the front, and especially about the principal door; above which, among a wilderness of crumbling griffins and shameless little boys, I detected the date Ô1500,Õ and the name ÔHareton Earnshaw.Õ I would have made a few comments, and requested a short history of the place from the surly owner; but his attitude at the door appeared to demand my speedy entrance, or complete departure, and I had no desire to aggravate his impatience previous to inspecting the penetralium. One stop brought us into the family sitting-room, without any introductory lobby or passage: they call it here Ôthe houseÕ pre-eminently. It includes kitchen and parlour, generally; but I believe at Wuthering Heights the kitchen is forced to retreat altogether into another quarter: at least I distinguished a chatter of tongues, and a clatter of culinary utensils, deep within; and I observed no signs of roasting, boiling, or baking, about the huge fireplace; nor any glitter of copper saucepans and tin cullenders on the walls. One end, indeed, reflected splendidly both light and heat from ranks of immense pewter dishes, interspersed with silver jugs and tankards, towering row after row, on a vast oak dresser, to the very roof. The latter had never been under-drawn: its entire anatomy lay bare to an inquiring eye, except where a frame of wood laden with oatcakes and clusters of legs of beef, mutton, and ham, concealed it. Above the chimney were sundry villainous old guns, and a couple of horse-pistols: and, by way of ornament, three gaudily-painted canisters disposed along its ledge. The floor was of smooth, white stone; the chairs, high-backed, primitive structures, painted green: one or two heavy black ones lurking in the shade. In an arch under the dresser reposed a huge, liver-coloured bitch pointer, surrounded by a swarm of squealing puppies; and other dogs haunted other recesses.
Author | : Nick Holland |
Publisher | : The History Press |
Total Pages | : 238 |
Release | : 2018-05-07 |
Genre | : Biography & Autobiography |
ISBN | : 0750988428 |
Emily Jane Brontë was born in July 1818; along with her sisters Charlotte and Anne, she is famed as a member of the greatest literary family of all time, and helped turn Haworth into a place of literary pilgrimage. Whilst Emily Brontë wrote only one novel, the mysterious and universally acclaimed Wuthering Heights, she is widely acknowledged as the best poet of the Brontë sisters – indeed as one of the greatest female poets of all time. Her poems offer insights to her relationships with her family, religion, nature, the world of work, and the shadowy and visionary powers that increasingly dominated her life. Taking twenty of her most revealing poems, Nick Holland creates a unifying impression of Emily Brontë, revealing how this terribly shy young woman could create such wild and powerful writing, and why she turned her back on the outside world for one that existed only in her own mind.
Author | : Charlotte Brontë |
Publisher | : Wordsworth Editions |
Total Pages | : 1384 |
Release | : 2005 |
Genre | : Fiction |
ISBN | : 9781840220605 |
Includes the novels Jane Eyre, Villette, Wuthering Heights, Agnes Grey, and The Tenant of Wildfell Hall.
Author | : Emily Bronte |
Publisher | : Penguin Classics |
Total Pages | : 360 |
Release | : 2009-08-25 |
Genre | : Fiction |
ISBN | : |
The tale of Heathcliff's and Cathy's ungovernable love and suffering, and the havoc that their passion wreaks on the families of the Earnshaws and the Lintons, shocked the book's first readers, with even Emily's sister Charlotte claiming Whether it is right or advisable to create beings like Heathcliff, I do not know. I scarcely think it is.Wuthering Heights is Emily Bront's only novel. It was first published in 1847 under the pseudonym Ellis Bell, and a posthumous second edition was edited by her sister Charlotte. The name of the novel comes from the Yorkshire manor on the moors on which the story centers. The narrative tells the tale of the all-encompassing and passionate, yet thwarted, love between Heathcliff and Catherine Earnshaw, and how this unresolved passion eventually destroys both thems and many around them. Now considered a classic of English literature, the novel's innovative structure, which has been likened to a series of Matryoshka dolls, met with mixed reviews by critics when it first appeared.