Elements Of Comedy In Luis Valdezs Acto Los Vendidos As Techniques For Communication And Mobilisation
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Author | : Jörg Vogelmann |
Publisher | : GRIN Verlag |
Total Pages | : 14 |
Release | : 2008-09-02 |
Genre | : Literary Collections |
ISBN | : 3640153006 |
Seminar paper from the year 2006 in the subject American Studies - Linguistics, grade: 1,3, University of Stuttgart (Institut für Literaturwissenschaft: Anglistik/Amerikanistik), course: Literary Studies: Seminar: “Essay Writing and Interpretation of Literary Texts”, language: English, abstract: “The emphasis [of Luis Valdez’s Teatro Campesino lies on] (...) communication to the oppressed, not about them” (Bagby, Valdez 70). This statement of Bagby’s underpins the necessity for literary scholars to pay special analytical attention to the comedic elements in Valdez’s dramas. Indeed, it is the relationship between the playwright and his audience of Chicano workers that especially takes its effectiveness from the techniques and elements of comedy, especially satire. Many critics underline Valdez’s importance both because he denounces the discrimination and exploitation of Chicanos in the United States and his direct address to oppressed Mexican-Americans, e.g., striking campesinos. The communication to his fellow-countrymen has always been essential for Valdez as a political writer. It has been this successful and mass-mobilising (for example in the 1965 Delano Grape Strike) as his actos (short plays dramatizing the oppression of the fieldworkers) are based on comedic and satiric elements. These techniques have been used since archaic or Plato’s times by critical authors to mobilise the hearts and minds of human beings against a political system or to remedy an abuse. The thesis that Valdez’s play Los Vendidos consists of various comedic patterns to enable a thrilling, entertaining and effective communication between the author and his Chicano audience to sustainably deliver Valdez’s political messages can be seen when analyzing his probably most famous acto and the types of comedy he uses. Los Vendidos can be assigned to classifications like low, realistic or satiric comedy. This, indeed, shows how strongly Valdez relies on comedic-satiric techniques to politically communicate with and mobilise his Chicano fellow countrymen.
Author | : Jörg Vogelmann |
Publisher | : GRIN Verlag |
Total Pages | : 34 |
Release | : 2008-09 |
Genre | : Biography & Autobiography |
ISBN | : 3640154991 |
Seminar paper from the year 2006 in the subject American Studies - Linguistics, grade: 1,3, University of Stuttgart (Institut für Literaturwissenschaft: Anglistik/Amerikanistik), course: Literary Studies: Seminar: "Essay Writing and Interpretation of Literary Texts", 8 entries in the bibliography, language: English, abstract: "The emphasis [of Luis Valdez's Teatro Campesino lies on] (...) communication to the oppressed, not about them" (Bagby, Valdez 70). This statement of Bagby's underpins the necessity for literary scholars to pay special analytical attention to the comedic elements in Valdez's dramas. Indeed, it is the relationship between the playwright and his audience of Chicano workers that especially takes its effectiveness from the techniques and elements of comedy, especially satire. Many critics underline Valdez's importance both because he denounces the discrimination and exploitation of Chicanos in the United States and his direct address to oppressed Mexican-Americans, e.g., striking campesinos. The communication to his fellow-countrymen has always been essential for Valdez as a political writer. It has been this successful and mass-mobilising (for example in the 1965 Delano Grape Strike) as his actos (short plays dramatizing the oppression of the fieldworkers) are based on comedic and satiric elements. These techniques have been used since archaic or Plato's times by critical authors to mobilise the hearts and minds of human beings against a political system or to remedy an abuse. The thesis that Valdez's play Los Vendidos consists of various comedic patterns to enable a thrilling, entertaining and effective communication between the author and his Chicano audience to sustainably deliver Valdez's political messages can be seen when analyzing his probably most famous acto and the types of comedy he uses. Los Vendidos can be assigned to classifications like low, realistic or satiric comedy. This, indeed, shows how strongly Valdez relies on comedic-satiric
Author | : Luis Valdez |
Publisher | : Arte Publico Press |
Total Pages | : 214 |
Release | : 1990-01-31 |
Genre | : Drama |
ISBN | : 9781611922127 |
This collection includes one-act plays by the famous farmwork theater, El Teatro Campesino, and its director Luis Valdez; one of the first fully realized, full-length plays by Valdez alone; and an original narrative poem by Luis Valdez.
Author | : Aída Hurtado |
Publisher | : University of Texas Press |
Total Pages | : 337 |
Release | : 2020-01-10 |
Genre | : Social Science |
ISBN | : 147731959X |
Collecting the perspectives of scholars who reflect on their own relationships to particular garments, analyze the politics of dress, and examine the role of consumerism and entrepreneurialism in the production of creating and selling a style, meXicana Fashions examines and searches for meaning in these visible, performative aspects of identity. Focusing primarily on Chicanas but also considering trends connected to other Latin American communities, the authors highlight specific constituencies that are defined by region (“Tejana style,” “L.A. style”), age group (“homie,” “chola”), and social class (marked by haute couture labels such as Carolina Herrera and Oscar de la Renta). The essays acknowledge the complex layers of these styles, which are not mutually exclusive but instead reflect a range of intersections in occupation, origin, personality, sexuality, and fads. Other elements include urban indigenous fashion shows, the shifting quinceañera market, “walking altars” on the Days of the Dead, plus-size clothing, huipiles in the workplace, and dressing in drag. Together, these chapters illuminate the full array of messages woven into a vibrant social fabric.
Author | : David Kuria |
Publisher | : GRIN Verlag |
Total Pages | : 10 |
Release | : 2014-09-23 |
Genre | : Foreign Language Study |
ISBN | : 3656747482 |
Essay from the year 2012 in the subject Romance Studies - Spanish Studies, grade: A, University of Canberra, language: English, abstract: The play titled Los Vendidos, which when translated into Spanish means “sell outs”, was written in 1967 by Luis Valdez and was first performed according to Baru (2011), in East Los Angeles at the Brown Beret Junta. In the play, the author seeks to display the social disparities between the Latin community and the locals in California. In effect, the role of the various authorizes such as the state, local and federal governments are highlighted to portray certain misconceptions about Americans towards Latinos. Although out the play, it is evident that Luis Valdez adapts to some great extent, character traits innate in the Mexican culture. Generally, the play seeks to inform the larger American audience of the triviality of some of the stereotypes assumed with regard to the Mexicans living in California, and how ridiculous these stereotypes and misconceptions are. In this paper, an in-depth analysis of the emerging themes, motifs and characters in the play will be discussed.
Author | : Luis G. Gómez |
Publisher | : |
Total Pages | : 128 |
Release | : 2006 |
Genre | : Biography & Autobiography |
ISBN | : |
An English edition of the memoirs of the life of early immigrant and pioneer, Luis G. Gomez, who came to Texas from Mexico in the mid-1800s.
Author | : Carl Laurence Duaine |
Publisher | : |
Total Pages | : 390 |
Release | : 1987 |
Genre | : Border Region (Mexico - U.S.) |
ISBN | : |
Biographical material on maternal ancestors of the author and their contemporaries with hisorical background of the times back to the conquest of Mexico by Cortez. The authors ancestor's were among the founders of Monterrey, Saltillo, and other areas. Duaine's mother was the daughter of Juan Rios and Macadonia Ramirez of Mier, Mexico.
Author | : Carlos Bulosan |
Publisher | : Temple University Press |
Total Pages | : 240 |
Release | : 1995 |
Genre | : Fiction |
ISBN | : 9781566393102 |
A companion volume to The Cry and the Dedication, this is the first extensive collection of Carlos Bulosan's short stories, essays, poetry, and correspondence. Bulosan's writings expound his mission to redefine the Filipino American experience and mark his growth as a writer. The pieces included here reveal how his sensibility, largely shaped by the political circumstances of the 1930s up to the 1950s, articulates the struggles and hopes for equality and justice for Filipinos. He projects a "new world order" liberated from materialist greed, bigoted nativism, racist oppression, and capitalist exploitation. As E. San Juan explains in his Introduction, Bulosan's writings "help us to understand the powerlessness and invisibility of being labeled a Filipino in post Cold War America." Author note: Born in 1911 in the Philippines to a peasant family, Carlos Bulosan was one of the first wave of Filipino immigrants to come to the United States in the 1930s. After several arduous years as a farmworker in California, Bulosan became involved with radical intellectuals and started editing the workers' magazine The New Tide.While hospitalized for three years for tuberculosis and kidney problems, Bulosan began writing poetry and short stories. Despite having little formal education, he saw his talent for writing as a means to give a voice to Filipino struggles, both in the Philippines and in the United States. He went on to publish three volumes of poetry, a best-selling collection of stories, The Laughter of My Father, and America Is in the Heart, the much acclaimed chronicle based on his family's battle to overcome poverty, violence, and racism in the United States. The Cry and the Dedication carries on Bulosan's passionate, satirical style. >P>E. San Juan, Jr. is Fellow of the Center for the Humanities and Visiting Professor of English, Wesleyan University, and Director of the Philippines Cultural Studies Center. He was recently chair of the Department of Comparative American Cultures, Washington University, and Professor of Ethnic Studies at Bowling Green State University, Ohio. He received the 1999 Centennial Award for Literature from the Philippines Cultural Center. His most recent books are Beyond Postcolonial Theory, From Exile to Diaspora, After Postcolonialism, and Racism and Cultural Studies.
Author | : Mario Sanginés |
Publisher | : Inter-American Development Bank |
Total Pages | : 198 |
Release | : 2013-10-07 |
Genre | : Business & Economics |
ISBN | : 1597821691 |
The Fiscal Institutions of Tomorrow, the first publication in the series Institutions for People, addresses issues of public management that are key to economic development in Latin America and the Caribbean. It presents the challenges that the countries in the region face to strengthen fiscal institutions with a view to the future and with policy recommendations. This publication serves as reference material for policymakers and economic analysts interested in studying the evolution of fiscal institutions in the region and identifying areas to improve governance.
Author | : Juan Carlos Moreno-Brid |
Publisher | : Oxford University Press |
Total Pages | : 325 |
Release | : 2009-04-23 |
Genre | : Business & Economics |
ISBN | : 0199707855 |
This book is the first comprehensive and systematic English-language treatment of Mexico's economic history to appear in nearly forty years. Drawing on several years of in-depth research, Juan Carlos Moreno-Brid and Jaime Ros, two of the foremost experts on the Mexican economy, examine Mexico's current development policies and problems from a historical perspective. They review long-term trends in the Mexican economy and analyze past episodes of radical shifts in development strategy and in the role of markets and the state. This book provides an overview of Mexico's economic development since Independence that compares the successive periods of stagnation and growth that alternately have characterized Mexico's economic history. It gives special attention to developments since 1940, and it presents a re-evaluation of Mexico's development policies during the State-led industrialization period from 1940 to 1982 as well as during the more recent market reform process. This reevaluation is critical of the dominant trend in economic literature and is revisionist in arguing that, in particular, the market reforms undertaken by successive Mexican governments since 1983 have not addressed the fundamental obstacles to economic growth. Development and Growth in the Mexican Economy also details the country's pioneering role in launching NAFTA, its membership in the OECD, and its radical macroeconomic reforms. Carefully argued and meticulously researched, the book presents a wide-ranging, authoritative study that not only pinpoints problems, but also suggests solutions for removing obstacles to economic stability and pointing the Mexican economy toward the road to recovery.