El Palacio De Bellas Artes
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Author | : Mary K. Coffey |
Publisher | : Duke University Press |
Total Pages | : 249 |
Release | : 2012-04-17 |
Genre | : Art |
ISBN | : 0822350378 |
This is a study of the reciprocal relationship between Mexican muralism and the three major Mexican museums&—the Palace of Fine Arts, the National History Museum, and the National Anthropology Museum.
Author | : Ann Temkin |
Publisher | : The Museum of Modern Art |
Total Pages | : 264 |
Release | : 2009 |
Genre | : Art |
ISBN | : 9780870707629 |
Author | : Ageeth Sluis |
Publisher | : U of Nebraska Press |
Total Pages | : 404 |
Release | : 2016 |
Genre | : History |
ISBN | : 0803293909 |
In the turbulent decades following the Mexican Revolution, Mexico City saw a drastic influx of female migrants seeking escape and protection from the ravages of war in the countryside. While some settled in slums and tenements, where the informal economy often provided the only means of survival, the revolution, in the absence of men, also prompted women to take up traditionally male roles, created new jobs in the public sphere open to women, and carved out new social spaces in which women could exercise agency. In Deco Body, Deco City, Ageeth Sluis explores the effects of changing gender norms on the formation of urban space in Mexico City by linking aesthetic and architectural discourses to political and social developments. Through an analysis of the relationship between female migration to the city and gender performances on and off the stage, the book shows how a new transnational ideal female physique informed the physical shape of the city. By bridging the gap between indigenismo (pride in Mexico's indigenous heritage) and mestizaje (privileging the ideal of race mixing), this new female deco body paved the way for mestizo modernity. This cultural history enriches our understanding of Mexico's postrevolutionary decades and brings together social, gender, theater, and architectural history to demonstrate how changing gender norms formed the basis of a new urban modernity.
Author | : Nick Caistor |
Publisher | : Signal Books |
Total Pages | : 244 |
Release | : 2000 |
Genre | : History |
ISBN | : 9781902669076 |
A cultural guide to the Mexico City.
Author | : George C. Izenour |
Publisher | : Yale University Press |
Total Pages | : 602 |
Release | : 1996-01-01 |
Genre | : Architecture |
ISBN | : 0300067666 |
George C. Izenour ties detailed information on construction, lighting, acoustical structures, electro-mechanical-hydraulic systems, and stage controls to a rich-history of technological developments from the invention of the proscenium stage in late Renaissance Italy to the contributions of our own time. All the drawings are produced on the same scale for plan, transverse section, and perspective section.
Author | : Remedios Varo |
Publisher | : Ediciones Era |
Total Pages | : 438 |
Release | : 2008 |
Genre | : Surrealism |
ISBN | : 9789684116788 |
Author | : |
Publisher | : |
Total Pages | : 488 |
Release | : 1914 |
Genre | : |
ISBN | : |
Author | : Janet Sturman |
Publisher | : Routledge |
Total Pages | : 484 |
Release | : 2015-12-22 |
Genre | : Music |
ISBN | : 1317551125 |
The Course of Mexican Music provides students with a cohesive introductory understanding of the scope and influence of Mexican music. The textbook highlights individual musical examples as a means of exploring the processes of selection that led to specific musical styles in different times and places, with a supporting companion website with audio and video tracks helping to reinforce readers' understanding of key concepts. The aim is for students to learn an exemplary body of music as a window for understanding Mexican music, history and culture in a manner that reveals its importance well beyond the borders of that nation.
Author | : Patricia Seed |
Publisher | : University of Texas Press |
Total Pages | : 289 |
Release | : 2014-03-07 |
Genre | : Performing Arts |
ISBN | : 0292752873 |
José Limón (1908-1972) was one of the leading figures of modern dance in the twentieth century. Hailed by the New York Times as "the finest male dancer of his time" when the José Limón Dance Company debuted in 1947, Limón was also a renowned choreographer who won two Dance Magazine Awards and a Capezio Dance Award, two of dance's highest honors. In addition to directing his own dance company, Limón served as artistic director of the Lincoln Center's American Dance Theater and also taught choreography at the Juilliard School for many years. In this volume, scholars and artists from fields as diverse as dance history, art history, Mesoamerican ethnohistory, Mexican American studies, music studies, and Mexican history come together to explore one of José Limón's masterworks, the ballet La Malinche. Offering many points of entry into the dance, they examine La Malinche from various angles, such as Limón's life story and the influence of his Mexican heritage on his work, an analysis of the dance itself, the musical score composed by Norman Lloyd, the visual elements of props and costumes, the history and myth of La Malinche (the indigenous woman who served the Spanish conquistador Hernán Cortés as interpreter and mistress), La Malinche's continuing presence in Mexican American culture, and issues involved in a modern restaging of the dance. Also included in the book is a DVD written and directed by Patricia Harrington Delaney that presents the ballet in its entirety, accompanied by expert commentary that sets La Malinche within its artistic and historical context.
Author | : Kathryn E. O'Rourke |
Publisher | : University of Pittsburgh Press |
Total Pages | : 461 |
Release | : 2017-02-10 |
Genre | : Architecture |
ISBN | : 0822981629 |
Mexico City became one of the centers of architectural modernism in the Americas in the first half of the twentieth century. Invigorated by insights drawn from the first published histories of Mexican colonial architecture, which suggested that Mexico possessed a distinctive architecture and culture, beginning in the 1920s a new generation of architects created profoundly visual modern buildings intended to convey Mexico's unique cultural character. By midcentury these architects and their students had rewritten the country's architectural history and transformed the capital into a metropolis where new buildings that evoked pre-conquest, colonial, and International Style architecture coexisted. Through an exploration of schools, a university campus, a government ministry, a workers' park, and houses for Diego Rivera and Luis Barragan, Kathryn O'Rourke offers a new interpretation of modern architecture in the Mexican capital, showing close links between design, evolving understandings of national architectural history, folk art, and social reform. This book demonstrates why creating a distinctively Mexican architecture captivated architects whose work was formally dissimilar, and how that concern became central to the profession.