Editing Reality Tv
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| Author | : Jeff Dawson |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2013 |
| Genre | : History |
| ISBN | : 9781935247081 |
In the ever-expanding world of reality TV, editors wield incredible creative power. They often are responsible for creating a scene's or even an episode's storyline from nothing but a rambling tangle of raw footage. In this sense, they are a show's writers, distilling engaging drama from a murky pool of images and comments. As reality TV invades every channel and time slot, the demand for editors who are comfortable with and conversant in the genre's styles, formats, and requirements increases daily. Editing Reality TV: The Easily Accessible, High-Paying Hollywood Job that Nobody Knows About is the first book to address this burgeoning field. Written in an appropriately casual tone by an author who is well-seasoned in all sorts of reality TV, this guide provides sound advice about finding, landing, and keeping a reality TV editing job. In doing so, it also details the editor's duties and responsibilities, while providing a wealth of invaluable tips and tricks for doing the job well. Book jacket.
| Author | : Manfred W. Becker |
| Publisher | : Routledge |
| Total Pages | : 163 |
| Release | : 2020-10-07 |
| Genre | : Social Science |
| ISBN | : 100020202X |
Creating Reality in Factual Television analyzes the uneasy interaction between economics, culture, and professional ethics in reality and documentary television storytelling. Through the "frankenbite," an editorial tool that extracts and re-orders the salient elements or single words of a statement, interview, or exchange into a revealing confession or argument, the book explores how and why editors manipulate truth in factual television. The author considers how the editing of documentary television is increasingly following reality television’s dictate to entertain instead of inform, how the "real" and the "truth" fall victim to the demand to "tell entertaining stories," and how editors must compromise their professional ethics as a result. Drawing on interviews with 75 North American and European editors that explore their experiences and opinions of reality and documentary television practices, and their views on their responsibilities and loyalties in the field, Creating Reality in Factual Television illuminates the real and potential ethical dilemmas of editorial decision making, the context in which decisions are made, and how editors themselves validate the editing choices to themselves and others. Addressing a dramatic development in contemporary media ecology – the age of "alternative facts" – this book is a useful research tool for scholars and students of documentary film, media literacy, genre studies, media ethics, affect theory, and audience perception.
| Author | : Laurie Ouellette |
| Publisher | : John Wiley & Sons |
| Total Pages | : 598 |
| Release | : 2016-12-19 |
| Genre | : Performing Arts |
| ISBN | : 1119325196 |
International in scope and more comprehensive than existing collections, A Companion to Reality Television presents a complete guide to the study of reality, factual and nonfiction television entertainment, encompassing a wide range of formats and incorporating cutting-edge work in critical, social and political theory. Original in bringing cutting-edge work in critical, social and political theory into the conversation about reality TV Consolidates the latest, broadest range of scholarship on the politics of reality television and its vexed relationship to culture, society, identity, democracy, and “ordinary people” in the media Includes primetime reality entertainment as well as precursors such as daytime talk shows in the scope of discussion Contributions from a list of international, leading scholars in this field
| Author | : Jennifer L. Pozner |
| Publisher | : Seal Press |
| Total Pages | : 393 |
| Release | : 2010-10-19 |
| Genre | : Social Science |
| ISBN | : 1580053750 |
Nearly every night on every major network,"unscripted" (but carefully crafted) "reality" TV shows routinely glorify retrograde stereotypes that most people would assume got left behind 35 years ago. In Reality Bites Back, media critic Jennifer L. Pozner aims a critical, analytical lens at a trend most people dismiss as harmless fluff. She deconstructs reality TV's twisted fairytales to demonstrate that far from being simple "guilty pleasures," these programs are actually guilty of fomenting gender-war ideology and significantly affecting the intellectual and political development of this generation's young viewers. She lays out the cultural biases promoted by reality TV about gender, race, class, sexuality, and consumerism, and explores how those biases shape and reflect our cultural perceptions of who we are, what we're valued for, and what we should view as "our place" in society. Smart and informative, Reality Bites Back arms readers with the tools they need to understand and challenge the stereotypes reality TV reinforces and, ultimately, to demand accountability from the corporations responsible for this contemporary cultural attack on three decades of feminist progress.
| Author | : Misha Kavka |
| Publisher | : Edinburgh University Press |
| Total Pages | : 208 |
| Release | : 2012-02-15 |
| Genre | : Social Science |
| ISBN | : 0748654356 |
This book is a study of the 'Reality TV' format which, in less than a decade, has transformed network programming schedules, branded satellite and digital stations, become a favourite target for anti-television campaigners, and turned viewers into savvy r
| Author | : Brenda R. Weber |
| Publisher | : Duke University Press |
| Total Pages | : 359 |
| Release | : 2014-03-03 |
| Genre | : Performing Arts |
| ISBN | : 0822376644 |
This essay collection focuses on the gendered dimensions of reality television in both the United States and Great Britain. Through close readings of a wide range of reality programming, from Finding Sarah and Sister Wives to Ghost Adventures and Deadliest Warrior, the contributors think through questions of femininity and masculinity, as they relate to the intersections of gender, race, class, and sexuality. They connect the genre's combination of real people and surreal experiences, of authenticity and artifice, to the production of identity and norms of citizenship, the commodification of selfhood, and the naturalization of regimes of power. Whether assessing the Kardashian family brand, portrayals of hoarders, or big-family programs such as 19 Kids and Counting, the contributors analyze reality television as a relevant site for the production and performance of gender. In the process, they illuminate the larger neoliberal and postfeminist contexts in which reality TV is produced, promoted, watched, and experienced. Contributors. David Greven, Dana Heller, Su Holmes, Deborah Jermyn, Misha Kavka, Amanda Ann Klein, Susan Lepselter, Diane Negra, Laurie Ouellette, Gareth Palmer, Kirsten Pike, Maria Pramaggiore, Kimberly Springer, Rebecca Stephens, Lindsay Steenberg, Brenda R. Weber
| Author | : Wendy N. Wyatt |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 213 |
| Release | : 2012-05-10 |
| Genre | : Social Science |
| ISBN | : 1441179348 |
Reality television is continuing to grow, both in numbers and in popularity. The scholarship on reality TV is beginning to catch up, but one of the most enduring questions about the genre-Is it ethical?-has yet to be addressed in any systematic and comprehensive way. Through investigating issues ranging from deception and privacy breaches to community building and democratization of TV, The Ethics of Reality TV explores the ways in which reality TV may create both benefits and harms to society. The edited collection features the work of leading scholars in the field of media ethics and provides a comprehensive assessment of the ethical effects of the genre.
| Author | : Shannon Kelly |
| Publisher | : Greenhaven Publishing LLC |
| Total Pages | : 122 |
| Release | : 2013-03-01 |
| Genre | : Young Adult Nonfiction |
| ISBN | : 1420509055 |
According to a CNN 2013 article on reality TV and youth, behavior portrayed on some reality TV programs is inspiring real-life bullying amongst teens. Research by psychologists at Bringham Young University concluded that aggression in the brain is activated and motivated when youth watch reality TV. This engaging edition looks at the incredibly popular, ever evolving, and divisive form of entertainment that is reality TV. The book looks at what is defined as reality television and provides a brief history of the genre. It discusses why the format appeals to television producers and how it has been received by audiences. Criticisms of the genre are discussed and arguments that point to redeeming qualities of the shows are also examined. The volume includes discussion questions for each chapter and sources for further research on the topic.
| Author | : Walter Murch |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2001 |
| Genre | : Digital cinematography |
| ISBN | : 9781879505629 |
| Author | : Richard M. Huff |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 200 |
| Release | : 2006-06-30 |
| Genre | : Performing Arts |
| ISBN | : 0313086176 |
Reality programming—a broad title for unscripted shows that involve non-actors—is really an updated version of a classic television genre that had its first successes decades before The Real World or Survivor made their premieres. NBC launched Try and Do It, a show in which audience members attempted to complete tasks such as whistling with a mouthful of crackers, in 1949. In the 1950s Queen for a Day crowned the most down-trodden of its four contestants, draping her in a sable-trimmed robe and granting a previously declared wish. The wild success reality television has achieved of late has pushed the envelope of such programming ever further away from the genre's innocuous beginnings. The time is now ripe for a look back on how this genre has developed, what it reveals about us, and what has transformed it into one of the most powerful forms of entertainment on television today. Reality programming—a broad title for unscripted shows that involve non-actors—is really an updated version of a classic television genre that had its first successes decades before The Real World or Survivor made their premieres. NBC launched Try and Do It, a show in which audience members attempted to complete tasks such as whistling with a mouthful of crackers, in 1949. In the 1950s Queen for a Day crowned the most down-trodden of its four contestants at the end of each show, draping her in a sable-trimmed robe and granting a previously declared wish. The wild success reality television has achieved of late has pushed the envelope of such programming ever further away—from the genre's innocuous beginnings. The time is now ripe for a look back on how this genre has developed, what it reveals about us, and what has transformed it into one of the most powerful forms of entertainment on television today. Using interviews with network insiders, reality producers, and other experts, Richard Huff supplies fascinating insights into the diverse content and often erratic development of reality television programming, augmenting this information with illuminating general connections between the past and present forms these shows assume. From Queen for a Day through Extreme Makeover, from Cops to Fear Factor, the genre is placed before us in this exhaustive and many-sided account, an account that uncovers the foundations and the future potential of the compelling and dominating phenomenon that is reality television.
