Elevator To The Gallows
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Author | : Philippe Met |
Publisher | : Columbia University Press |
Total Pages | : 612 |
Release | : 2018-09-11 |
Genre | : Performing Arts |
ISBN | : 023185126X |
Arguably a pioneer of the French New Wave (with Ascenseur pour l’échafaud, 1957) Louis Malle went on to enjoy an acclaimed yet provocative and versatile transatlantic career. This collection of original essays proposes to reassess his richly eclectic and boldly subversive oeuvre and redress the surprising critical neglect it has suffered over the years. It does so through a combination of transversal and monographic analyses that use a variety of critical lenses and theoretical tools in order to examine Malle’s documentaries as well as his fiction features (and, more importantly, the constant shuttling and uniquely persistent cross-pollination between those two cinematic approaches), illuminate the profound, lasting dialogue his films entertained with literature and theater, bring to the fore their sustained, albeit often oblique autobiographical thrust along with their scathing sociopolitical critique, and scrutinize the alternating use of stars and non-professional actors. In addition, the volume features an exclusive interview with the acclaimed playwright John Guare (a close friend and collaborator of Louis Malle’s who scripted Atlantic City) and is bookended by a foreword by Volker Schlöndorff and an afterword by Wes Anderson, two renowned filmmakers who articulate their admiration for, and the seminal influence of, their predecessor.
Author | : Richard Brody |
Publisher | : Macmillan |
Total Pages | : 732 |
Release | : 2008-05-13 |
Genre | : Biography & Autobiography |
ISBN | : 9780805068863 |
"When Jean-Luc Godard, exemplary director of the French New Wave, wed the ideals of filmmaking to the realities of autobiography and current events, he changed the nature of cinema. Among the greatest cinematic innovations, Godard's films shift fluidly from fiction to documentary, from criticism to art. Similarly, his persona projects shifting images - cultural hero, impassioned loner, shrewd businessman. Hailed by filmmakers as a - if not the - key influence, Godard has entered the modern canon, a figure as mysterious as he is indispensable." "In Everything is Cinema, critic Richard Brody has amassed hundreds of interviews with friends, family, and collaborators to demystify the elusive director and paint the fullest picture yet of his life and work. Paying as much attention to Godard's revolutionary technical inventions as to the political and emotional forces of the postwar world, Brody traces an arc from the director's early critical writing, through his popular success with Breathless and Contempt, to the grand vision of his later years. He vividly depicts Godard's wealthy, conservative family, his fluid and often disturbing politics, his tumultuous dealings with fellow filmmakers, and his troubled relations with women."--Jacket.
Author | : John Dickson Carr |
Publisher | : |
Total Pages | : 258 |
Release | : 2008 |
Genre | : Detective and mystery plays, American |
ISBN | : 9781932009583 |
Author | : John Szwed |
Publisher | : Simon and Schuster |
Total Pages | : 508 |
Release | : 2004-01-09 |
Genre | : Biography & Autobiography |
ISBN | : 0684859831 |
Based on interviews with family and friends, this account of the jazz great's life reveals the influence of Miles Davis' life on his work as well as the musician's persistent desire to re-invent himself.
Author | : Noel Calef |
Publisher | : Black Gat Books |
Total Pages | : 0 |
Release | : 2019-02-15 |
Genre | : Elevators |
ISBN | : 9781944520663 |
Originally published in France in 1956 as Ascenseur pour l'échafaud, this noir novel about a murder plan gone awry was published as Frantic in the U.S. by Gold Medal in 1961.
Author | : Megan Goldin |
Publisher | : St. Martin's Press |
Total Pages | : 323 |
Release | : 2019-07-30 |
Genre | : Fiction |
ISBN | : 1250219671 |
"One of my favorite books of the year." —Lee Child “Cancel all your plans and call in sick; once you start reading, you'll be caught in your own escape room—the only key to freedom is turning the last page!” —Kirkus Reviews (starred) "A sleek, well-crafted ride." —The New York Times In Megan Goldin's unforgettable debut, The Escape Room, four young Wall Street rising stars discover the price of ambition when an escape room challenge turns into a lethal game of revenge. Welcome to the escape room. Your goal is simple. Get out alive. In the lucrative world of finance, Vincent, Jules, Sylvie, and Sam are at the top of their game. They’ve mastered the art of the deal and celebrate their success in style—but a life of extreme luxury always comes at a cost. Invited to participate in an escape room challenge as a team-building exercise, the ferociously competitive co-workers crowd into the elevator of a high-rise building, eager to prove themselves. But when the lights go off and the doors stay shut, it quickly becomes clear that this is no ordinary competition: they’re caught in a dangerous game of survival. Trapped in the dark, the colleagues must put aside their bitter rivalries and work together to solve cryptic clues to break free. But as the game begins to reveal the team’s darkest secrets, they realize there’s a price to be paid for the terrible deeds they committed in their ruthless climb up the corporate ladder. As tempers fray, and the clues turn deadly, they must solve one final chilling puzzle: which one of them will kill in order to survive?
Author | : Richard Neupert |
Publisher | : Univ of Wisconsin Press |
Total Pages | : 442 |
Release | : 2007-04-20 |
Genre | : Performing Arts |
ISBN | : 0299217035 |
The French New Wave cinema is arguably the most fascinating of all film movements, famous for its exuberance, daring, and avant-garde techniques. A History of the French New Wave Cinema offers a fresh look at the social, economic, and aesthetic mechanisms that shaped French film in the 1950s, as well as detailed studies of the most important New Wave movies of the late 1950s and early 1960s. Richard Neupert first tracks the precursors to New Wave cinema, showing how they provided blueprints for those who would follow. He then demonstrates that it was a core group of critics-turned-directors from the magazine Cahiers du Cinéma—especially François Truffaut, Claude Chabrol, and Jean-Luc Godard—who really revealed that filmmaking was changing forever. Later, their cohorts Eric Rohmer, Jacques Rivette, Jacques Doniol-Valcroze, and Pierre Kast continued in their own unique ways to expand the range and depth of the New Wave. In an exciting new chapter, Neupert explores the subgroup of French film practice known as the Left Bank Group, which included directors such as Alain Resnais and Agnès Varda. With the addition of this new material and an updated conclusion, Neupert presents a comprehensive review of the stunning variety of movies to come out of this important era in filmmaking.
Author | : Eugene O'Neill |
Publisher | : Dramatists Play Service Inc |
Total Pages | : 36 |
Release | : 1982-10 |
Genre | : Drama |
ISBN | : 9780822205432 |
THE STORY: Originally produced on Broadway, revived to sellout houses in 1996 starring Al Pacino, HUGHIE was one of O'Neill's last works. It was originally intended as part of a series of short plays, but it became the lone survivor when O'Neill de
Author | : Ellen Tovatt Leary |
Publisher | : Hansen Publishing Group LLC |
Total Pages | : 216 |
Release | : 2020-07-01 |
Genre | : Fiction |
ISBN | : 1601823452 |
THE UNDERSTUDY is the story of Nina Landau, an actress, living in New York City in the early ’70s and trying hard to make it on Broadway. We follow her from her Broadway audition nerves to her eventual success on stage. Along the way we discover what goes on backstage during a Broadway show, how actors deal with the mistakes that occasionally occur and how exciting it is to be at an opening night party at Sardi’s! Nina experiences thrilling triumphs as well as crushing setbacks and has a passionate love affair with her leading man.
Author | : Kevin Whitehead |
Publisher | : Oxford University Press |
Total Pages | : 304 |
Release | : 2020-04-01 |
Genre | : Music |
ISBN | : 0190847581 |
Jazz stories have been entwined with cinema since the inception of jazz film genre in the 1920s, giving us origin tales and biopics, spectacles and low-budget quickies, comedies, musicals, and dramas, and stories of improvisers and composers at work. And the jazz film has seen a resurgence in recent years--from biopics like Miles Ahead and HBO's Bessie, to dramas Whiplash and La La Land. In Play the Way You Feel, author and jazz critic Kevin Whitehead offers a comprehensive guide to these films and other media from the perspective of the music itself. Spanning 93 years of film history, the book looks closely at movies, cartoons, and a few TV shows that tell jazz stories, from early talkies to modern times, with an eye to narrative conventions and common story points. Examining the ways historical films have painted a clear picture of the past or overtly distorted history, Play the Way You Feel serves up capsule discussions of sundry topics including Duke Ellington's social life at the Cotton Club, avant-garde musical practices in 1930s vaudeville, and Martin Scorsese's improvisatory method on the set of New York, New York. Throughout the book, Whitehead brings the same analytical bent and concise, witty language listeners know from his jazz segments on NPR's Fresh Air with Terry Gross. He investigates well-known songs, traces the development of the stock jazz film ending, and offers fresh, often revisionist takes on works by such directors as Howard Hawks, John Cassavetes, Shirley Clarke, Francis Ford Coppola, Clint Eastwood, Spike Lee, Robert Altman, Woody Allen and Damien Chazelle. In all, Play the Way You Feel is a feast for film-genre fanatics and movie-watching jazz enthusiasts.