Educating Film-makers

Educating Film-makers
Author: Duncan J. Petrie
Publisher: Intellect (UK)
Total Pages: 0
Release: 2014
Genre: Film genres
ISBN: 9781783201853

Educating Film-Makers is the first book to examine the history, impact and significance of film education in Britain, Europe and the United States. Film schools have historically focused on a film-maker's creativity, but recently placed a new emphasis on technical training. The authors examine concerns facing film education in the digital era.

Teaching the Art of Filmmaking

Teaching the Art of Filmmaking
Author: Associate Professor of Philosophy Karen Bennett
Publisher: Createspace Independent Publishing Platform
Total Pages: 0
Release: 2017-09-14
Genre: Classroom environment
ISBN: 9781974229925

"Teaching the Art of Filmmaking" is written by a classroom teacher and intended to give educators a detailed look at building a high functioning film program from scratch with little to no resources. In conversations with colleagues teaching filmmaking around the world, the same questions seem to consistently come up: How do you teach film students to write consistently successful short screenplays? How do you plan for a class film shoot during the busy school day? How do you foster a collaborative and supportive environment with your film students? How do you manage equipment and technology in the classroom? As filmmaking tools become more and more accessible, students become ready to explore this art form at an earlier age. This book is dedicated to teaching the youngest generation of filmmakers.

Film Technique and Film Acting

Film Technique and Film Acting
Author: Vsevolod Illarionovich Pudovkin
Publisher: Read Books Ltd
Total Pages: 346
Release: 2013-04-16
Genre: Drama
ISBN: 1446547353

This vintage book contains two pioneering volumes on the subject of film making by V.I. Pudovkin. Considered two of the most valuable manuals of the practice and theory of film making ever written, these texts will prove invaluable for the student or film enthusiast, and are not to be missed by discerning collectors of such literature. The chapters of this volume include: 'The Film Scenario and Its Theory', 'Film Director and Film Material', 'Types Instead of Actors', 'Close-Ups in Time', 'Asynchronism as a Principle of Sound Film', 'Rhythmic Problems in my First Sound Film', 'Notes and Appendices', 'Film Acting', et cetera. Vsevolod Illarionovich Pudovkin (1893 – 1953) was a Russian film director, screenwriter, and actor, famous for developing influential theories of montage. This volume is being republished now complete with a new prefatory biography of the author.

Teaching the Screen

Teaching the Screen
Author: Michael Anderson
Publisher: Routledge
Total Pages: 194
Release: 2020-07-23
Genre: Education
ISBN: 1000247783

Digital video and film technologies are transforming classrooms across the world. Teaching the Screen looks beyond the buttons and knobs to explore ways of teaching video and film effectively in secondary classrooms. More and more young people have access to low-cost filming and editing technologies - mobile phones, computers, portable digital - which is changing the experience of digital storytelling. Approaches to classroom teaching and learning need to change too. The authors offer a new pedagogy of film storytelling that draws on research from effective classroom film learning practice. They contextualise screen learning within different educational settings, discuss how teachers can highlight aesthetics in film appreciation and filmmaking, and explore the impact of different technologies. Teaching the Screen is essential reading for educators who want to create engaging learning and teaching activities with screen technologies in secondary English and other subject areas. 'A well balanced and comprehensive account of the issues in filmmaking likely to be encountered by English teachers. It lifts engagement beyond the usual procedural knowledge level, to one of active critique.' - Sue Brindley, University of Cambridge 'This book has bridged the theoretical and practical without compromising either. It offers a thorough systematic account of theoretical issues and practical techniques in teaching film appreciation and filmmaking.' - Associate Professor George Belliveau, University of British Columbia

Educating Film-Makers

Educating Film-Makers
Author: Professor Duncan Petrie
Publisher: Intellect (UK)
Total Pages: 382
Release: 2014-08-01
Genre: Film genres
ISBN: 9781783202690

"Cultivating Film-makers" offers a timely consideration of both the history and the current challenges facing practice-based film education." "Film schools have been about the cultivation of the film-maker as a cultural activist an artist or even as an intellectual; the fostering of creativity and innovation relevant to particular material, technological and industrial circumstances; and the promotion of the broader social importance of film and television in relation to critical and imaginative engagement, communication and education, representation and self-determination. This book offers a timely consideration of both the history and the current challenges facing practice-based film education, providing both history and provocations for the future of film schools. Written by two long-standing educators in cinema, this is an indispensable read for both film teachers and students alike.

The Education of the Filmmaker in Europe, Australia, and Asia

The Education of the Filmmaker in Europe, Australia, and Asia
Author: M. Hjort
Publisher: Springer
Total Pages: 271
Release: 2013-07-17
Genre: Performing Arts
ISBN: 1137070382

Practice-based film education is a crucial element in the institutional landscape of film. This book fills the gap in understanding practice-based film scholarship, focusing on Europe, Asia, and Australia.

The Art of the Documentary

The Art of the Documentary
Author: Megan Cunningham
Publisher: Pearson Education
Total Pages: 409
Release: 2014
Genre: Biography & Autobiography
ISBN: 0321981928

Provides interviews with fifteen documentary filmmakers in which they discuss their projects from inception to completion.

Creative Filmmaking from the Inside Out

Creative Filmmaking from the Inside Out
Author: Jed Dannenbaum
Publisher: Simon and Schuster
Total Pages: 228
Release: 2010-06-15
Genre: Performing Arts
ISBN: 1451603606

Five keys to creating authentic, distinctive work, whether you are a student, professional or simply love making films on your own For Creative Filmmaking from the Inside Out, three professors at the renowned University of Southern California School of Cinema-Television interviewed fifteen outstanding filmmakers, then distilled their insights into the "Five I's" of creativity. Learn how to: • Uncover your unique creative voice (Introspection) • Work from real-life observations and experience (Inquiry) • Draw on your nonconscious wells of creativity (Intuition) • Strengthen your creative collaborations (Interaction) • Communicate at the deepest level with your audience (Impact) This comprehensive approach provides practical exercises that will enrich and transform your work, whether you are looking for a story idea, lighting a set, editing a scene or selecting a music cue. The participating filmmakers, who have collectively won or been nominated for 39 Oscars and 27 Emmys, are: Anthony Minghella, writer-director (The English Patient); Kimberly Peirce, writer-director (Boys Don't Cry); John Lasseter, writer-director-producer (Toy Story); John Wells, writer-producer (ER); Hanif Kureishi, writer (My Beautiful Laundrette); Pamela Douglas, writer (Between Mother and Daughter); Renee Tajima-Pe?a, director-producer (My America...or, Honk If You Love Buddha); Ismail Merchant, producer (The Remains of the Day); Jeannine Oppewall, production designer (L.A. Confidential); Conrad L. Hall, cinematographer (American Beauty); Kathy Baker, actor (Picket Fences); Walter Murch, sound designer-editor (Apocalypse Now); Lisa Fruchtman, editor (The Right Stuff); Kate Amend, editor (Into the Arms of Strangers); and James Newton Howard, composer (The Sixth Sense).