Emigre Fonts
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| Author | : Rudy VanderLans |
| Publisher | : Gingko Press Editions |
| Total Pages | : 0 |
| Release | : 2016 |
| Genre | : Design |
| ISBN | : 9781584236207 |
In 1985, Berkeley-based graphic design company Emigre, the publisher of the legendary design magazine of the same name, launched one of the first independent digital type foundries to explore the new design possibilities offered by the MacIntosh computer. To announce each of their new typeface releases, Emigre published small booklets displaying the virtues of the fonts and revealing the processes used to design them. By creating specific contexts, many of these so called "type specimens" went beyond being simple sales tools. In fact the Emigre booklets were meant to be enjoyed as much for the typefaces as for their esoteric content.
| Author | : Rudy VanderLans |
| Publisher | : Wiley |
| Total Pages | : 96 |
| Release | : 1994-01-13 |
| Genre | : Design |
| ISBN | : 9780471285472 |
In 1984 a radically new graphic design magazine set out to explore the as-yet-untapped and uncharted possibilities of Macintosh-generated graphic design. Boldly new and different, Emigre broke rules, opened eyes and earned its creators, Rudy VanderLans and Zuzana Licko, cult status in the world of graphic design. After a decade of publishing, the jury is still out on Emigre. But now, thanks to this comprehensive 10-year retrospective, you can reach your own conclusions. Are Emigre’s Mac-generated graphics important, influential and controversial…or just plain ugly? You decide. "The only people who have trouble reading Emigre are graphic designers who have been trained to make type clear. The rest of the world doesn’t live in that purist atmosphere." —Chuck Byrne, Print Magazine, September 1992 Here gathered together for the first time, you’ll find: Every Emigre cover ever issued A full catalog of over 80 Emigre typefaces Emigre’s most striking editorial layouts Plus stimulating and provocative commentary from both Rudy VanderLans and Zuzana Licko How has a magazine that prints just 7,000 copies managed to outrage so many graphic designers while inspiring so many others? The answer is in your hands.
| Author | : Simon Garfield |
| Publisher | : Profile Books |
| Total Pages | : 352 |
| Release | : 2010-10-21 |
| Genre | : Reference |
| ISBN | : 1847652921 |
Just My Type is not just a font book, but a book of stories. About how Helvetica and Comic Sans took over the world. About why Barack Obama opted for Gotham, while Amy Winehouse found her soul in 30s Art Deco. About the great originators of type, from Baskerville to Zapf, or people like Neville Brody who threw out the rulebook, or Margaret Calvert, who invented the motorway signs that are used from Watford Gap to Abu Dhabi. About the pivotal moment when fonts left the world of Letraset and were loaded onto computers ... and typefaces became something we realised we all have an opinion about. As the Sunday Times review put it, the book is 'a kind of Eats, Shoots and Leaves for letters, revealing the extent to which fonts are not only shaped by but also define the world in which we live.' This edition is available with both black and silver covers.
| Author | : Rudiger Schlomer |
| Publisher | : Chronicle Books |
| Total Pages | : 218 |
| Release | : 2019-10-22 |
| Genre | : Crafts & Hobbies |
| ISBN | : 1616898917 |
Learn to knit a variety of typefaces modeled on digital designs by well-known type foundries including Emigre, Lineto, and Typotheque, and emblazon your hats, scarves, and sweaters with smartly designed monograms, letters, or words. Beginning with knitting basics, tips, and resources, and progressing through more advanced techniques, Typographic Knitting provides a systematic introduction on how to construct a variety of letter designs using different knitting techniques. This book bridges the gap between craft and design in a new way, and will delight typography connoisseurs, avid knitters, and makers looking for a novel medium.
| Author | : Jan Middendorp |
| Publisher | : 010 Publishers |
| Total Pages | : 332 |
| Release | : 2004 |
| Genre | : Design |
| ISBN | : 9789064504600 |
Overzicht van vooral de 20e-eeuwse Nederlandse typografie.
| Author | : |
| Publisher | : |
| Total Pages | : 418 |
| Release | : 2005 |
| Genre | : Commercial art |
| ISBN | : |
The magazine that ignores boundaries.
| Author | : Robin Kinross |
| Publisher | : |
| Total Pages | : 40 |
| Release | : 1994 |
| Genre | : Deconstruction |
| ISBN | : |
| Author | : Rudy VanderLans |
| Publisher | : Gingko PressInc |
| Total Pages | : 512 |
| Release | : 2009 |
| Genre | : Art |
| ISBN | : 9781584233671 |
"Fueled by Emigre's successful digital type foundry, the magazine became one of the most popular and controversial graphic design magazines of its time. 69 issues were published in a variety of formats, featuring in-depth interviews with fellow design trailblazers and critical essays by an emerging group of young design writers. This book, designed and edited by Emigre co-founder and designer Rudy VanderLans, is a selection of reprints, using original digital files, tracing Emigre s development from its early bitmap design days in the late 1980s through to the experimental layouts that defined the so called Legibility Wars of the late 1990s, to the critical design writing of the early 2000s." - product description.
| Author | : Rudy VanderLans |
| Publisher | : Princeton Architectural Press |
| Total Pages | : 148 |
| Release | : 2005-12 |
| Genre | : Architecture |
| ISBN | : 9781568985923 |
"Everything must come to an end, and after publishing Emigre magazine for over 21 years we're both relieved and just a little bit sad to announce that #69 will be our final issue. Inside is a look back on some great years in graphic design, while our contributors and colleagues bid us farewell. It was quite an experience. Thank you for reading Emigre."--Back cover.
| Author | : Rudy VanderLans |
| Publisher | : Princeton Architectural Press |
| Total Pages | : 156 |
| Release | : 2004-04 |
| Genre | : Architecture |
| ISBN | : 9781568984377 |
Kenneth FitzGerald proposes that the objective of design, to create a class of expert professional practitioners, can - and should - only lead to its demise as a specialist profession. Lorraine Wild and Sam Potts respond, separately, to the publication of Rick Poynor's recent book "No More Rules: Graphic Design and Postmodernism." Eric Heiman urges designers to "think wrong" and refocus their creative energies to solving non-commercial, more socially motivated problems. Jeffery Keedy gives us a list of some of the most popular but dumb ideas in design. Ben Hagon warns that without a significant change in the method by which we create work, Joe Client will, in time, do our graphic design work for us. Kali Nikitas and Louise Sandhaus respond to the criticism levelled at their conversation "Visitations" which was published in Emigre #64. And Emigre interviews Armin Vit, the founder of Speak Up, design's most successful blog, and David Cabianca who discusses the value of design theory and criticism. Plus, the Readers Respond, featuring letters from around the world in response to past issues of Emigre magazine.
