As an institutional practice, archival practices often tent to serve to colonization, surveillance and discipline society of the Modern world. In the last ten years, with the digital technology and social movement detecting, recording and accumulating images become a civil activity. Thus, archiving videos and other types of visual images brought also non-institutional practices and as well contemporary discussions related to image, open source, collectivity and forensics. Beside interviews with video activists; this book compiles several writers’ articles on their practices and discussions of archives from several angles: forensics, decolonization and commons. The term “archiving” in digital video production and dissemination designates not only open source memory making that is revealing hidden disobedient practices but also an autonomous structure that leads to tactics of montage, uploading, leaking images to re-build a collective memory of political disobedience. This book aims to discuss the notion of “autonomy” in the practice of “archiving”, as well as in the perspective of videogram montage in comparative perspectives from different geographically based practitioners.