Eighteenth Century French Plays
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Author | : Fayçal Falaky |
Publisher | : Rutgers University Press |
Total Pages | : 217 |
Release | : 2021-11-12 |
Genre | : Performing Arts |
ISBN | : 1684483425 |
Collecting diverse critical perspectives on the topic of play—from dolls, bilboquets, and lotteries, to writing itself—this volume offers new insights into how play was used to represent and reimagine the world in eighteenth-century France. In documenting various modes of play, contributors theorize its relation to law, religion, politics, and economics. Equally important was the role of “play” in plays, and the function of theatrical performance in mirroring, and often contesting, our place in the universe. These essays remind us that the spirit of play was very much alive during the “Age of Reason,” providing ways for its practitioners to consider more “serious” themes such as free will and determinism, illusions and equivocations, or chance and inequality. Standing at the intersection of multiple intellectual avenues, this is the first comprehensive study in English devoted to the different guises of play in Enlightenment France, certain to interest curious readers across disciplinary backgrounds.
Author | : Rahul Markovits |
Publisher | : University of Virginia Press |
Total Pages | : 299 |
Release | : 2021-07-07 |
Genre | : History |
ISBN | : 0813945550 |
Eighteenth-century France is understood to have been the dominant cultural power on that era’s international scene. Considering the emblematic case of the theater, Rahul Markovits goes beyond the idea of "French Europe" to offer a serious consideration of the intentions and goals of those involved in making this so. Drawing on extensive archival research, Staging Civilization reveals that between 1670 and 1815 at least twenty-seven European cities hosted resident theater troupes composed of French actors and singers who performed French-language repertory. By examining the presence of French companies of actors in a wide set of courts and cities throughout Europe, Markovits uncovers the complex mechanisms underpinning the dissemination of French culture. The book ultimately offers a revisionist account of the traditional Europe française thesis, engaging topics such as transnational labor history, early-modern court culture and republicanism, soft power, and cultural imperialism.
Author | : Marvin A. Carlson |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 207 |
Release | : 1998-10-28 |
Genre | : Literary Criticism |
ISBN | : 0313029903 |
Born in the final years of the seventeenth century, and dying a decade before the beginning of the French Revolution, Voltaire was a quintessential figure of the eighteenth century, so much so that this era is sometimes called the Age of Voltaire. At a time when French culture dominated Europe, Voltaire dominated French culture. His influence was broad and powerful, and he made major contributions to almost every sphere of intellectual activity, including the sciences, trade and commerce, politics, and especially the arts. Despite the astonishing range of his literary activities, the theatre occupied a central position in his life from the beginning of his career to its close. His first and last literary triumphs were plays, the first written when he was only 17, the last completed when he was 84. He created a total of 56, and there was rarely a time in his life when he was not working on a theatrical script. At the end of his career, his works were produced more frequently on the French stage than those of any other serious dramatist and served as models for aspiring young playwrights throughout Europe. Written by a leading authority on French theatre and culture in the eighteenth century, this book traces the theatrical career of Voltaire from his college days through his final works. The most influential dramatist of the period, he successfully wrote in a number of genres, including tragedy, comedy, opera, comic opera, and court spectacle. His theatrical biography involves all aspects of acting and staging in amateur and society theatre as well as on major professional stages and performances at court. His extended visits to England and Germany are covered in chapters that also provide an introduction to the theatre in those countries, and his international interests and correspondence provide insights into the eighteenth century theatre in places such as Italy, Russia, and Denmark. Due to his literally life-long concern with the theatre, his dominance in this art, and his reputation and involvement with the theatre outside France, Voltaire's theatrical biography is also in large measure a chronicle of the European stage of the eighteenth century.
Author | : William Burgwinkle |
Publisher | : Cambridge University Press |
Total Pages | : 823 |
Release | : 2011-02-24 |
Genre | : Literary Criticism |
ISBN | : 0521897866 |
The most comprehensive history of literature written in French ever produced in English.
Author | : Jeffrey S. Ravel |
Publisher | : Cornell University Press |
Total Pages | : 276 |
Release | : 1999 |
Genre | : History |
ISBN | : 9780801485411 |
In the playhouses of eighteenth-century France, clerks and students, soldiers and merchants, and the occasional aristocrat stood in the pit, while the majority of the elite sat in loges. These denizens of the parterre, who accounted for up to two-thirds of the audience, were given to disruptive behavior that culminated in full-scale riots in the last years before the Revolution. Offering a commoner's eye view of the drama offstage, this fascinating history of French theater audiences clearly demonstrates how problems in the parterre reflected tensions at the heart of the Old Regime.Jeffrey S. Ravel vividly depicts the scene in the parterre where the male spectators occupied themselves shoving one another, drinking, urinating, and confronting the actors with critiques of the performance. He traces the futile efforts of the Bourbon Court--and later its Enlightened opponents--to control parterre behavior by both persuasion and force. Ravel describes how the parterre came to represent a larger, more politicized notion of the public, one that exposed the inability of the government to accommodate the demands of French citizens. An important contribution to debates on the public sphere, Ravel's book is the first to explore the role of the parterre in the political culture of eighteenth-century France.
Author | : Yann Robert |
Publisher | : University of Pennsylvania Press |
Total Pages | : 344 |
Release | : 2018-11-09 |
Genre | : Literary Criticism |
ISBN | : 0812250753 |
For most of the seventeenth and eighteenth centuries, classical dogma and royal censorship worked together to prevent French plays from commenting on, or even worse, reenacting current political and judicial affairs. Criminal trials, meanwhile, were designed to be as untheatrical as possible, excluding from the courtroom live debates, trained orators, and spectators. According to Yann Robert, circumstances changed between 1750 and 1800 as parallel evolutions in theater and justice brought them closer together, causing lasting transformations in both. Robert contends that the gradual merging of theatrical and legal modes in eighteenth-century France has been largely overlooked because it challenges two widely accepted narratives: first, that French theater drifted toward entertainment and illusionism during this period and, second, that the French justice system abandoned any performative foundation it previously had in favor of a textual one. In Dramatic Justice, he demonstrates that the inverse of each was true. Robert traces the rise of a "judicial theater" in which plays denounced criminals by name, even forcing them, in some cases, to perform their transgressions anew before a jeering public. Likewise, he shows how legal reformers intentionally modeled trial proceedings on dramatic representations and went so far as to recommend that judges mimic the sentimental judgment of spectators and that lawyers seek private lessons from actors. This conflation of theatrical and legal performances provoked debates and anxieties in the eighteenth century that, according to Robert, continue to resonate with present concerns over lawsuit culture and judicial entertainment. Dramatic Justice offers an alternate history of French theater and judicial practice, one that advances new explanations for several pivotal moments in the French Revolution, including the trial of Louis XVI and the Terror, by showing the extent to which they were shaped by the period's conflicted relationship to theatrical justice.
Author | : Logan J. Connors |
Publisher | : |
Total Pages | : 275 |
Release | : 2012 |
Genre | : Theater |
ISBN | : 9780729410472 |
This work provides analysis of how the war of enlightenment ideas between philosophes and anti-philosophes was fought through theatre productions and plays, how theatre productions operated and engendered reactions from theatre-goers, and how this gave rise to modern theories of reception and spectatorship.
Author | : Óscar Iván Useche |
Publisher | : Rutgers University Press |
Total Pages | : 277 |
Release | : 2022-03-18 |
Genre | : History |
ISBN | : 1684483875 |
In this ambitious new interdisciplinary study, Useche proposes the metaphor of the social foundry to parse how industrialization informed and shaped cultural and national discourses in late nineteenth- and early twentieth-century Spain. Across a variety of texts, Spanish writers, scientists, educators, and politicians appropriated the new economies of industrial production—particularly its emphasis on the human capacity to transform reality through energy and work—to produce new conceptual frameworks that changed their vision of the future. These influences soon appeared in plans to enhance the nation’s productivity, justify systems of class stratification and labor exploitation, or suggest state organizational improvements. This fresh look at canonical writers such as Emilia Pardo Bazán, Concha Espina, Benito Pérez Galdós, Vicente Blasco Ibáñez, and José Echegaray as well as lesser known authors offers close readings of their work as it reflected the complexity of Spain’s process of modernization.
Author | : George Lillo |
Publisher | : U of Nebraska Press |
Total Pages | : 140 |
Release | : 1965-01-01 |
Genre | : Drama |
ISBN | : 9780803253650 |
Mrs. Millwood is beautiful, intelligent, and ambitious, but London gives her no means of support except to seduce men. Love for her leads eighteen-year-old Barnwell to deceit, theft, and murder. "What are your laws," Mrs. Millwood asks, "but the fool?s wisdom and the coward?s valor, the instrument and screen of all your villainies by which you punish in others what you act out yourselves, had you been in their circumstances? The judge who condemns the poor man for being a thief had been a thief himself, had he been poor. Thus you go on deceiving and being deceived, harassing, plaguing, and destroying one another, but women are your universal prey." First performed in 1731, The London Merchant became on of the most popular plays of the century. A chronicler of the age, Theophilus Cibber called it "almost a new species of tragedy."
Author | : Logan Connors |
Publisher | : Cambridge University Press |
Total Pages | : 267 |
Release | : 2023-11-30 |
Genre | : Drama |
ISBN | : 1009431218 |
The first study of French theater and war at a time of global revolutions, colonial violence, and radical social transformation.