Elizabethan Rhetoric
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Author | : Peter Mack |
Publisher | : Cambridge University Press |
Total Pages | : 343 |
Release | : 2002-10-17 |
Genre | : Political Science |
ISBN | : 113943442X |
Peter Mack examines the impact of humanist training in rhetoric and argument on a range of Elizabethan prose texts, including political orations, histories, romances, conduct manuals, privy council debates and personal letters. Elizabethan Rhetoric reconstructs the knowledge, skills and approaches which an Elizabethan would have acquired in order to participate in the political and religious debates of the time: the approaches to an audience, analysis and replication of textual structures, organisation of arguments and tactics for disputation. Study of the rhetorical codes and conventions in terms of which debates were conducted is currently a major area of historical and literary enquiry, and Mack provides a wealth of new information about what was taught and how these conventions were exploited in personal memoranda, court depositions, sermons and political and religious pamphlets. This important book will be invaluable for all those interested in the culture, literature and political history of the period.
Author | : Catherine Bates |
Publisher | : Cambridge University Press |
Total Pages | : 252 |
Release | : 1992-06-18 |
Genre | : Family & Relationships |
ISBN | : 0521414806 |
The Rhetoric of Courtship is about the literature of the Elizabethan period with a particular focus on the literature of the court. This book considers how writers and courtiers related to Elizabeth I within a system of patronage and how they portrayed this relationship in fictional courtship of poetry and prose.
Author | : Guillaume A. Coatalen |
Publisher | : BRILL |
Total Pages | : 303 |
Release | : 2017-11-20 |
Genre | : Literary Criticism |
ISBN | : 9004356347 |
Sixteenth century Elizabethan treatises on rhetoric in the vernacular are relatively rare. Guillaume Coatalen offers annotated editions of Richard Reynolds’s The Foundacion of Rhetorike (1563), which has not been edited since the 1945 facsimile edition, and of William Medley’s unknown Brief Discourse on Rhetoricke which survives in a single manuscript dated 1575. While Reynolds’s work is an English adaptation of Aphthonius's Progymnasmata and a preparation for Thomas Wilson’s influential Arte of Rhetoricke (1560), Medley’s is broader in scope and contains the only full treatment of periodic prose in English in the period. Both works are essential to understand how Elizabethan rhetoric in the vernacular evolved, in particular in aristocratic circles, and its links with Continental developments, notably German.
Author | : Gabriela Schmidt |
Publisher | : Walter de Gruyter |
Total Pages | : 402 |
Release | : 2013-04-30 |
Genre | : Literary Criticism |
ISBN | : 311031620X |
Reversing F. O. Matthiessen's famous description of translation as “an Elizabethan art”, Elizabethan literature may well be considered “an art of translation”. Amidst a climate of intense intercultural and intertextual exchange, the cultural figure of translatio studii had become a formative concept in most European vernacular writing of the period. However, due to the comparatively marginal status of English in European literary culture, it was above all translation in the literal sense that became the dominant mode of applying this concept in late 16th-century England. Translations into English were not only produced on an unprecedented scale, they also became a key site for critical debate where contemporary discussions about authorship, style, and the development of a specifically English literary identity converged. The essays in this volume set out to explore Elizabethan translation as a literary practice and as a crucial influence on English literature. They analyse the competitive balancing of voices and authorities found in these texts and examine the ways in which both translated models and English literary culture were creatively transformed in the process of appropriation.
Author | : Associate Professor of English Michael Ullyot |
Publisher | : Oxford University Press |
Total Pages | : 251 |
Release | : 2022-03-03 |
Genre | : English literature |
ISBN | : 0192849336 |
In this study, Michael Ullyot makes two new arguments about the rhetoric of exemplarity in late Elizabethan and Jacobean culture: first, that exemplarity is a recursive cycle driven by rhetoricians' words and readers' actions; and second, that positive moral examples are not replicable, but rather aspirational models of readers' posthumous biographies. For example, Alexander the Great envied Achilles less for his exemplary life than for Homer's account of it. Ullyot defines the three types of decorum on which exemplary rhetoric and imitation rely, and charts their operations through Philip Sidney's poetics, Edmund Spenser's poetry, and the dedications, sermons, elegies, biographies, and other occasional texts about Robert Devereux, second earl of Essex, and Henry, Prince of Wales. Ullyot expands the definition of occasional texts to include those that criticize their circumstances to demand better ones, and historicizes moral exemplarity in the contexts of sixteenth-century Protestant memory and humanist pedagogy. The Rhetoric of Exemplarity in Early Modern England concludes that all exemplary subjects suffer from the problem of metonymy, the objection that their chosen excerpts misrepresent their missing parts. This problem also besets historicist literary criticism, ever subject to corrections from the archive, so this study concedes that its own rhetorical methods are exemplary.
Author | : Peter Mack |
Publisher | : Springer |
Total Pages | : 209 |
Release | : 1993-12-15 |
Genre | : Language Arts & Disciplines |
ISBN | : 1349231444 |
This book provides examples of the best modern scholarship on rhetoric in the renaissance. Lawrence Green, Lisa Jardine, Kees Meerhoff, Dilwyn Knox, Brian Vickers, George Hunter, Peter Mack, David Norbrook and Pat Rubin look at the reception of Aristotle's Rhetoric in the renaissance; the place of rhetoric in Erasmus's career, Melanchthon's teaching, and sixteenth century protestant schools; the rhetoric textbook; the use of rhetoric in Raphael, renaissance drama, Elizabethan romance, and seventeenth century political writing. It will become essential reading for advanced studies in English, rhetoric, art history, history, history of education, history of ideas, political theory, and reformation history.
Author | : Gary Robert Grund |
Publisher | : Dissertations-G |
Total Pages | : 262 |
Release | : 1987 |
Genre | : Literary Criticism |
ISBN | : |
Author | : Markku Peltonen |
Publisher | : Cambridge University Press |
Total Pages | : 287 |
Release | : 2013 |
Genre | : History |
ISBN | : 1107028299 |
This book provides an account of early modern political culture by emphasizing the centrality of humanist rhetoric in it.
Author | : J. Daybell |
Publisher | : Springer |
Total Pages | : 240 |
Release | : 2012-04-24 |
Genre | : Literary Criticism |
ISBN | : 1137006064 |
The first major socio-cultural study of manuscript letters and letter-writing practices in early modern England. Daybell examines a crucial period in the development of the English vernacular letter before Charles I's postal reforms in 1635, one that witnessed a significant extension of letter-writing skills throughout society.
Author | : Helen Hackett |
Publisher | : Yale University Press |
Total Pages | : 431 |
Release | : 2022-07-12 |
Genre | : History |
ISBN | : 0300265247 |
The first comprehensive guide to Elizabethan ideas about the mind What is the mind? How does it relate to the body and soul? These questions were as perplexing for the Elizabethans as they are for us today—although their answers were often startlingly different. Shakespeare and his contemporaries believed the mind was governed by the humours and passions, and was susceptible to the Devil’s interference. In this insightful and wide-ranging account, Helen Hackett explores the intricacies of Elizabethan ideas about the mind. This was a period of turbulence and transition, as persistent medieval theories competed with revived classical ideas and emerging scientific developments. Drawing on a wealth of sources, Hackett sheds new light on works by Shakespeare, Marlowe, Sidney, and Spenser, demonstrating how ideas about the mind shaped new literary and theatrical forms. Looking at their conflicted attitudes to imagination, dreams, and melancholy, Hackett examines how Elizabethans perceived the mind, soul, and self, and how their ideas compare with our own.